New Book of Crochet Patterns

I'm popping in from my other crochet blog with a crochet yarn & pattern update.

The new Delicate Crochet book is out! It has 23 new crochet patterns designed by ten different designers in a lovely range of projects. Our Lotus yarn is featured in the book along with two new Tunisian crochet designs: Yveline Wrap and Ziggy Vest!

☛ Sharon Silverman did a superb job creating stitch close ups and photo tutorial steps.☚

Using This Book in December

I have December versions of Yveline and Ziggy in mind, see below. December is the perfect time for a crocheter's first browse through this book. Some projects could actually be finished in time to give as gifts, and some are perfect for relaxing amidst the busy holidays. I also see projects in this book that I'd enjoy trying just after Christmas.

For Post-Christmas Crocheting

Every year, from January and into February, I crave delving into a clever new crochet skill. (I know I'm not alone in this because of emails I've gotten over the years from crocheters. In fact maybe there's the seed of a newsletter topic here...)

Yveline

The Yveline Wrap is crocheted in simple offset rows, then surface-crocheted with love knot frills. It may be the first time I've seen love knots (lover's knot, Solomon's knots) with Tunisian crochet in the same project!

What could be breezier than little love knot bubbles? (Faster to crochet, too.) Unexpectedly, they also give a lean, urban chain-link look to a frill embellishment.

I tried single crochet stitches to make petite ruffles for Yveline's earliest swatches but they kept coming out too heavy for the light Tunisian net background. For example, see light green photo here.

A December Yveline Idea

During December I'm going to try a smaller cowl version of Yveline in fine wintery yarns. Right now I'm eyeing a buttery merino wool-silk blend for the background, and lace weight mohair for the surface-love.

This way the mohair is not actually against my skin but still traps warmth! Also, love knots in mohair have always made me swoon. When it's underway I'll add a link to it here.

Pre-frills Yveline.

Pre-frills Yveline.

Another December idea for Yveline is to do just the full-size background for a quicker sleek wrap—oh my gosh try a soft color-shifting yarn! Every row is the same so it's a good TV (mindless) crochet project. It's a versatile shape with lots of drape no matter what yarn you use.

You can always add the frills later (in January?).

A December Ziggy?

The Ziggy Vest is a simple rectangle of an airy Tunisian ripple stitch that I love. Create the armholes after the rectangle is done. (This kind of vest, which can be draped and worn several ways, is often called a "slitted stole" or "waterfall vest".)

Widthwise.

Lengthwise.

I'd love to see this stitch pattern as a warm scarf. This is what I'm musing: if I do the rows lengthwise and change colors for stripes, I can fringe the scarf ends: zero ends to weave in.

I love the pearly sheen the Lotus yarn gives Ziggy's stitch pattern so that's making it hard for me to picture it in warm wools. I guess this means I need to sit with my yarn stash and start swatching.

Since Ziggy's stitch pattern is self healing, I can decide later (after December) whether to turn it into a keyhole scarf. Or even a pullover shrug! (Fold in half lengthwise, seam at each end for sleeves, and cut a head opening slit in the center. Without the head opening it would be a standard shrug which is cool too.)

How My Lotus Yarn Got Its Name

This post is part of a series about an exclusive new yarn I developed with my friend Doris Chan. For more on this series, see this first post. Also see: the newsletter issue (#55) I just sent out about Lotus, and my guest post at Gwen's Royal Ramblings for a crochet-historical context for Lotus yarn.

I've been asked why my first yarn at DesigningVashti.com is called Lotus.

Lotus Engraving from 1877

Here's the scoop! 

It took from May to October 2013 to settle on the name from a list of 20 or so. I looked at how other yarns are named (see my list of five yarn name categories below) and bounced names around with Doris and my husband. Three key factors made "Lotus" stick: very personal symbolism, right-brained/poetic impressions of the flower, and the timing of seeing Doris at the CGOA Chain Link conference in Oct. 2013.

On the CGOA runway Oct. 2013 

Doris crocheted pajamas with Lotus yarn! Yeah! A baby doll top, lace shorts, lace capri pants, a lovely swing top (all of these in Pearly Pearl), and some flared leggings for me in the Grenadine color. She also did a micro-capelet in Peachy Sheen. (see each color in its own color album.) 

Doris imagined all of these things modeled as an ensemble for the CGOA Fashion Show in October--a great idea. The only catch is, the yarn needed a name!

Five days before the fashion show I had to use a limo service to get from the airport to the conference hotel. It was called "Lotus Limo." A rush of childhood associations with the name came back to me, so I toyed with "Lotus" as a yarn name until the fashion show. Doris was OK with it.

I'm basically a midwestern white girl from Wisconsin, raised Catholic until the age of nine; I then spent the rest of my childhood experiencing Eastern spiritual stuff with my Mom in an international meditation community in Iowa. We learned Hindu-style meditation, yoga, and vegetarianism, and fascinating concepts like sattwa, karma, soma, mantras. I learned some Sanskrit (a little Hindi helps too when blending one's own curries).

Back then, this was freakishly weird for most people (and most of my relatives too!). Today I feel safe enough talking about it in this public way. Imagine a place and time when Dannon yogurt was totally new. No one you knew even wanted to try it, yet your Mom was making her own. Imagine never having heard of yoga or karma, or a meal without red meat. Dude: no. yoga. mats. for. sale. anywhere.

The lotus flower is a lofty symbol in Hinduism and Buddhism. It represents sublime ideals of the human spirit. This pristine blossom rises above the water and, symbolically, the "mud of earthly existence." The Buddha and goddesses like Lakshmi are seated on them. When I worked in a health food store, I ordered products from a catalog called Lotus Light. 

Lotus Seed Pod (1877)

Aside from high philosophy, the lotus is just a really cool and slightly oddball flower. Most westerners don't know that you can eat the pleasant tasting roots and seeds. (See my Lotus board in Pinterest for moon cakes and other lovely examples!) The fascinating dried seed pods show up in flower arrangements occasionally.

When I crochet with our Lotus yarn, I feel like it uplifts my experience and the stitches have an inner glow. It takes my crochet to another level. I think of it as "crochet enlightenment." 

So now you know.

Have you ever really paid attention to the name of a yarn? I've noticed yarn names fall into categories.

Waterlily Layer design

1. Some yarns are named simply for their fiber content, weight, and/or dyeing: "Washable Wool," "Alpaca Lace," "Silk Handpaint." 
I thought, "So my yarn could be named a combination of words from this list: Sport, Cotton, Rayon, Z-Twist, Solid (color)..." 

Hmm, not inspiring. When I've designed with a yarn that has this kind of name, I have to keep its label nearby because I have trouble remembering the exact name ("Uh, is this one 'Merino-Something-DK'?").

2. Fancy versions of #1, like "Kid Seta" ("seta" is Italian for silk; "kid" is short for soft mohair); "Micro Chic" (microfiber nylon); "Mulberry" (i.e. silk); "Washable Ewe" (super wash wool). 
I guess I could have named it "Silky Bombax" instead. Or how about "Soft Twisted Plants"?

A Lotus Symbol in
Tunisian Filet Crochet

3. Like #2 but refers to an appealing or distinctive quality (The name Lotus indirectly falls into this category): "Shine" (rayon content); "Homespun" (thick bumpy plies); "Paillettes" (has sequins); "Glisten" (some metallic); "Magnum" (super bulky thick!). 
I  could have named Lotus "Shimmer Z-Twist," for example; or how about "Sporty Zee"? "Crochet Drape"? I kept wanting to name it for way it reflects light when crocheted. The very first name I considered was "Pearl." I also wanted to refer to its luxurious drape; "Sari" was another idea (also captures the rich colors and shine).

4. Situations: places, seasons, and hints at its intended uses: "Summer Tweed," "Venezia," "Sausalito," "Weekend," "Sock," "Stork" (baby items). 
Since I expect my yarn to be used for a lot of warmer weather items, I considered names like: "Siesta Key," "Hibiscus," "Spring Break."

5. Colors or dyeing styles: "Degradé" and "Tonos" (mild shifts from lighter to deeper shades of one color); "Kaffe Fassett" (dramatic striping). 
For Lotus, I did consider a reference to its rich hibiscus-like color range, like "Hibiscus," "Blossom," "Bloom," "Bouquet."

Next post in this series: 

Birth of a Yarn Company, About Five Months In.

On Becoming a...Yarn Company?

The Starpath Scarf, one of 
several Lotus yarn patterns!

Developing yarns to add to my DesigningVashti.com site is having a powerful affect on me as a crochet designer. This blog has been about the designing journey since 2005, so I thought I’d blog a series of journal-like posts about my yarn-designing adventure here.

Scroll to the end of this post for a clickable list of all posts in this series.

For the first time ever, I can design with a yarn that I already know I love, that I understand intimately, and over which I have complete control. I don't have to worry that someone will suddenly discontinue it. This has happened a lot. Doris and I have talked about this a lot.

Lotus Yarn in "White Blaze"

Freelance designers do not get paid for all the time it takes to get to know a yarn, yet this is one reason that creating design proposals, especially for yarn companies, is so time consuming. (For magazines, this task is delayed until you find out which yarn gets assigned to your design proposal.)

Big ol' cones of rosy Lotus colors

Over the past few months I’ve been developing a new yarn, and I mean new: not offered elsewhere. The first is called Lotus, and it's nearly ready for purchase! It's a z-twisted sport weight blend of cotton and rayon. The yarn labels are currently being printed, and the last of the first fourteen colors is being dyed right now now available!  

My Tunisian Wicker Stitch in "Satin Grey" Lotus

DesigningVashti Lotus Yarn in "Crystal Blue"

I’m going directly to yarn mills with some ideas for yarns that are not already available. I’ve been an avid yarn user (consumer, swatcher, stasher) for years. It's fascinating how fibers, plying, twist, dyeing, etc. add to my love of crochet and pattern designing! I pay attention to differences between yarns, and so by now it's easy for me to envision my own ideal yarns.

Yarn mill folks seem to appreciate that I study yarns and have some ideas to try. This is a great relief to me! I was afraid I’d get blank looks, or “Well, that’ll cost you!” responses. Instead, they seem more relieved and curious.

Brushed Shells in color "Peachy Sheen"

I’m getting ahead of myself, though. 

Today, what brings me to my blog is that I’m in a design slump! Not a crochet slump, just a design slump (it happens every time I return from teaching a lot of classes at a national conference.) 

Being surrounded by my Lotus yarn in rainbow colors makes this slump a fun experience.

(By the way, I never know how the colors are going to show up on different computer screens, so I try different kinds of lighting and add various photos everywhere.)

This year, shipments of my new yarn were arriving from the mill while I was preparing to teach. Now that I'm home from teaching, I feel like a mother with her newborn baby. I spend every day trying out new stitch patterns with different colors of Lotus. I take photos of Lotus at different angles and times of day. I've dug out early designs for which I used favorite stitch patterns. I'm going through my old books and trying stitches that have always intrigued me. 

It turns out that designing a YARN and making it a reality is like having a baby, in several ways: the months of anticipation, choosing a name, and the "labor." I even had to prepare a new room for its arrival. 

Zenobia Palm Stitch in color "Pearly Pearl"

I love that my early years as a freelance designer have taught me that the best thing I could be doing right now is swatching up different crochet stitches with Lotus! 

Crocheting with a yarn is like getting to know a new person. Each has a distinct temperament, unique strengths & weaknesses, and preferences. The better one knows a yarn, the better a design will work for it. 

As a crochet designer with my own yarn company, I don’t have to go on blind dates with yarns I may never design with again. Lotus is family!

-:-------:-

Other posts in this series (in chronological order):

• "Creating Color Cards for a New Yarn."
• "How Lotus Got Its Name"
• "Birth of a Yarn Company, About Five Months In"
• "How (Not) to Sell Yarn at a Crochet Conference"
• "My Lotus Yarn in Magazines: What It's Like!"
• "DesigningVashti Lotus Yarns at the 12 Year Mark"
• "DesigningVashti Lotus Yarn: in the Magazines (a Gallery)"
• "Crochet Yarn Put Up, Part I of II"

Crochet Flowers and Hearts Make Great Test Shapes!

Back-loop Slip Stitch Heart & Front Loop Slip Stitch Heart
Update: Slip Stitch Heart pattern at my new blog!

I'm testing shaping methods for my upcoming Slip Stitch Crochet Shapes FX class. 

A sweet surprise is that heart shapes, roses, and other flowers are especially useful ways to try out shaping methods!

Different Slip Stitches in a Variety of Rose Petal Shapes

Not only are hearts and flowers distinctively shaped, they can also be: 

• Scaled up or down to the swatch size I prefer,
• A two-dimensional rendition, or as 3-D sculpted as I wish,
• Recycled later into appliqués, jewelry, patch pockets, pincushions, coasters, etc.
• Practice for sleeve cap shaping and other useful applications.

I've also been curious about how different kinds of slip stitches respond to the shaping methods. Below are hearts in four different slip stitch patterns.

Four Kinds of Slip Stitches, Crocheted Diagonally and Vertically

The heart in the lower left corner is the oddest-looking one, and retains a slight curl even after blocking. I'd need to tweak the starting row of this one also. Some of them have a strong natural curl or textural grain. 

This same inverse slip stitch type - which doesn't work so well for heart shapes - is perfect for the special kind of curling that a rose petal does! 

In this blog post I'm using newer photos taken after I sent out the most recent Crochet Inspirations Newsletter issue #53. It includes a free crochet pattern for a simple slip-stitch-strip rose. See photo of wee cashmere roses below!

These rose petals have a natural
curve, thanks to slip stitches.

Socks, hats, mittens, and bags as shapes for testing are certainly useful. They're also more time-consuming. So, I start with a heart or a flower swatch that shows promise, and then I try applying the shaping method to a sock heel, or toe, for example.

Miniature Cashmere Roses

Right now I'm looking for the best class projects and swatches for students to experience. After that, I'll be able to turn some of the new designs for socks, hats and mittens into crochet patterns for my site. Flowers designs too.

About That Rivuline Shawl Tunisian Crochet Stitch Pattern

Rivuline Shawl by Vashti Braha.
I used an H-8 (5 mm) Tunisian crochet hook
with Manos del Uruguay Serena
(sport weight alpaca-cotton blend).

I can finally SPILL the DEETS on the RIVULINE! They concern two main things: a progressively trippy stitch pattern, and the nearly ONE HUNDRED photos I took of it. (The first photo at left is from the book. You should see how different it looks in some of my pre-publication photos below. Also a few of my GAZILLION swatch variations.) 

I received a copy this week of Dora Ohrenstein's latest book, The New Tunisian Crochet: Contemporary Designs from Time-Honored Traditions. The Rivuline Shawl is a new crochet pattern that I designed for the book.

To me now -- 2 years later! -- the Rivuline Shawl is a tactile record of my mind slowly being blown. That's why I have to show you my own secret pics. 

It turns out that Rivuline came packed with eurekas for my pre-Tunisian-freeforming brain. That swaggy border is 100% Tunisian crochet too. Until Rivuline, I didn't know Tunisian crochet could do that!

I like the stitch texture and color tone quality
of this photo. You can see the birth of Petals
in this early Rivuline swatch!

It started with a stitch pattern idea that grabbed a hold of me back when Dora visited me in December, 2010. Dora's visit turned out to be a big ol' Tunisian crochet PARTY. 

She brought wondrous goodies: a Japanese collection of Tunisian crochet stitch patterns with the best collection of stitch symbols and diagrams I've ever seen; and a big stack of Duplet magazine back issues (half of which have cool Tunisian stuff in them).

Petals Cowl/Ring Scarf:
Cashmere and silk 'offset Rivuline' and a beaded seam.

Witness the "Tunisian and Regular Crochet Visit a Hall of Mirrors!" newsletter issue that welled up a few months later. 

A Rivuline stitch variation
and alternate yarn test.

That newsletter topic is really about Rivuline, but I couldn't say so. Instead I show Petals, its offset beaded cowl version. A few months later, Rivuline caused one of my all-time favorite designs to happen: the Tunisian Filet Aero.

Part of the reason I took so many photos is that I had trouble objectively evaluating them. 
Looking back, I now know why: the stitch experiment was a groundbreaking experience for me of Tunisian crochet. (At the same time, I was finding out how different fibers in pink tones are affected by any little change in light source and angle.) 

Swatching for early Rivulines in cotton, milk fiber,
silk, mohair, merino,  Icelandic lace wt wool...

Notice how the textures of the stitch pattern looks so different in the photos. So does the yarn color. (I remember this driving me crazy! And the emails to Dora: "Does _ or _ come across in this photo? How about this one?") 

For many more photos, also see the Petals photo album.

I eventually got a hold of a copy of the Japanese book Dora showed me. That inspired issue #10, "Tunisian Crochet: Breaking Out of Ruts" of my Crochet Inspirations Newsletter.

Book cover of 
The New Tunisian Crochet

By the way, Rivuline may look like traditional rectangular stole construction, design-wise. In reality, the border is a gradual variation of its stitch pattern. This way, a crocheter who's new to this way doing Tunisian crochet has a chance to get used to it before the variations of it begin. 

Another invisible design feature is that the foundation chain is disguised as a Tunisian Purl Stitch row. This was another discovery for me, which I then used for the seam of the Petals loop scarf/cowl, with beads for fun.

How a Calligraphy Passion Inspired "Lovepod" Love Knots

Top half of my first business card

When I was a teenager some decades ago, I learned how to do calligraphy. The old-fashioned kind appealed to me the most -- gilded ornate first letters and flowery scripts. I learned about fine old parchments and vellums and 'aged' them with tinting. I even tried charring the paper edges.

Lovepod inspiration

Lovepod Boa

I loved calligraphy so much that my mother's friends paid me to "write pretty" on invitations and on framed parchment as gifts. More requests came from their friends of friends, and I soon had the start of a calligraphy business in my little midwestern town.


When I moved to Seattle in my twenties, I worked first in a flower shop, then at a dessert cafe and catering company where my employers put my calligraphy to new uses.

1980's promo dessert price list

When I look back on it now, the spidery lines that I could make with fine pen tips and ink bottles felt a lot like crocheting lace with fine thread. Thinking about where to embellish lace with beads or special stitches is like adding little flourishes on and around formal lettering.

A big difference between crochet and calligraphy is that I can just rip out a faulty stitch, whereas with calligraphy, I often had to start over completely!

These love knots have something of a
botanical look too. Palestrina Lace

Love Knot Nakshatra Wrap

The reason my old calligraphy days have been on my mind lately is that I've been bringing together all of my crochet experiments and ideas for my upcoming Love Knot Adventures class. 
(Sorry--that class just sold out. But here's the recent newsletter issue I wrote on Love Knots. See the image gallery links in it. Here's another link too, if you're a Ravelry member: I just created a Love Knots-only category of my Ravelry projects, which are the not-yet-published designs.)

One of my early calligraphy pieces

The Lovepod Boa is one of the first crochet designs that I was excited to publish myself. It was directly inspired by my favorite method of embellishing my calligraphy, especially the fancy initial letter: I loved adding leafy, budding vines and sprigs, and tinting them. Sometimes I gilded them with a bit of silver or gold, such as the "Irish Lullaby" title at right (the entire poem is embellished like this!).

Close up of Love Knot network

Lovepod Boa, 'gilded'

I remember travelling to another place in my mind while I added these ethereal little sprigs and flowers. When I first crocheted love knots* with fine mohair yarn, the same daydream came over me again. The idea for the Lovepod Boa came from this place. 


*Here's the usual string of alternate names for this stitch: Lover's Knot, Solomon's Knot, King Solomon's Knot, Knot Stitch, Hail Stone Stitch; in Portuguese ponto segredo). It's used in Turkish Oya crochet too, but I don't know what the stitch is called.

A Tunisian Crochet Tea Cosy/Tea Cozy with Insulating "Rimples"

Tea cozies (in the UK: tea cosies) have been my constant companions as 2012 has gotten off to an eventful start! Most recently I've been drinking record amounts of hot tea to help me recover from a severe head cold, as well as to catch my breath between events. 

Rimply: Ready for Tea Time

The longer my teapot stays hot, the better. Handmade tea cozies work great! If a crochet cowl or hat feels warm and toasty, you can bet the same crochet stitch and yarn will also work well as a tea cosy. 


In fact, a crocheted hat or cowl can quickly be turned into a tea cozy. This is what happened to Rimply, one of my Tunisian crochet cowl designs. I've used it more as a tea cozy than as a cowl since I designed it a year ago. Also, I leave it on a silver teapot when I'm not using it, because it also slows tarnishing.

Same Rimply as a Cowl, but worn upside down.

Tunisian crochet is not known for being stretchy. In this case, though, the combination of wooly yarn, bigger Tunisian crochet hook, and the unique heat-trapping tunnels ('rimples') all contribute stretch to this solid Tunisian Knit Stitch fabric.


To turn this cowl into a tea cosy, all I did was crochet two lengths of chain stitches. One serves as a drawstring along the top edge of the cowl to fit it snugly around the top (where much heat would otherwise escape). The other ties together the cowl just under the teapot handle. These simple ties make Rimply nicely adjustable as a tea cozy.

Another way to style Rimply.
This one was crocheted in a finer
purple yarn that has more drape

In this case, the spout is slender enough and the stitches stretchy enough that I can poke the spout through the stitches. If I were to crochet another one, I'd add an easy buttonhole-type slit for the spout instead.

Poem-Lariat for a River Goddess: a Crochet Necklace

Aquamarine Réclamé Poem-Lariat 
(a Trailing Vines Lariat) ©2011

I call this freeform crochet jewelry the Aquamarine Réclamé Poem-Lariat:
  
'Réclamé' (reclaimed) because I recycled the aquamarine gem chips from an old necklace.
  
'Lariat' because the clasp is decorative, worn in the front, and slides for different styling options. Here the crochet clasp is a flower basket. It's a fun feature of my new Trailing Vines Lariat crochet jewelry design. 

See the other two versions below; try a section of the pattern! It's included in yesterday's newsletter issue #17, "Crocheting Fancy Cords."

'Poem' because of the river goddess Sabrina, who gave her name to the River Severn. 'Sabrina' is the poet John Milton's preferred version of 'Severn' which is the preferred version of an old Celtic word. 
  
Anyway, Milton wrote this famous verse in his larger work Comus. I love it so much that I memorized it as a teenager and used it for a calligraphy project:
   

Aquamarine Réclamé Poem-Lariat

   Sabrina Fair
   Listen where thou art sitting
   Under the glassie, cool, translucent wave,
   In twisted braids of Lillies knitting
   The loose train of thy amber-dropping hair,
   Listen for dear honour's sake,
   Goddess of the silver lake,
   Listen and save! 

Sabrina would save the aquamarine chips from an old necklace too, I just know it. Especially if she brought them home from Cassadega, Florida as a souvenir. The unusual town was founded in 1894 as a spiritualist community. Incidentally, the name means "water beneath the rocks."

   

The yarn is also a poetic choice: it's composed of organic sugar cane (Araucanía Ruca Multi). The aquamarine chips looked like sugar crystals as I crocheted them into the sugar-yarn. I thought about how sweet water can taste sometimes. Surely it tastes sweet to Sabrina.
   

©2011 Vashti Braha

©2011 Vashti Braha 

I subconsciously associate aquamarines with mermaids, naiads, sylphs, water deities--Milton's "goddess of the silver lake," and Nimue or Viviane, the "Lady of the Lake" in Avalon. I would envy Pisceans their aquamarine birthstone except that I also like mine, the amethyst (see below).
   

Photo from PaganPages.org

Aquamarines are rather crudely marketed. Strong-colored specimens have likely been cooked, and if you see a lighter strand, notice how they're strung on a cord that's a strong shade of what we tend to think of as "aquamarine."   


Unstrung, the gem is watery-looking and usually nearly colorless. (I've noticed the same thing with rose quartz jewelry: look for whether it's strung on a stronger pink cord to make you think the stones are more pink!) 

I had to make my own beading needle
for these aquamarines.

   
When I rescued these bead chips from the old yellowed (though "aquamarine"-colored) necklace string, I wasn't sure if I'd find out that I'd been duped. What if they were plain old quartz, or worse, glass? They seemed colorless until I sprinkled them onto white paper; then they showed a lovely pale watery-blue tint. I was hooked. Every aquamarine that I could reclaim and load into my crochet stitches was sheer joy. 
   
Something's been nagging me about this verse, though. Milton says 'knitting,' but crocheters know that half the time 'crocheting' is actually meant. That's just the way life is. (I'm suspicious of the term 'plaiting' for the same reason.) 

Let's try it:
   
     In twisted braids of Lillies crocheting
     The loose train of thy amber-dropping hair,

© 2011 Vashti Braha (Silk yarns; Amethyst chips at right)
Trailing Vines Lariat

It does makes more sense, in context. It's so easy to finger-crochet. If I were a river goddess, I'd be stringing pearls and aquamarines and moonstones, then finger-crocheting them into my hair, seaweed, vine tendrils....