Photographing Beaded Crochet Jewelry

Bivector Bangle, wide

I've been floating on a cloud about my beaded slip stitch crochet discoveries. Not only do the little beads settle in to their assigned seats neatly and without fuss, they do so while showing equally on both sides of crochet jewelry. Nary a strand of thread covers them! In person they're like little stained glass candies! (Usually, crocheting with beads causes them to show more on one side of a crochet stitch than the other.)

And so now to convey my discovery in photos...

How to show light through the beads, though?

Hmm.

How to photograph several bangles at different heights with light shining through them? This is a different challenge from photographing a crochet bathmat on a floor, a shawl on a mannequin, or a toy. (see examples below)

After all the crochet photography I've done since going indie about 3 years ago, it occurred to me to blog about this only now. 


Last week I created the "From Crochet Design Idea to Professional Proposal" handout for CGOA's PD Day (Professional Development Day). A designer's photography skills are now much more important than when I first started designing eight years ago.

Better, but I don't want to see only the inside.

I thought it was just me being picky about how my crochet looks in photos vs. in person, yet intimidated by my camera and photography jargon (as if others aren't). I thought I had to accept photography as part of the skill set needed for indie publishing (as if freelance designers for publications don't need it). 

Knowing that Doris has gone through a similar development, I then thought it was just us; but other designers are now blogging about their journey with crochet and knit photography.

Shocking to me is this new development: some editors seem to think the quality of a designer's photo can make or break the impact of a design submission. 

This is one of 15 similar shots. Not bad. The beads look
more lit up like they do in person.

This was not the case back when a sketch was the primary visual aid. The ability to capture a design feature in a photo should never be equated with the ability to design! The two skills are radically different. I'm posting links about this at my website as part of my new crochet class resources archive.

Thirsty Twists Bathmat: I get a lot
of compliments on this photo.

The Bivector Bangles photo shoot reminded me of my earlier travails with the two beaded rows of my Tunisian Petals ring scarf. 


The Case of the Beaded Tunisian Lace Petals

Tunisian Petals is a loop scarf design I released as a Tunisian crochet lace pattern in Spring, 2011. I used beads in only the final two Tunisian Purl rows. The pure cashmere yarn was a delicate shade of petal pink (a bit paler than in the photo above). The only beads that looked right were colorless iridescent size 6/0 seed beads a.k.a. "E-beads".

Tunisian Petals: nice photo but where are the beads? 

Pink is a bit intense, beads are finally iridescent. Stitches look stringy 
because I sharpened the photo too much when editing it. 
Sharpening can really bring out the beads but make stitches look "crispy." 
Too much contrast takes all the softness out of cashmere. Mohair too.

My other goal in adding these beads was to distract the eye from a seam there, and it succeeds! So how to convey this design feature in photos?

The whole effect is exquisite in person. I ended up taking 79 photos in every kind of lighting and arrangement, still unable to capture in a photo what I was seeing in person.

Well, the effect was too subtle for a rookie photographer like me.  Basically, when the stitches look their best, or the yarn color, the beads don't, and vice versa. 

What I've learned since then:

1. I wouldn't try to make one photo capture everything equally well. 
2. I'd make better use of my macro lens to try to get a magical close up of the beaded feature. Perhaps create a montage photo of different views in one.
3. I'd do an alternate swatch in a yarn of different fiber or plying or sheen. I'd use beads with silver- or gold-lined holes for sharper sparkles.



Here's Petals in the cooler colors of our new Lotus yarn.

4. It turns out that photographing beaded crochet clothing is more like photographing crochet jewelry than non-beaded clothing. I've learned that these are different photography skill sets.

Another thing I learned from comparing the Bivector shoot and the Petals shoot is about color. As a photography beginner, I'm better off when I avoid oranges, reds, and some pink yarns, in favor of greens, blues, and neutrals. This is because I often struggle to capture complete stitch definition in the red spectrum. Red beads sure glow, though! 

How a Calligraphy Passion Inspired "Lovepod" Love Knots

Top half of my first business card

When I was a teenager some decades ago, I learned how to do calligraphy. The old-fashioned kind appealed to me the most -- gilded ornate first letters and flowery scripts. I learned about fine old parchments and vellums and 'aged' them with tinting. I even tried charring the paper edges.

Lovepod inspiration

Lovepod Boa

I loved calligraphy so much that my mother's friends paid me to "write pretty" on invitations and on framed parchment as gifts. More requests came from their friends of friends, and I soon had the start of a calligraphy business in my little midwestern town.


When I moved to Seattle in my twenties, I worked first in a flower shop, then at a dessert cafe and catering company where my employers put my calligraphy to new uses.

1980's promo dessert price list

When I look back on it now, the spidery lines that I could make with fine pen tips and ink bottles felt a lot like crocheting lace with fine thread. Thinking about where to embellish lace with beads or special stitches is like adding little flourishes on and around formal lettering.

A big difference between crochet and calligraphy is that I can just rip out a faulty stitch, whereas with calligraphy, I often had to start over completely!

These love knots have something of a
botanical look too. Palestrina Lace

Love Knot Nakshatra Wrap

The reason my old calligraphy days have been on my mind lately is that I've been bringing together all of my crochet experiments and ideas for my upcoming Love Knot Adventures class. 
(Sorry--that class just sold out. But here's the recent newsletter issue I wrote on Love Knots. See the image gallery links in it. Here's another link too, if you're a Ravelry member: I just created a Love Knots-only category of my Ravelry projects, which are the not-yet-published designs.)

One of my early calligraphy pieces

The Lovepod Boa is one of the first crochet designs that I was excited to publish myself. It was directly inspired by my favorite method of embellishing my calligraphy, especially the fancy initial letter: I loved adding leafy, budding vines and sprigs, and tinting them. Sometimes I gilded them with a bit of silver or gold, such as the "Irish Lullaby" title at right (the entire poem is embellished like this!).

Close up of Love Knot network

Lovepod Boa, 'gilded'

I remember travelling to another place in my mind while I added these ethereal little sprigs and flowers. When I first crocheted love knots* with fine mohair yarn, the same daydream came over me again. The idea for the Lovepod Boa came from this place. 


*Here's the usual string of alternate names for this stitch: Lover's Knot, Solomon's Knot, King Solomon's Knot, Knot Stitch, Hail Stone Stitch; in Portuguese ponto segredo). It's used in Turkish Oya crochet too, but I don't know what the stitch is called.

Crochet Jewelry Class: Resources

Tomorrow I teach a class in Sarasota, Florida on crocheting jewelry--a.k.a. "jewellry," "jewerly," "jewellery" and other favorite spellings :-)  

Love-Latches (convertible crochet jewelry)

For all of my crochet classes I include a page of resources in the handouts (helpful links, books that I recommend, etc.). However, my jewelry class handout is already several pages long due to so many close-up photos. 

The best class handout for jewelry crochet needs to show several close ups of those precious little details and special crochet stitches that make crochet bracelets, necklaces, rings, brooches, and earrings so fun to make and give as gifts. What to do? 

Irish Pearls

Today I hit on a great idea: I'm going to post the Crochet Jewelry Class Resources list HERE IN THIS BLOG POST! See below. Cool idea, right? This way they're clickable URLs. Also, crocheters anywhere can refer to it, even if you can't attend the Sarasota crochet class tomorrow. (If you think you can attend, it will be held from 1 - 4 pm on March 24, 2012 at an easy-to-find yarn shop on South Tamiami Trail called A Good Yarn.)

[Hi, this is FutureVashti from 2018. See the class resources for all of my classes at my new blog!]

Crochet Jewelry Class: Resources

All class content ©Vashti Braha. Resources recommended for a three-hour class held March 24, 2012 at A Good Yarn yarn shop in Sarasota, Florida USA; and taught nationally at the CGOA Chain Link conference in Reno Nevada in 2012. Please see this blog post also for more crochet jewellery resources I like.

(This is what my shop's crochet jewelry page
looked like in 2012!)

My published Jewelry Crochet downloadable patterns

Some of my not-yet published Jewelry Crochet projects

Crochet Inspirations Newsletter Topics:

Issue #43 "Crocheting Pure Silver Wire"
Issue #38 "A Jewelry Experiment Method"
Issue #17 "Fancy Cords in 360º"

Issue #16 "Flavor-Burst Crochet" (Get jewelry effects with simple stitches) 

Issue #8 "Crochet's Commutative Property" (Convertible crochet projects) 

Issue #18 "Deep Crochet Research" (Foundation Stitches)

Blogged:

"How to Crochet Spiky Puff Stitches" (as used for Palmetto Cuff pattern; with video)

"How to Make a Bead-Stringing Needle (and Why)" 

"Standard Necklace Lengths" 

"Crochet Cords for Pendants: Happy Pairings" 

"Cotton Crochet Thread Sizes and Equivalents" 

"Choosing Cotton Thread for Crochet Jewelry" 

"Using Crochet Jewelry With Wire Free Patterns" 

"Poem-Lariat for a River Goddess" (Freeform Trailing Vine Lariat design)

"Jewelry Design Tips" 
"Photographing Beaded Crochet Jewelry"

Books I've consulted. The most recently published are listed first with short descriptions of the books I recommend and use the most & why:  Click on a title to go to the book's Amazon page for more information.

2010. Ann Benson, Tapestry Bead Crochet: Projects and Techniques. Lark Crafts. This is my favorite source for this specific type of bead crochet. Not only is it very inspirational for me, it also is written by someone who is obviously a good teacher. She even created many of the excellent illustrations.     Author's site: beadseast.com

2009. Pat Harste, Hooked on Jewelry. Sixth and Spring Books. This is my resource for how to use stylish and traditional metal jewelry findings with fiber crochet jewelry designs, and why I might want to. I usually prefer to crochet them, but this author uses them in such an inspiring way. I also love the way the book makes it clear and fun to learn about the jewelry tools and supplies.  Author's Ravelry page.

2007. Waejong Kim and Anna Pulvermakher, Crochet Jewelry. Interweave Press.  This book combines a creative and exciting array of jewelry designs by several crochet designers. I use it as a resource of other designers' "lab notes" and results crocheting jewelry with eclectic materials. (Scroll halfway down through my other blog post for more on this.)

Size #20 crochet thread pendant cords;
some are published in Jewelry With a Hook.

2007. Terry Taylor, Jewelry With a Hook. Lark. Like the Waejong Kim book above, this book is a wide-ranging compilation of creative jewelry crochet designs and materials. So I use it foremost as a source for "lab notes" (how other designers combined eclectic materials). In addition, I like the "Crochet Basics" section at the back of the book. (I would still value this book the same way even if it didn't include four designs of my own.)

2006. Carol Ann Ventura, Bead and Felted Tapestry Crochet. Self published, ISBN 978-09721253-2-1. Carol Ventura is the queen of tapestry crochet in crochet circles, and her self-published books are the next best thing to taking her classes at the CGOA conferences. The one I have includes sections specially for left handers, and for working flat vs. in the round. Author's site: tapestrycrochet.com

2005. Adele Rogers Recklies, Bead Crochet Snakes: History and Technique. This book fascinates me. I had no idea of the history and art of bead crochet ropes as snakes. Beautiful examples. Self published: Reckless Beading Press, ISBN 978-0-9791649-0-3.     Author's site: beadcrochetsnakes.com 

2004. Bethany Barry, Bead Crochet. Interweave Press. This book used to strike me as odd (like the Neiman book below), but not anymore, now that I understand the differences between beaded jewelry that happens to be crocheted, vs. crochet that is used for jewelry and that may include some beads. In other words, jewellery crocheting lies at an intersection of two industries: the crochet ('handknitting') yarn industry, and that of the beaders and other non-crochet jewelry making hobbies, like wirework/wire-wrapping, micro-macrame, etc. The basic materials, tools, and vocabulary can be very different. It's more obvious when you visit a bead shop and then a yarn shop; or the crochet aisle, then the jewelry aisle in a craft store!  Author's site: bethanybarry.com

2004. Lily Chin, Knit and Crochet with Beads. Interweave Press.  A masterful reference especially for exploring the choices crocheters and knitters have when incorporating beads into several kinds of projects besides jewelry.  Author's  site: lilychinsignaturecollection.com

2004. Sherri Haab, Designer Style Jewelry. Watson-Guptill. I enjoy having this one on hand for the techniques I hope to try someday, for example, using resin to create pendants and charms, which would be easy to combine with crochet; or updated possibilities with that "ShrinkyDink®" material I LOVED as a kid. So it has a great list of suppliers at the back of the book.

2004. Mary Libby Neiman, Bead Crochet Basics. Design Originals booklet, ISBN 978-1-5742153-4-2. This slim book is a good reference for me because I'm a newbie when it comes to a particular type of crochet jewelry: "beaded ropes" a.k.a. "tubular bead crochet." The idea is to see all seed beads, no crochet stitches. (Also see Ann Benson's Tapestry Bead Crochet, above.) Like I described Bethany Barry's Bead Crochet book above, this one used to confuse me as a crocheter. Part of the confusion is that both titles use "bead crochet" in a much more limited way than I would with the crocheters I know. Both also seem to be written by and for a general beading/bead shop audience rather than a crocheting audience.   Author's site: d-originals.com

1997. Lydia F Borin, Beadwrangler’s Hands On Crochet with Beads and Fibers. I was happy when a copy of this book fell into my lap because I'd tried to locate a copy for several years, after learning so much about the topic at the author's site, below! Self published: Lyden Enterprises, ISBN 1-891302-01-9.     Author's site: beadwrangler.com

Poem-Lariat for a River Goddess: a Crochet Necklace

Aquamarine Réclamé Poem-Lariat 
(a Trailing Vines Lariat) ©2011

I call this freeform crochet jewelry the Aquamarine Réclamé Poem-Lariat:
  
'Réclamé' (reclaimed) because I recycled the aquamarine gem chips from an old necklace.
  
'Lariat' because the clasp is decorative, worn in the front, and slides for different styling options. Here the crochet clasp is a flower basket. It's a fun feature of my new Trailing Vines Lariat crochet jewelry design. 

See the other two versions below; try a section of the pattern! It's included in yesterday's newsletter issue #17, "Crocheting Fancy Cords."

'Poem' because of the river goddess Sabrina, who gave her name to the River Severn. 'Sabrina' is the poet John Milton's preferred version of 'Severn' which is the preferred version of an old Celtic word. 
  
Anyway, Milton wrote this famous verse in his larger work Comus. I love it so much that I memorized it as a teenager and used it for a calligraphy project:
   

Aquamarine Réclamé Poem-Lariat

   Sabrina Fair
   Listen where thou art sitting
   Under the glassie, cool, translucent wave,
   In twisted braids of Lillies knitting
   The loose train of thy amber-dropping hair,
   Listen for dear honour's sake,
   Goddess of the silver lake,
   Listen and save! 

Sabrina would save the aquamarine chips from an old necklace too, I just know it. Especially if she brought them home from Cassadega, Florida as a souvenir. The unusual town was founded in 1894 as a spiritualist community. Incidentally, the name means "water beneath the rocks."

   

The yarn is also a poetic choice: it's composed of organic sugar cane (Araucanía Ruca Multi). The aquamarine chips looked like sugar crystals as I crocheted them into the sugar-yarn. I thought about how sweet water can taste sometimes. Surely it tastes sweet to Sabrina.
   

©2011 Vashti Braha

©2011 Vashti Braha 

I subconsciously associate aquamarines with mermaids, naiads, sylphs, water deities--Milton's "goddess of the silver lake," and Nimue or Viviane, the "Lady of the Lake" in Avalon. I would envy Pisceans their aquamarine birthstone except that I also like mine, the amethyst (see below).
   

Photo from PaganPages.org

Aquamarines are rather crudely marketed. Strong-colored specimens have likely been cooked, and if you see a lighter strand, notice how they're strung on a cord that's a strong shade of what we tend to think of as "aquamarine."   


Unstrung, the gem is watery-looking and usually nearly colorless. (I've noticed the same thing with rose quartz jewelry: look for whether it's strung on a stronger pink cord to make you think the stones are more pink!) 

I had to make my own beading needle
for these aquamarines.

   
When I rescued these bead chips from the old yellowed (though "aquamarine"-colored) necklace string, I wasn't sure if I'd find out that I'd been duped. What if they were plain old quartz, or worse, glass? They seemed colorless until I sprinkled them onto white paper; then they showed a lovely pale watery-blue tint. I was hooked. Every aquamarine that I could reclaim and load into my crochet stitches was sheer joy. 
   
Something's been nagging me about this verse, though. Milton says 'knitting,' but crocheters know that half the time 'crocheting' is actually meant. That's just the way life is. (I'm suspicious of the term 'plaiting' for the same reason.) 

Let's try it:
   
     In twisted braids of Lillies crocheting
     The loose train of thy amber-dropping hair,

© 2011 Vashti Braha (Silk yarns; Amethyst chips at right)
Trailing Vines Lariat

It does makes more sense, in context. It's so easy to finger-crochet. If I were a river goddess, I'd be stringing pearls and aquamarines and moonstones, then finger-crocheting them into my hair, seaweed, vine tendrils....

A Year Full of Crocheted Accessories! Have a Favorite?

Satin Pillows Necklace

Sterling Boutique Handbag

Tunisian Islander

Onefellswoop FlexMitts

Until I learned this month that I'm a finalist for the Crochet Liberation Front's Best Crochet Designer for Accessories award, I didn't realize how many accessories I designed in 2010! 


I've been staying out of trouble, writing up new crochet patterns, learning how my new website works, and how to make downloadable PDF's look the way I want them to--stuff like that.


I'm still a bit stunned: I'm very honored to be nominated and to share the honor with the other designers in this category.  Makes me wonder if I should write a book of accessories to crochet LOL. I guess these patterns can pile up if one keeps designing them, huh. 

Pallas Scarf

Weightless Tunisian

I don't think of them as "accessories" though. Maybe that's why I didn't realize how many I designed in a year. The crochet jewelry designs, especially necklaces & lariats, feel like they're from a different part of my brain than, say, Tunisian shawls and wraps. 


Remember that cowl fever I caught? Cowls, mobiae, and scarves are their own thing too. So are handbags, and fingerless gloves. 

Lovepod Boa

Stitchmerge How-to

(And then that Lovepod Boa, see at left--I don't know which part of the brain that one came from. Is it jewelry worn as a scarf, or vice versa?)

The Crochet Liberation Front created the Flamies Awards about three years ago, and the winners are announced on a special episode of Mary Beth Temple's Getting Loopy podcast. ("Flamies" refers to flaming hooks of justice!)

Chainmaille Cowl-Scarves

Frostyflakes Superpattern

Voting for the Annual Flamies Awards begins this week: March 15. I'm very excited because in only three years it has become the "academy awards" for crocheters. 

Aran Rozsanas Superpattern

1380 Cashmere Picots

Do you have a favorite DesigningVashti crochet accessories pattern?

Christmas Crochet Vest with Silk and Beads

I've been crocheting straight through the holidays! This fancy vest is the laciest of my December projects. At right is a temporary experiment in wearing it backwards, as a tunic. I really like the neckline of it.

I see "Alezannah" when I look at this lacy beaded red silk, maybe because both of my grandmothers have been on my mind a lot this month. The mysterious* name Alezannah is a women's name used over many generations on my mother's side of the family. Sometimes it was spelled Alzanah or Alzannah. A lovely riff on the name is my maternal grandmother's: her name LeeAnna was intended to be an updated version.

Here's LeeAnna holding me when I was almost six months old.

My sister and I called her Mamie and my grandfather Papa. I loved using these names, which are somewhat mysterious** also. I would like to be called Mamie too if I become a grandmother.

My husband went to a local yarn shop and picked out some fabulous yarns and this is one of them! He couldn't wait until Christmas to give me Tilli Tomas Beaded Plie. I knew I wanted to wear it around my shoulders somehow to a holiday party, so I Vashti'd up a stitch pattern that I've always wanted to use with the right yarn.
At left is a cellphone photo taken at the party two nights ago. That's my friend Colette, who coincidentally planned to wear the same yarn to the same party. (She used the Frostyflakes pattern.)

I tried on Alezannah every which way before I created the sleeves. So, in this photo at right (another grainy cellphone shot) I tried it as an asymmetrical wrap. I get great design ideas this way, for example the v-neck top in the first photo. Same thing happened with the Waterlily Layer when I discovered it can be worn upside down and backwards!

*The Alezannahs in my family tree were of English and German descent, as far as I know. The name fascinates me and I've never found it in name books. It seems like an unusually exotic name for generations of rural midwestern ladies. If you know anything about this name, please let me know!

**I'm told these are French names for grandparents; not typical for Ohio LOL. Perhaps the French ancestry on my maternal father's side is more than a sliver? I haven't met anyone else who uses these names for their grandparents (not that the subject comes up with everyone I meet).