New Uses for Coffee Cozies

I have this compulsion to crochet coffee cozies. I've made dozens and no two are alike. So far 2 designs are published, one in Crochet Today! and one by Berroco (scroll down to see pics in righthand column). It's a fun way to turn a swatch into something or to use a small amount of highfalutin' yarn that I'll see and touch a lot. I never have to use a cardboard coffee sleeve again--they're ugly, boring, and wasteful, and so is the doubled-up paper cup. The colors and textures of a crocheted cozy, on the other hand, fire up some brain neurons while the fresh-roasted coffee fires others.
I have too many now, so the ones I haven't given away have little jobs to do. My first attempt at felting a cozy works well as a bungee thingee in my car. The cup holder in my car was SO LAME until I stuck a coffee cozy on it. Now things are bungeed to it.
A coffee cozy that I made in a basket shape (has a bottom) out of stiff hemp is a perfect place for my sunglasses. I have also put crochet hooks in it in a pinch.
Exhibit C demonstrates the way a coffee cozy is the perfect size for keeping a ball of crochet thread from unwinding. (Even though this cozy has an open bottom, the thread doesn't fall out.) I first discovered this use when I had a cozy in my purse and wanted to throw a ball of crochet thread in there but didn't want it rolling around.
Some other uses for coffee cozies are:
- Tunnel for pet hamster
- Experimental sleeve cuff swatch
- Wrist cuff, watch band --see Robyn's "Beer Bracelet"

The REAL Kooky

Here's the actual cover of the book. The ski mask cover shown in the previous entry was the working mock up for the past 6 months or so. I think it's still showing at Amazon, but you need to be thinking Pink Wig now. No more ski mask. It's pink wigs from now on.

So who designed the leg and hand warmers?

Good times.

Kooky Approaches!!

Here are appetizers of some designs I did for the forthcoming book Kooky Crochet. You're looking at fingering weight alpaca, silk, cashmere, and merino. Tasty?

For dessert, some Jelly Yarn(R). What kooky crochet book would be complete without it?

An advance copy of the book has been sighted at the publishing house!!

The rest of the copies (mine for example) are on the cargo ship. I'm having trouble waiting! Consider some of the designers: Marty Miller! Tammy Hildebrand! Gwen Blakley Kinsler! Myra Wood! Pam Shore! Jennifer Hansen! Drew Emborsky! Regina Gonzalez! Sharleen Morco! Sharon Mann! (Someday I hope to meet the rest.)

Kooky designs are a BLAST to do. Wouldn't a "Kooky Volume II" be swell?

'70's Read-Along Book #6: Adventures in Crocheting

[W]hen clothing is made from some of the very unusual and interesting pattern stitches herein, the pattern stitch itself becomes the style, and it should not be obscured or belabored by complicated styling known as high fashion, which usually enjoys so short a period of popularity that it is often out of style before it is finished. Most certainly an item lovingly made by hand over a period of weeks or months, and with it a joyous anticipation of the item finished, should be of such simple lines that it will stay in style until it has worn out.
Barbara Aytes, 1972

It is with regret that I return this book to the public library. I hold pretty much the opposite position toward fashion crochet than Ms. Aytes does in the above quote but it won't stop me from adding a copy of this book to my collection when I get a chance. The content is solid, accomplished, and well-rounded. The author certainly met her stated goal: to "strike a happy medium between those books which are full of pattern stitches and nothing to make, and those which are full of items to make and few or no pattern stitches".

Maybe now would be a good time for me to state a personal bias: I'm not interested in making or wearing timeless fashions. I don't shop for them and designing them is not a meaningful career for me. Designers who appreciate timeless fashion are the ones who do it the best and so I'm happy to leave them to it and remain impressed from afar.

The opposite is what I buy, wear, crochet, and design: trendy. I think the world can never have enough trendy crochet patterns and I'd produce far more designs than I do if I humanly could. I even teach a class on designing trendy crochet at the CGOA conferences. Contrary to what timeless crocheters say, I think crochet is well-suited for trendy projects because:
- crochet itself continues to be a trendy look in the larger fashion world (yay)
- the internet offers a whole new opportunity for trendy crochet patterns to reach the widest number of crocheters a.s.a.p.
- you can crochet it with plenty of time to wear it, and make more for your friends and relatives too! The amount of time it would take me to sew a garment is roughly comparable to how long it would take me to crochet it. This is the exact opposite of what Ms. Aytes says--that by the time you put in all that work crocheting something fashionable, it's out of style. This is the amazing versatility of crochet: both Trendy and Timeless crocheters can be right!

Back to the timeless book: Ms. Aytes' designs have the kind of simple lines of good proportion that I admire in timeless designs. This is one reason I want to own the book. She offers a range of slippers, for example, that are great to have on hand as templates if nothing else. Remarkably, I can imagine wearing many of these designs even though:
- they are photographed flat in black and white;
- they are intended to look timeless, and did I mention timeless is not my thing?;
- we're talking 1972. (I think of myself as 1970's-friendly, yet so far as I review these books I often cringe.) Compared to many early '70's crochet books, the photos are high-quality, the projects are well-finished and blocked, and the overall selection of projects is sound.

Viewed within the context of my project of reviewing pioneering 1970's crochet books, the author's goal is not exciting enough to justify having the term "adventures" in its title. I was a little disappointed in this respect, but the book makes up for not delivering a promised adventure in other ways. Besides offering a thoughtful collection of timeless designs, the stitch patterns are thrilling! Each crocheter is probably unique when it comes to what counts as thrilling stitch-wise. For me, it's how uncommon it is, how difficult it is for me to figure out how it's done by looking at it, and if the solid-vs-open shapes the stitches make are distinctive. Out of about 65 stitch patterns provided, only about 5 appear in every crochet book ad nauseum (plus another 5 or so motifs); the rest are unusual somehow. A few are downright alien to me {{said with shiver of delight}}.

When I began this '70's book review project, I envisioned zipping through what I had on hand in Jan-Feb'07 while taking a vacation from design deadlines. As people emailed me titles of books to add to my reading list, and as I immersed myself in reading them, I stopped expecting to skim and gab, and instead, ponder and savor and try to give each book its due. Now it's mid-April and I have design deadlines and then prep for conferences to do. So the bad news is that these '70's book reviews are going to slow to a crawl; but the good news is that I'm in it for the long haul--I'm NOT stopping. It's way too rewarding. Heck, I haven't even gotten past 1973 yet!

Satin Ribbons Ponchini: Visual Aids

This design appeared in the November 2006 issue of Crochet! magazine (scroll down to see official photo in righthand column of this blog). The yarn is "Pizazz" by Caron and I loved working with it because the stitches plump up and have a rich look and feel. So naturally I swatched up some puff stitches as you can see in the swatch. In those vivid colors the stitches look like gems to me.
In the more muted rose shades the puff stitches looked more like rosebuds--I wish I had a close-up pic of those. I found a stitch pattern in a Japanese stitch dictionary that I modified so that the puffs are puffier and so that it could be worked in the round.

"Black Tie Buttercups": Visual Aids

This design appears in the 2006 book, 100 Purses to Knit and Crochet by Jean Leinhauser and Rita Weiss, p. 102. Above is the sketch and below is what the finished crocheted piece looks like before lining, seaming, and adding velvet and the handles. The finished purse is pictured with my other published designs in the right-hand column of this blog (scroll down).
The yarn is Lion Brand's Microspun, appropriately named 'Buttercup'! The non-buttercup rows, which are plain half-double crochet, are where the black velvet ribbon will be placed after the whole piece is folded in half and seamed up the sides.
In white or cream, buttercups become stephanotis and orange blossoms, in periwinkle blue they become forget-me-nots, in lavender they become lilacs (which I really miss since leaving Wisconsin), and in hot pink or ruby red they become four-o'clocks and geraniums. Linen yarn space-dyed in mauves might become hydrangea (which I also miss).

'69 Iris Rathbone Followup; other news

In my review of Iris Rathbone's 1969 book, I mentioned a stitch pattern that caught my eye.The purple and red swatches on the left only are the Rathbone stitch pattern in two very different yarns. I can't show more of the swatches because then we get into confidential designing information.... It's basically clusters of chain-3 loops so that they look like a cross between picots and a shell or v-stitch. Works up fast, faster than the picot-laden stitch pattern on the right (also shown in two very different yarns. You can can see the instructions for this one here.)

My left brain says these 2 stitch patterns have nothing in common but my right brain says, "I'll always love the look of the picot one even though it's kind of slow-going. When I want the same picot effect but fast, Rathbone's could do the job." (By the way the lefthand swatches look flatter than they really are. The free ch-3 lps form lacy nubbies.)

In the same review I also mentioned that I might find a photo of my attempt at safely removing previous rows from crocheted fabric. Does this old photo make sense? The stitch pattern is double-treble (dtr) filet. First I threaded a contrasting cord through the feet of the dtr that would become the new bottom row. Wherever the dtr were connected to the dtr below it, I wove the cord. That way, when I cut through the middle of the dtr row below and removed the remnants, the cord gave the dtr's of the next row something to hold onto.

So in the photo you can see that 4 dtr have been freed from the row below it (click on it for a closeup). It was so scary at the time that I took this picture. I suspect it's as terrifying for a crocheter as steeks are for knitters!

Then you just make a new foundation chain for the feet: In the case of this filet pattern, slip stitch into the feet of the first dtr, (chain 1, sl st in the feet of the next dtr) across. It looks 100% like it has always been the foundation chain.

Sorry it's novelty yarn but the open filet pattern helps make the photo informative. If have time someday I'll do this to a swatch of smooth yarn for a better pic.

Two Crochet Books from 1969

I'm only going to mini-review two books first published in 1969 because they lie just outside the stated scope of the '70's crochet read-along: Crochet: A Modern Guide to An Ancient Craft by Iris Rathbone, and Fashion Crochet by Caroline Horne.

The dustjacket of Ms. Rathbone's book looked very promising to me (a stylish and hip young woman wears a crochet dress in a '60's glam shot) but the excitement fizzled out as I actually read the book. It's not a bad book, it's just basic and boring. Thank goodness for the color plates because the majority of the images is pretty poor.

The author wants to get young stylish people crocheting and the book is small and portable. I pity the person who actually tried to learn how to crochet for the first time from this book, though; most of the illustrations of how to make basic stitches are so unclear that they almost look like woodcuts with yarn plies drawn so boldly that you can't make out the stitches! Photos of stitch patterns are so muddy that I had to try one because the instructions sounded unfamiliar. I got lucky: I discovered a little gem of a stitch pattern this way. If this new stitch pattern is the only thing I gained from reading this book, I'm content. I'll post a photo of it and and instructions later.

Ms. Rathbone shows a designer's flare. Her beret and mitten set is strikingly bordered with shells of contrasting colors, she seems to prefer triangular granny squares, and she fearlessly teaches the presumably new crocheter how to make a cocktail dress, a maxi- and mini-length lady's dress, and a blouse top. I was impressed by the section showing how to remove earlier rows of crochet from a piece. I don't remember seeing this explained elsewhere back when I needed to do it, so I figured it out on my own at the time. I'll see if I can rustle up a photo illustrating this also.

The drawings and photos in Ms. Horne's book are a big improvement over Rathbone's, however there are zero photos of finished garments. Like Rathbone, this author assures the reader that crochet is so easy that after learning a few basic things you can now crochet pants, a pair of stockings(!), a tailored suit with raglan sleeves, a coat and dress ensemble, and a blazer. These are illustrated only with shapely drawings so a beginner following her patterns would probably be in for a rude awakening.

I appreciate the range of stitch textures the author featured in her garments and she offers a hat with unusual construction (you crochet a long mini-ruffled strip first, then sew it into a coil shape over a stiffener). Her love of wearing her own crocheted clothes is obvious and she offers four methods for altering the hemlines of crocheted skirts.

Both authors are acutely aware that in 1969, beginning crocheters will want to be able to crochet fashionable clothing and a bit of bold home decor. Both of these books differ from the '70's books I've reviewed so far because neither complain about old-fashioned crochet but instead give it its due. They both have a sophisticated, cosmopolitan sensibility (esp. the Horne book) whereas often the '70's authors set out to show you how to crochet earthy, casual, more guileless-looking stuff. Fashionable folks who lived through the late '50's and then the '60's must have had vertigo by the time they got to the '70's! I wonder what fashion sensibility we're 'hooking' into for 2007?

Next '70's book to be reviewed: Adventures in Crocheting by Barbara Aytes (1972).