Crochet Flowers and Hearts Make Great Test Shapes!

Back-loop Slip Stitch Heart & Front Loop Slip Stitch Heart
Update: Slip Stitch Heart pattern at my new blog!

I'm testing shaping methods for my upcoming Slip Stitch Crochet Shapes FX class. 

A sweet surprise is that heart shapes, roses, and other flowers are especially useful ways to try out shaping methods!

Different Slip Stitches in a Variety of Rose Petal Shapes

Not only are hearts and flowers distinctively shaped, they can also be: 

• Scaled up or down to the swatch size I prefer,
• A two-dimensional rendition, or as 3-D sculpted as I wish,
• Recycled later into appliqués, jewelry, patch pockets, pincushions, coasters, etc.
• Practice for sleeve cap shaping and other useful applications.

I've also been curious about how different kinds of slip stitches respond to the shaping methods. Below are hearts in four different slip stitch patterns.

Four Kinds of Slip Stitches, Crocheted Diagonally and Vertically

The heart in the lower left corner is the oddest-looking one, and retains a slight curl even after blocking. I'd need to tweak the starting row of this one also. Some of them have a strong natural curl or textural grain. 

This same inverse slip stitch type - which doesn't work so well for heart shapes - is perfect for the special kind of curling that a rose petal does! 

In this blog post I'm using newer photos taken after I sent out the most recent Crochet Inspirations Newsletter issue #53. It includes a free crochet pattern for a simple slip-stitch-strip rose. See photo of wee cashmere roses below!

These rose petals have a natural
curve, thanks to slip stitches.

Socks, hats, mittens, and bags as shapes for testing are certainly useful. They're also more time-consuming. So, I start with a heart or a flower swatch that shows promise, and then I try applying the shaping method to a sock heel, or toe, for example.

Miniature Cashmere Roses

Right now I'm looking for the best class projects and swatches for students to experience. After that, I'll be able to turn some of the new designs for socks, hats and mittens into crochet patterns for my site. Flowers designs too.

About That Rivuline Shawl Tunisian Crochet Stitch Pattern

Rivuline Shawl by Vashti Braha.
I used an H-8 (5 mm) Tunisian crochet hook
with Manos del Uruguay Serena
(sport weight alpaca-cotton blend).

I can finally SPILL the DEETS on the RIVULINE! They concern two main things: a progressively trippy stitch pattern, and the nearly ONE HUNDRED photos I took of it. (The first photo at left is from the book. You should see how different it looks in some of my pre-publication photos below. Also a few of my GAZILLION swatch variations.) 

I received a copy this week of Dora Ohrenstein's latest book, The New Tunisian Crochet: Contemporary Designs from Time-Honored Traditions. The Rivuline Shawl is a new crochet pattern that I designed for the book.

To me now -- 2 years later! -- the Rivuline Shawl is a tactile record of my mind slowly being blown. That's why I have to show you my own secret pics. 

It turns out that Rivuline came packed with eurekas for my pre-Tunisian-freeforming brain. That swaggy border is 100% Tunisian crochet too. Until Rivuline, I didn't know Tunisian crochet could do that!

I like the stitch texture and color tone quality
of this photo. You can see the birth of Petals
in this early Rivuline swatch!

It started with a stitch pattern idea that grabbed a hold of me back when Dora visited me in December, 2010. Dora's visit turned out to be a big ol' Tunisian crochet PARTY. 

She brought wondrous goodies: a Japanese collection of Tunisian crochet stitch patterns with the best collection of stitch symbols and diagrams I've ever seen; and a big stack of Duplet magazine back issues (half of which have cool Tunisian stuff in them).

Petals Cowl/Ring Scarf:
Cashmere and silk 'offset Rivuline' and a beaded seam.

Witness the "Tunisian and Regular Crochet Visit a Hall of Mirrors!" newsletter issue that welled up a few months later. 

A Rivuline stitch variation
and alternate yarn test.

That newsletter topic is really about Rivuline, but I couldn't say so. Instead I show Petals, its offset beaded cowl version. A few months later, Rivuline caused one of my all-time favorite designs to happen: the Tunisian Filet Aero.

Part of the reason I took so many photos is that I had trouble objectively evaluating them. 
Looking back, I now know why: the stitch experiment was a groundbreaking experience for me of Tunisian crochet. (At the same time, I was finding out how different fibers in pink tones are affected by any little change in light source and angle.) 

Swatching for early Rivulines in cotton, milk fiber,
silk, mohair, merino,  Icelandic lace wt wool...

Notice how the textures of the stitch pattern looks so different in the photos. So does the yarn color. (I remember this driving me crazy! And the emails to Dora: "Does _ or _ come across in this photo? How about this one?") 

For many more photos, also see the Petals photo album.

I eventually got a hold of a copy of the Japanese book Dora showed me. That inspired issue #10, "Tunisian Crochet: Breaking Out of Ruts" of my Crochet Inspirations Newsletter.

Book cover of 
The New Tunisian Crochet

By the way, Rivuline may look like traditional rectangular stole construction, design-wise. In reality, the border is a gradual variation of its stitch pattern. This way, a crocheter who's new to this way doing Tunisian crochet has a chance to get used to it before the variations of it begin. 

Another invisible design feature is that the foundation chain is disguised as a Tunisian Purl Stitch row. This was another discovery for me, which I then used for the seam of the Petals loop scarf/cowl, with beads for fun.

Photographing Beaded Crochet Jewelry

Bivector Bangle, wide

I've been floating on a cloud about my beaded slip stitch crochet discoveries. Not only do the little beads settle in to their assigned seats neatly and without fuss, they do so while showing equally on both sides of crochet jewelry. Nary a strand of thread covers them! In person they're like little stained glass candies! (Usually, crocheting with beads causes them to show more on one side of a crochet stitch than the other.)

And so now to convey my discovery in photos...

How to show light through the beads, though?

Hmm.

How to photograph several bangles at different heights with light shining through them? This is a different challenge from photographing a crochet bathmat on a floor, a shawl on a mannequin, or a toy. (see examples below)

After all the crochet photography I've done since going indie about 3 years ago, it occurred to me to blog about this only now. 


Last week I created the "From Crochet Design Idea to Professional Proposal" handout for CGOA's PD Day (Professional Development Day). A designer's photography skills are now much more important than when I first started designing eight years ago.

Better, but I don't want to see only the inside.

I thought it was just me being picky about how my crochet looks in photos vs. in person, yet intimidated by my camera and photography jargon (as if others aren't). I thought I had to accept photography as part of the skill set needed for indie publishing (as if freelance designers for publications don't need it). 

Knowing that Doris has gone through a similar development, I then thought it was just us; but other designers are now blogging about their journey with crochet and knit photography.

Shocking to me is this new development: some editors seem to think the quality of a designer's photo can make or break the impact of a design submission. 

This is one of 15 similar shots. Not bad. The beads look
more lit up like they do in person.

This was not the case back when a sketch was the primary visual aid. The ability to capture a design feature in a photo should never be equated with the ability to design! The two skills are radically different. I'm posting links about this at my website as part of my new crochet class resources archive.

Thirsty Twists Bathmat: I get a lot
of compliments on this photo.

The Bivector Bangles photo shoot reminded me of my earlier travails with the two beaded rows of my Tunisian Petals ring scarf. 


The Case of the Beaded Tunisian Lace Petals

Tunisian Petals is a loop scarf design I released as a Tunisian crochet lace pattern in Spring, 2011. I used beads in only the final two Tunisian Purl rows. The pure cashmere yarn was a delicate shade of petal pink (a bit paler than in the photo above). The only beads that looked right were colorless iridescent size 6/0 seed beads a.k.a. "E-beads".

Tunisian Petals: nice photo but where are the beads? 

Pink is a bit intense, beads are finally iridescent. Stitches look stringy 
because I sharpened the photo too much when editing it. 
Sharpening can really bring out the beads but make stitches look "crispy." 
Too much contrast takes all the softness out of cashmere. Mohair too.

My other goal in adding these beads was to distract the eye from a seam there, and it succeeds! So how to convey this design feature in photos?

The whole effect is exquisite in person. I ended up taking 79 photos in every kind of lighting and arrangement, still unable to capture in a photo what I was seeing in person.

Well, the effect was too subtle for a rookie photographer like me.  Basically, when the stitches look their best, or the yarn color, the beads don't, and vice versa. 

What I've learned since then:

1. I wouldn't try to make one photo capture everything equally well. 
2. I'd make better use of my macro lens to try to get a magical close up of the beaded feature. Perhaps create a montage photo of different views in one.
3. I'd do an alternate swatch in a yarn of different fiber or plying or sheen. I'd use beads with silver- or gold-lined holes for sharper sparkles.



Here's Petals in the cooler colors of our new Lotus yarn.

4. It turns out that photographing beaded crochet clothing is more like photographing crochet jewelry than non-beaded clothing. I've learned that these are different photography skill sets.

Another thing I learned from comparing the Bivector shoot and the Petals shoot is about color. As a photography beginner, I'm better off when I avoid oranges, reds, and some pink yarns, in favor of greens, blues, and neutrals. This is because I often struggle to capture complete stitch definition in the red spectrum. Red beads sure glow, though! 

How a Calligraphy Passion Inspired "Lovepod" Love Knots

Top half of my first business card

When I was a teenager some decades ago, I learned how to do calligraphy. The old-fashioned kind appealed to me the most -- gilded ornate first letters and flowery scripts. I learned about fine old parchments and vellums and 'aged' them with tinting. I even tried charring the paper edges.

Lovepod inspiration

Lovepod Boa

I loved calligraphy so much that my mother's friends paid me to "write pretty" on invitations and on framed parchment as gifts. More requests came from their friends of friends, and I soon had the start of a calligraphy business in my little midwestern town.


When I moved to Seattle in my twenties, I worked first in a flower shop, then at a dessert cafe and catering company where my employers put my calligraphy to new uses.

1980's promo dessert price list

When I look back on it now, the spidery lines that I could make with fine pen tips and ink bottles felt a lot like crocheting lace with fine thread. Thinking about where to embellish lace with beads or special stitches is like adding little flourishes on and around formal lettering.

A big difference between crochet and calligraphy is that I can just rip out a faulty stitch, whereas with calligraphy, I often had to start over completely!

These love knots have something of a
botanical look too. Palestrina Lace

Love Knot Nakshatra Wrap

The reason my old calligraphy days have been on my mind lately is that I've been bringing together all of my crochet experiments and ideas for my upcoming Love Knot Adventures class. 
(Sorry--that class just sold out. But here's the recent newsletter issue I wrote on Love Knots. See the image gallery links in it. Here's another link too, if you're a Ravelry member: I just created a Love Knots-only category of my Ravelry projects, which are the not-yet-published designs.)

One of my early calligraphy pieces

The Lovepod Boa is one of the first crochet designs that I was excited to publish myself. It was directly inspired by my favorite method of embellishing my calligraphy, especially the fancy initial letter: I loved adding leafy, budding vines and sprigs, and tinting them. Sometimes I gilded them with a bit of silver or gold, such as the "Irish Lullaby" title at right (the entire poem is embellished like this!).

Close up of Love Knot network

Lovepod Boa, 'gilded'

I remember travelling to another place in my mind while I added these ethereal little sprigs and flowers. When I first crocheted love knots* with fine mohair yarn, the same daydream came over me again. The idea for the Lovepod Boa came from this place. 


*Here's the usual string of alternate names for this stitch: Lover's Knot, Solomon's Knot, King Solomon's Knot, Knot Stitch, Hail Stone Stitch; in Portuguese ponto segredo). It's used in Turkish Oya crochet too, but I don't know what the stitch is called.

Quick Update: Crochet Ribbing Comparisons & More

Naturally biases!
Alternating rows of slip stitch
and single crochet.

Hdc in lower third loop;
simply alternate the colors!

I'm buffing and polishing this blog a bit. Isn't the new color scheme refreshing? It's as if I spritzed some tangerine-vanilla room spray.

I'm also trying to figure out how to reproduce my newsletters here. In the meantime I've created a special tab for them (see tabs above this post). Importing the content, especially with the newsletter columns preserved, is surprisingly complicated.

So: crochet ribbing. I have more photos of ribbed crochet stitches that I didn't have room to include in the latest Crochet Inspirations Newsletter issue (#36). 

Another slanter.
Half double crochet (hdc; UK: htc
or htr) rows in different loops.
Good to know about ribbings that
 bias, no?

Here's the photo set I've created for them so far. 

UPDATE: See the follow up newsletter issue #37: "When Stitches Lean."

Isn't slip stitch ribbing amazing?

Winner of Book Giveaway, plus More Stitch Photos

Tunisian Shakti, "Mobi-Dickie" version in bulky yarn

The winner, according to this random number generator, is Colorful Temptations. After I complete this blog post I'll alert the book editor, Robyn Chachula, to release a downloadable copy of the new Simply Crochet book to her. 

Thank you to everyone who entered! I like that my blog visitors from outside of the USA are equally eligible to win because the prize is downloadable.

Tunisian Shakti, "Mobi-Dickie" version in bulky yarn

Meanwhile, here are more photos of the Tunisian crochet stitch I described in the previous post. This one is an experimental möbius (or moebius) cowl--in bulky wool yarn--and a large Tunisian crochet hook! Fast to crochet and pleasantly stretchy. 

Tunisian Shakti, "Mobi-Dickie" version in bulky yarn

I'm adding its pattern details to the Tunisian Shakti Scarves Superpattern in case someone would like to try it.

A Powerful Tunisian Crochet Stitch to Love

Neck Lattice (1 skein!) 
photo ©2011 Vashti Braha

Neck Lattice 
photo ©2011 Interweave Press

I'm giving away a full downloadable edition of the new Simply Crochet   book! 

If you don't know about the main stitch used for Neck Lattice (just published by Interweave Press) and all designs shown in this post, please read on. 

It's one of the two stitches that have liberated my Tunisian crocheting.   (See "Breaking Out of Tunisian Ruts," issue #10 of my Crochet Inspirations newsletter for the other one.)


This amazing Tunisian stitch:

A Shakti Scarf (new design)
shows both sides of fabric

• Conserves yarn. Neck lattice uses ONE SKEIN. So do my other designs based on this stitch. 
• Loves every Tunisian crochet hook size.
• Loves a wide range of yarn weights, thicknesses, and textures.
• Is reversible: looks fabulous on both sides (not always the case with a Tunisian crochet stitch).
• Is fast to crochet (not always the case with a Tunisian crochet stitch).
• Singlehandedly creates a sheer, breezy, weightless Tunisian crochet lace. Not only that, it can be stretchy.

[Have you ever used this stitch? Leave a comment on this blog post about it and you'll be entered to win the Simply Crochet e-book. 
You have until tomorrow, Fri. Dec. 9 at 10pm EST to enter.]

Notice in these photos how different the Tunisian crochet stitch can look depending on fibers, yarn weights, hook sizes, and degree of laciness over the years. (I know the photos are arranged weirdly in this post. It's just the way Blogger is sometimes.)



When Interweave Press published the new Simply Crochet book this month, I took stock of my design journey with this unique Tunisian crochet stitch. Neck Lattice, included in this book, was a pivotal discovery for me as a crocheter. 

Same Neck Lattice pattern and hook size, thicker yarn!

I released my early photos of it (including a prototype) this week, and I remembered the exhilaration of discovering its edge-as-you-go latticework. 

And, the wonder of using the yarn that book editor Robyn Chachula chose for me to use--it's the mottled red alpaca one in the two uppermost photos. 

I had only used fingering weight yarn (sock yarn) for it until she sent me a lace weight yarn. I worried at first, but then I loved seeing the design take shape from only one skein. It grew quickly because I used a big Tunisian crochet hook.

A Shakti Scarf (new design)

For all its power, this Tunisian stitch doesn't seem to be one of the basic stitches one learns after the Tunisian Simple Stitch (Tss), even though it's easy to do! It's not standardized: it goes by more than one name, and explanations for how to do it vary widely. I've seen it called Extended Knit Stitch, Corded Stitch, Tunisian Knit Single Crochet, Tunisian Shaker Stitch, and "Tunisian Knit Stitch with a chain-1."

Here are my other experiments with this stitch over the past year or so. NOTE: several of these are "Shakti Scarves," which are all versions of the same Tunisian Shakti design. 

A Shakti Scarf (new design)

Update:
Tunisian Shakti Scarves crochet superpattern is now available in my DesigningVashti pattern shop, and Ravelry store. 

A Shakti Scarf (new design)

Islander Wrap

A Shakti Scarf (new design)

A Shakti Scarf (new design)