Poem-Lariat for a River Goddess: a Crochet Necklace

Aquamarine Réclamé Poem-Lariat 
(a Trailing Vines Lariat) ©2011

I call this freeform crochet jewelry the Aquamarine Réclamé Poem-Lariat:
  
'Réclamé' (reclaimed) because I recycled the aquamarine gem chips from an old necklace.
  
'Lariat' because the clasp is decorative, worn in the front, and slides for different styling options. Here the crochet clasp is a flower basket. It's a fun feature of my new Trailing Vines Lariat crochet jewelry design. 

See the other two versions below; try a section of the pattern! It's included in yesterday's newsletter issue #17, "Crocheting Fancy Cords."

'Poem' because of the river goddess Sabrina, who gave her name to the River Severn. 'Sabrina' is the poet John Milton's preferred version of 'Severn' which is the preferred version of an old Celtic word. 
  
Anyway, Milton wrote this famous verse in his larger work Comus. I love it so much that I memorized it as a teenager and used it for a calligraphy project:
   

Aquamarine Réclamé Poem-Lariat

   Sabrina Fair
   Listen where thou art sitting
   Under the glassie, cool, translucent wave,
   In twisted braids of Lillies knitting
   The loose train of thy amber-dropping hair,
   Listen for dear honour's sake,
   Goddess of the silver lake,
   Listen and save! 

Sabrina would save the aquamarine chips from an old necklace too, I just know it. Especially if she brought them home from Cassadega, Florida as a souvenir. The unusual town was founded in 1894 as a spiritualist community. Incidentally, the name means "water beneath the rocks."

   

The yarn is also a poetic choice: it's composed of organic sugar cane (Araucanía Ruca Multi). The aquamarine chips looked like sugar crystals as I crocheted them into the sugar-yarn. I thought about how sweet water can taste sometimes. Surely it tastes sweet to Sabrina.
   

©2011 Vashti Braha

©2011 Vashti Braha 

I subconsciously associate aquamarines with mermaids, naiads, sylphs, water deities--Milton's "goddess of the silver lake," and Nimue or Viviane, the "Lady of the Lake" in Avalon. I would envy Pisceans their aquamarine birthstone except that I also like mine, the amethyst (see below).
   

Photo from PaganPages.org

Aquamarines are rather crudely marketed. Strong-colored specimens have likely been cooked, and if you see a lighter strand, notice how they're strung on a cord that's a strong shade of what we tend to think of as "aquamarine."   


Unstrung, the gem is watery-looking and usually nearly colorless. (I've noticed the same thing with rose quartz jewelry: look for whether it's strung on a stronger pink cord to make you think the stones are more pink!) 

I had to make my own beading needle
for these aquamarines.

   
When I rescued these bead chips from the old yellowed (though "aquamarine"-colored) necklace string, I wasn't sure if I'd find out that I'd been duped. What if they were plain old quartz, or worse, glass? They seemed colorless until I sprinkled them onto white paper; then they showed a lovely pale watery-blue tint. I was hooked. Every aquamarine that I could reclaim and load into my crochet stitches was sheer joy. 
   
Something's been nagging me about this verse, though. Milton says 'knitting,' but crocheters know that half the time 'crocheting' is actually meant. That's just the way life is. (I'm suspicious of the term 'plaiting' for the same reason.) 

Let's try it:
   
     In twisted braids of Lillies crocheting
     The loose train of thy amber-dropping hair,

© 2011 Vashti Braha (Silk yarns; Amethyst chips at right)
Trailing Vines Lariat

It does makes more sense, in context. It's so easy to finger-crochet. If I were a river goddess, I'd be stringing pearls and aquamarines and moonstones, then finger-crocheting them into my hair, seaweed, vine tendrils....

The Frostyflakes Scarf/Wrap All-Gauge 'Superpattern'

Name on birth certificate: Frostyflakes Scarf/Wrap

100% mulberry silk, DK wt

Birthdate: July 9, 2010. The heat of summer, when anything can happen.

Takes after: Filet crochet and Spiderweb stitch sisters; the eccentric corner-starting, sideways-crochetin' side of the family.

Caron Simply Soft yarn & silver bells

Malabrigo Lace wt (merino)

Quick Scarf of alpaca & silk

Beaded Cashmere

Well now, Frostyflakes is a zesty little firecracker. Her name is a bit unusual (she's not particularly frosty, nor flaky) but that's because she was born with Uranian aspects to her rising sign. She snorts and hums "Don't Fence Me In" loudly if she hears any talk of swatching, stitch gauges, or yarn requirements.

She's been known to say (holler, actually), "Silk and alpaca blend? Let me at it. I DON'T CARE how many yards are in a skein, dang it I don't need to know. Just give me a crochet hook a little bigger than what the label calls for and I'll have a beaut for ya before sundown. Git now."

Scarf-sized: 150 yds sport wt

Watch your yarn stash around her because she'll take anything and whip it up into a gift scarf or wrap (might want to supervise her around bead stashes too). Her style is, get a running start, jump on the horse and ride at full speed (double crochet stitches and chains). She does however indulge in some fancypants tastes when it comes to the horses she'll ride (i.e., yarn).

Frostyflakes was conceived when a particular yarn put a twinkle in her ma's eye. The exact moment was Saturday afternoon in the market of the 2010 CGOA national Chain Link conference, held in Manchester NH. A particularly sunny Melissa Leapman was in the Leilani Arts booth. She held up a glowing skein of pure mulberry silk yarn and said, "Have you seen this? It's wonderful." I said, "I wonder how many I would need to make something?" She showed me her crocheted shawl and said, "This only took ONE skein. That's really all you need." (See first photo.)

Three Beaded Amigos (red=lace wt & seed beads; white=heavy lace wt & glass beads; blue=light worsted wt & silver bells)

The yarn whispered sweet nothings in my ear, like "if you start in one corner and increase steadily until I'm half used up, then you'll know how big your wrap will be and then you can work your will on every last inch of me." And, "I'm so drapey and delicious that simple double crochet stitches will look great. Group them into some dramatic solid sections, surround them with starry open spaces, and our love will live on forever."

The Scrapbook of Frostyflakes
(Like a doting Mom, I'll update this section whenever newsy items occur.)

• To learn more about the Frostyflakes cornerstart crochet pattern, or to purchase and instantly download it, go to my pattern website here. To do the same in my Ravelry Store, go here. (If you go to my website, you can see lots more patterns--by me, and by Doris Chan, before they appear in Ravelry.)

• Frostyflakes has a social life over in Ravelry. Even if you don't visit her page to purchase the pattern, look at the tabs across the top and you can see the Frostyflakes projects other Ravelers make, when she pops up as a topic in forums, Ravelers' comments, and yarn ideas.

• Frostyflakes has her own Flickr set here. Actually she has two. One is public, and one can be accessed only by using a special pass found in her pattern!  

Weightless Tunisian Stole

#89 Weightless Tunisian Stole
Originally uploaded by dorisjchan

Pattern for this design called "Weightless" is available now! You can see it in my new crochet pattern shop. It requires 2.5 balls of a lightweight mohair-silk blend. I used SR Kertzer's Ovation, which is discontinued, but there are several other similar yarns available. The best known is probably Rowan Kidsilk Haze.

This Tunisian wrap won Third Prize in CGOA's annual Design Contest. A big thank you to Leisure Arts, sponsor of the cash prize! I'm very proud, and kind of dazed because I didn't start out expecting that I would enter it this year.

With this blog post I'm trying out a feature in Flickr. I just spotted this photo in the CGOA Flickr Group and I noticed that Flickr offers the option of composing a blog post with photo, and then I can have it posted straight to my blog.

More soon! Am currently loading more pattern PDF's into the pattern shop of my new website!

A Be-Ruffled "Craft Fail" in Slip Stitches

I love the CraftFail site! It has taken oh, 5 years or so for me to get ruthless about this craft fail:

It's a shrug crocheted in somewhat loose slip stitches. The 3/4-sleeves end with unusual linked and unlinked triple trebles--a swingy ruffled fantasy. In my mind.


The big reason for the fail is that I used a large crochet hook to make stretchy slip stitches in novelty chenille yarn. I can't think of a bigger invitation for chenille yarn to "worm". Even before the worming began, the stitches stretched unevenly, also thanks to the texture of the yarn. It was especially noticeable on the shoulders (ugh!). To top it off, the angora look turned into a ratty look.
After wearing once or twice, it looked as if an animal had chewed on it 20 years ago.


I couldn't face how fast it went downhill because the ruffles were so time-consuming! As a useful design experiment for me at the time, this makes the ruffle the same as a research swatch, but should I save the whole shrug for one ruffle?


OK yes, there's that whole "turning lemons into lemonade" virtue, and the CraftFail site inspired me to try every which way to make lemonade with this lemon. I tried blocking it, adding black velvet ribbon accents (see photo at right), even going so far as to consider: might this shrug be turned into capri pants? LOL, nooo!

But I will always have my memory of Marty trying it on one night at the 2005 CGOA conference in Oakland, CA. It looked better on her than on me!

Silk Crochet for the CGOA Conference

I'd better stop what I'm doing and blog now, before I get even busier! My dream is to have something really special to wear to CGOA's Crystal Jubilee 15th Anniversary festivities at the Chain Link conference in less than a month.

I finally decided what I want to crochet with my Tess Yarns Cascade Silk stash yarn: a luxe waistcoat-type garment.

I'm starting off with Tunisian Simple Stitch for the bodice, worked in one piece. I sketched out a paper pattern and am shaping as I go. The right front and armhole of the bodice are completed so far. I'm enjoying the shaping experiments. And, the feeling of silk flowing through my fingers :)

Next will be a marathon swatching event in which I try to create the exquisite edging that I picture in my head, bordering the whole bodice. I did something similar when I designed this published tunic, but I'm picturing a new kind of edging for this silk waistcoat. ::crossing fingers that it will only take 1 afternoon of swatching::

After that, somewhat long panels cascading from the bottom edge of the bodice; their length and specific shape to be determined later. I may embroider the bodice, I may not. Crystals may also be involved, or not.

Actually, the dream is to have something special to wear every day that I'm there but if all I manage to complete is this silk waistcoat, I'll be jubilant.

Using Crochet Jewelry with Wire Free Patterns

I've been thinking about how to crochet wire jewelry since posting one of my free patterns 5 days ago. Within the first 36 hours alone it earned over 70 "hearts" in Ravelry (was favorited by over 70 people), and this brought a big smile to my weekend! 

Yet the bracelet did not become a new project for these Ravelers. 

Handmade beaded wire jewelry crochet patterns use materials that are not available everywhere. I shop for beads in 5 local stores and every store has a very different bead selection. Some craft stores don't carry nice jewelry wire in different gauges. (For this reason, jewelry wire crochet kits are probably ideal.) 

As a crochet designer, I know that yarn substituting is not always easy. Substituting crochet jewelry wire might be even trickier. It was for me when I made a second Love Knot Embracelet yesterday! Here's what I learned:

Lesson #1: 

There's a good chance that the wire gauge you want is the one that you don't have.

I wanted to use pure silver wire for my 2nd bracelet but I only have fine gauges (30-gauge or "30ga" and 26ga), no thick 22ga. I can't just go out and buy pure silver wire locally, only online.

Lesson #2: You can make your own thick gauge wire if you have a thinner gauge on hand.

I cut 3 pieces of 26ga silver wire, all 26 inches long, and twisted them together into one thicker piece.

Lesson #3: Wires of the same gauge, different metal, and sometimes different brand, can behave differently.

Pure silver (a.k.a. "fine silver," more pure than sterling) is softer, more pliant than the copper I used for the first bracelet. Also, some copper wire has an invisible coating, such as the 22ga I bought from Radio Shack. I think if I'd twisted 4 strands of 26ga silver together instead of 3, the result would be closer to the stiffness of my 22ga copper wire.

Lesson #4: Big round beads will require a longer 

bracelet than flatter, streamlined beads.

Laid flat, the two bracelets are the same finished length. When worn, the bulkier red one fits just right and the flatter blue one is just too big.

Wire is a fascinating crochet "yarn" that makes pretty beads even prettier. More tips on how to crochet wire are found in one of my 2006 free patterns for crocheted doilies: Coffee Hotplate Doily.

Tunisian Panels: The Marco Jacket

This one's fresh off the hook because I wanted to wear it to the Portland CGOA conference two weeks ago. It's really 4 experiments in one!

1. I used an obscure stash yarn that worked out great for tunisian crochet. It's Austermann Marco Stretch in "Winterberry" (a warm heathered rose). I've never used a bulky wool with a lot of lycra in it for a sweater so I didn't know what kind of drape I could expect, and whether I'd even be able to block it to my measurements. (Not much info on the 'net from users of this yarn, not even in Ravelry.)

2. The yarn is discontinued so I had a finite amount: would 10 skeins be enough for a jacket? To be on the safe side I went with cropped and shaped sleeves, cropped length, and minimal collar and front overlap. The yarn seemed sporty to me so I pictured a zip-front hoodie style, and would add pockets and a hood with leftover yarn. It ended up reminiscent of a boxy Chanel jacket style when I edged it. That's Yvette trying it on backstage after the conference fashion show.

3. The yarn was like felted spaghetti to work with and looked lumpy in every crochet swatch I tried except tunisian simple stitch (tss). The tunisian fabric came out stretchy, smooth, and soft & spongy enough for my kitten! I was not in the mood for long or cabled tunisian hooks, so....panels, right? I haven't seen many sweaters done this way lately. Making the panels was great fun, but how did I want to join them? I decided to make the seams a decorative element, so more swatching! (But check out ARNie's join-as-you-go tutorial) Correction added 9/30: See ARNie's comment on this entry; this link is part of Cindy's Crochet Pages. Great job Cindy! Thank you.

4. The last experiment concerned shaping. I wanted to do it all--tapered set-in sleeves, back neck drop, shoulder slope, waist. I knew it would help streamline the yarn's bouncy bulk, but this amount of shaping and shortrowing in tunisian was new to me. Using a 12mm hook and big yarn made it fun because some shaping was accomplished with merely adding or subtracting a few jumbo stitches.

I'm very pleased with the results, although I wish the yarn blocked better. There's a pic of me wearing it on Margaret's blog--scroll down to the 2nd photo. At the conference people especially liked the contrasting stitch textures, and some thought the seams were cables :-)

I would definitely construct a garment with tunisian panels again. I created a way to make "panel maps" in Garment Designer, which should simplify writing the pattern for many sizes. (Here's a hazy pic of the map I worked from.)

I had about 1 ball's worth of yarn left over. I paid $3.19/ball for this yarn about 4 years ago at http://www.elann.com/, so not bad for a $30 sweater, huh?

Crochet and TNNA 2008

Let's get down to brass tacks, shall we? You'll find lots of knit-focused blog entries about TNNA-Columbus right now but take a walk with me on the crochet side. My overall hit from this show? Crochet is solidly on the up in knitworld. [I have a dream that someday it will be more accurate to say 'yarnworld' instead] From whence comes such an impression?

Not TNNA's fashion show, which was composed of the same ratio of crochet to knit as the other two years I've attended (oh, about 1% crochet content). What gets shown on the runway is the result of many factors though, so I'll just leave it at that.

Crocheted garments were sprinkled into many show booths, so crochet fairies have been working hard. These garments ranged from magically delicious to practical classics. Some draped more than the knits; some knit sweaters weighed more than the crocheted ones. [There will come a day when I won't feel the need to point this out] One might be tempted to say that this is what causes my "crochet's on the rise" tingles, but not really--there was some great crochet last year. Tinkerbell is a crocheter.

Here's where something truly new is going on: a new attitude among enough knitting attendees to matter, whether they be yarn shop owners or even 'knit establishment' insiders. Knit blinders are off! People are looking at crochet in its own right, not mentally comparing it to knits [and then coming out with a biased verbal gaff]. Crochet designers as a group [not just big names] seem to have earned some credibility somewhere along the line. An open-minded interest is replacing the closed-minded stony-face that crocheters have encountered for years.

I wish I could go into some specifics that reinforce my impressions but I'm sorry I have to be discreet else how will someone be able trust me with secrets in the future? :-)

Crochet's stock is going up. Isn't it great?

Yarn Discoveries at the TNNA Show

This is my first day back from the show, exhausted and happy, so here's a simple list of special yarn discoveries. More on the show tomorrow.

Unusual fiber content:
Silver (yes, the metal, though it doesn't look at all metallic): Zaol BioRope contains "mirawave" which is a silver-content fiber that is supposed to lend the yarn special properties such as being antimicrobial and conducting heat away from the body.

Jadeite (yes, the rock known as jade!) SWTC's "Therapi" is 30% jadeite.

Vicuna, Qiviuk, Guanaco yarns and blends: the yarns were heavenly and so were the first-rate crocheted samples in the booth! (At the website some of the crocheted designs are called "knit".) Here's a hairpin crochet wrap in handspun qiviuk and silk; here's a qiviuk wedding dress.

Milk fiber: Kollage's "Creamy" in icecreamy colors!

Recycled soda bottles? There is a new polar fleece yarn and I can't remember its name nor could I make it to that booth but Marty did and I love the projects she crocheted up already. The yarn looks great crocheted and has all the best qualities of chenille with none of the drawbacks! Hopefully she'll comment here or blog about it herself.

Z-twisted yarns: the yarn is plied with a counterclockwise twist, whereas many yarns (in the US anyway) are s-twisted, which is clockwise. Yeah, I'm the only one I know who actually has a thing for z-twisted yarns. Call me weird, but when I really like the way the yarn makes my stitches look and there's zero splitting, the z-twist is often the reason. (Lefties might prefer s-twist.) When I spot a z-twisted yarn I buy it because I know that even 20 years from now, if it's still in my stash, I'll still enjoy crocheting it.

-Two ShibuiKnits yarns: Highland Wool Alpaca; Merino Alpaca.
-Plymouth's Oceanside Organic.
-Be Sweet's Bamboo. 100% Bamboo yarns usually split on me so I've been anxious to try a z-twisted one. There's also a z-twisted bamboo blend called Naturallycaron.com Spa.
-Two Zaol yarns: the silver-content BioRope (see above) and the lace weight 100% tencel Olive.

After attending previous TNNA shows where designer inquiries were not always welcome (as Stefanie mentioned in her blog today), I didn't even bother asking for samples of the above yarns to swatch with. Now that I've blogged about them I wish I had!

Free Yarn Company E-Newsletters

I subscribe by email to free newsletters published by yarn companies and yesterday I received five. FIVE. Usually they're spread out throughout the month. Hearing from so many yarn companies in one day brings out the blogger in me. In case you aren't aware of these newsletters, I'll list them below in alphabetical order.

Why sub?
-Trendwatching: I keep up with what floats knitters' boats because it's interesting to me when it differs from crocheters; for example, both groups fell for felting, but the next big thing for knitters seems to be lace knitting, whereas I'm not seeing crocheters go whole hog for lace crochet. (More than usual, I mean. It's hard to ever fully separate lace from crochet.)

-To learn about new yarns, patterns, colors, and color combos.

-Many newsletters provide helpful tips that are often as useful to crocheters as to knitters, even if the tip is written only with knitters in mind.

-The suspense of never knowing when some GREAT crochet will show up in the knitcentric newsletters. I'd like to thank the yarn companies that do remember the crocheters and don't make us sigh and whimper and beg and cajole!

The list:
Berroco's KnitBits (every Friday)
Caron Yarn's Caron Connections (daily for 12 days in Dec.)
Classic Elite's CEY Web-Letters (3-4 times a month)
Coats and Clark's Keep in the Loop (monthly)
Garnstudio's Drops Design Newsletter
K1C2's Knit One Crochet Too Newsletter (monthly)
Lion Brand's Lion Brand Newsletter (weekly)

If you know of one that should be on this list, please let me know in the comments, thanks!

Electroluminescent Yarn!

Weaving or knitting the yarn in a particular manner, so that more yarn per unit area is achieved, improves the luminance of the EL yarn. (Dr Tilak Dias, Head of the WLIC)

Woo-hoo, crocheters get ready! Who needs light-up hooks when it's the yarn that lights up?
http://blogs.zdnet.com/emergingtech/?p=730
I want to crochet some of this NOW.

Quoted from here:
Dr Tilak Dias, Head of the WLIC, said: "At the moment the EL yarn we have developed is less flexible than conventional yarns. But it is more flexible than current optical fibres that are incorporated within fabrics to provide illumination. EL yarn can be easily incorporated into a knitted or woven fabric and the resultant active illuminating fabric provides illumination when it is powered. The luminance of a single strand of the EL yarn is greater than that of photoluminescent glow yarns, which are currently used in some high visibility applications."

Rowanberry Pendant

Lark's Jewelry With a Hook, ed. by Terry Taylor, is ON SHELVES and here is my Rowanberry Pendant embellishing the dedication page. (The complete design involves some crocheted "links" and a length of black velvet for a little holiday goth.)

Want a story? Rowan berries, which have a rich pagan past, are here represented by Clones Knots, which themselves have a rich history in Irish crochet.

The cord is Judi & Co.'s Corde' in a deep wine red shade. I've looked for Corde' for years in yarn shops and mail order catalogs and then one day at a CGOA conference I found a reel of red in the Dreamweaver Yarns booth. It is rayon-wrapped cotton and even the most common stitches look uncommon. Picots look like Celtic knots! As I played with it my friend Ananda came to mind, who celebrates the Winter Solstice (aka Midwinter, Yule). Then it just all came together in my mind.

That's the editor with his copy.

Unusual 100% Linen Yarn, Explored

Update: photo of red swatch shows the same yarn worked as tightly as possible. Feels like a soft basket and I think it would hold up very well.

I've finally gotten around to doing a few serious swatches of elann.com's Linus . It's 100% linen, made in Italy, hand wash and dry flat. All linen yarns are distinctive and this one is particularly so.

I've come to expect a papery feeling from linen yarns, like crocheting softened slivers of corn husks (in a good way). But Linus doesn't have this papery feeling at all. It's hardly twisted and feels to me like I'm crocheting a hank of supple glossy hair! Very intriguing. Reminds me of the Rumpelstiltskin fairy tale in which flax (i.e. linen) is spun into gold. I can see how someone could be described as "flaxen-haired".

When people pick up these swatches they're intrigued and keep touching them, examining them in different kinds of light, etc. Out of the corner of my eye the stitches look kind of like raffia or rayon straw but it feels soft and drapes stylishly. It's an uncommon mix of qualities.

I love this yarn in Tunisian crochet and these photos just don't show how beautiful it is! Now I know why people complain about photographing black. The yarn and stitch took an instant liking to each other. I didn't like it as much in regular crochet until I went down to a tight gauge with a 4mm hook [red swatch photo to go here].

It sheds a tiny bit as you work it--like a bit of field dust or something. I didn't even notice it until one night I crocheted the black yarn over a white pillow. The label says to hand wash and dry flat so I machine washed and dried the black swatch just to see why I shouldn't (after all, linen is famous for improving with some machine washing and drying). This yarn shed quite a bit and did release some color. Machine drying made the surface fuzzy, so I'm thinking this yarn is made from the "tow" instead of the "line" fibers of the plant. (I'll blog about that.) Definitely do what the label says! This is not a yarn for kitchen accessories.

Like almost all linen yarns I own, Linus gives an authentic organic or earthy look and feel, even though there are no natural-colored fibery nubbies like linen content brings to a yarn sometimes. This is what I love about linen--it's an extremely ancient fiber and it shows in a 21st century yarn, even when it's boldly color-saturated or has a polished finish. The colors of Linus seem particularly saturated and the black looks lacquered! I would use it for a strikingly stylish wrap that won't need washing often, such as a ruana or cape. You can see the excellent drape in the last photo.

This post is part of a blogging mini-series I'm doing about my linen yarn stash. To see related posts, click on "Fiber Talk" in the right-hand column.

Dating Linen

Yes, "dating" as in "I've been going on a lot of dates with linen."

For years I've bought a ball or ten of every linen yarn I find, especially if it's 100% linen. I've always planned to blog about crocheting with each of them. The first two photos show the tip o' the iceberg of my stash of 100% linen yarns (1) and threads (2). The 3rd photo shows some blends containing a high amount of linen.
I had a crush on linen long before we started dating because....how about a list?

Linen, How Do I Love Thee?

Thou art 1) an amazing fiber resulting from

2) putting a special plant (flax) through a

3) remarkable process.
4) Crocheting thee is a unique experience and

5) creates an heirloom-quality piece. Truly heirloom! Linen is so durable that it beautifies with age and handling. Machine washing and drying improves its softness and sheen.

6) How wondrously ancient thou art, bringing to my crochet an authentic, timeless, organic, and sometimes earthy look and feel. Even in this 21st century I feel a connection with the earliest fiberfolk thanks to linen. Its personality is detectable even when boldly color-saturated, blended, or has fancy finishes.

7) Linen and crochet are soulmates. The stunning virtuosic heights to which crochet stitches can climb are augmented by linen, and linen's exceptional qualities are showcased by crochet. They see eye to eye and they're capable of the same scale of exquisiteness. These two are distinguished peers and best friends.

It's the ultimate love story: two lovers are separated by a powerful upstart competitor (cotton) through a twist of fate (the cotton gin). Linen languishes for over a century, awaiting the return of its true love Crochet to its strong yet lithe, warm yet breathably cool embrace.

Rose-tinted glasses off: not all linen yarns show the above listed traits. Also, even top quality linen is not easy to get to know! Cottons and acrylics have come to dominate a crocheter's experience, and now that linen is marketed as a luxury fiber in competition with silk and cashmere, linen is often the odd man out. So I plan to blog about my experiences with different linen yarns.

If cotton hadn't come to dominate the plant fiber scene, I'm sure linen wouldn't seem like such a tall, dark, mysterious stranger. (Well, it will always be very tall--try comparing the staple lengths of linen vs. cotton!) After a long cotton detour, getting reacquainted with linen takes time and commitment. Or blogging?