CGOA Conference: Meet McKenzie

McKenzie is a remarkable 10-year old crocheter whose mother and grandmother are such close friends of mine that "close friend" feels odd to say and "family" feels better. Not only do McKenzie and I have a serious interest in crochet in common but I just found out that Ananda is a long-time crocheter just like her mom, Lucy!! This was their first crochet conference, which was a short road trip for them. Since the conference will likely be in Manchester next year, I'm betting that Lucy will be coming with Ananda and McKenzie if she doesn't want to miss out on any more hugs than she already has. (That's Ananda on the right and a very sleep-deprived me on the left.)

There's a pack of 10-year-old crocheting girls who roam the conferences now (McKenzie makes 3). I don't have permission from all of the moms to post a photo of the three so you just have to imagine it!

One thing that McKenzie wanted to learn was how to make a popcorn. People: she learns so fast, she could have been a professional crocheter who invented stitches in a past life. After working a small swatch of popcorns, we turned it into a wrist cuff, and she never took it off, even to sleep. We put 2 "buttons" (Clones Knots) on it. She learned that stitch so well that she did the 2nd one, and swooped that hook through all the loops in one fast pass. The first time.

She witnessed the frantic completion of the Chaps I wore in the fashion show (I need to blog about that!) and wanted to know what some of the less common stitches were that I was doing, so get this: she learned how to do a foundation sc, foundation dc, a split sc, and a linked dc! Ananda too!

That's not all. Then McKenzie and I did a special class together the next day with the amazing Kathie Earle of Ireland, our international teacher for 2007. Here's a pic of McKenzie and me in the market after class and she's wearing a gift from Kathie pinned to her shirt.
I had taken one of Kathie's classes a long time ago and knew she'd be wonderful for McKenzie (patient, flexible, creatively freeing, among many other stellar qualities). This was McKenzie's first time crocheting with thread and a tiny steel hook and she set about it with her signature competent focus and left that class a threadie with TWO completed Irish roses. By the way, this means she also reads and follows patterns--I'm a witness.

Okay so is there anything about crochet that McKenzie finds daunting? In the market a vendor showed her a book and she said, "No thanks, it's too easy for me." She chose Sasha Kagan's lovely new Crochet Inspiration and found the next thing she wanted to learn: a ripple stitch pattern so that she could make a headband. I looked at the page and thought, "Wouldn't it be so much better if she could use the symbol diagram for it? She does great with written instructions though. I don't want to overload her, but I don't want to underestimate her." So I explained what the symbols were there for and I told her why I prefer them, and it was up to her. She opted to try the symbols and I'd say it took her 5-7 real minutes of concentrating on them and trying them out to say, "I like them better too." And that was it.

I can't imagine bullions would be daunting because clones knots weren't. I bet she's freeforming right now. A freeform book was her first purchase (I think it was Jenny Dowde's but was possibly Prudence's?) and was already acquainted with everyone in the freeformers' booth by the time I found her and her Mom!

I learned to crochet around 8 or 9 and was completely immersed in it at 10. I can't fathom what it would have been like to attend a crochet conference at that age!!

CGOA Conference: The Shopping

Or, "Which Yarns Did a Designer Buy at Full Retail?"
My yarn buying habits have gradually changed since I began designing professionally. Yarn accumulates in my house regularly whether I buy yarn or not, because yarn companies send me yarn to play (design) with and extra skeins for sold designs.
This doesn't stop me from buying yarn, though it does slow me down. It does change what I buy. For example:

1. I don't buy the yarn of a company I design for unless I know that it's a project that's only for myself or a gift.

2. I hesitate to buy yarn that is discontinued or seems likely to be soon, because if it inspires a design out of me, I won't be able to sell it as is. (Occasionally I can talk myself into buying it anyway.)

3. This one's dangerous: If I have a vague design idea, or am curious about a theme or a developing trend, I'll start buying a ball of this or that if it has anything to do with what's on my mind. For example: bamboo. I now have a ball of every kind of bamboo yarn that has crossed my path.

4. There are yarns that I really want to see and touch before I buy them, even for designing, rather than formally request yarn from the company or purchase it online or wait for my yarn shop to stock it.

In the photo above, you might detect an organic and color grown cotton theme developing (see #3). I'd have bought some O-Wool if I'd seen it too. I bought the Patagonia handpainted cotton because it was a very good sale price! All of the above came from Elegant Ewe's booth. I also bought some beautiful hooks.

In the 2nd photo, Gene Ann was having a last day sale of 4 for 3. You see, when I love a yarn, I want an excuse to buy more than 1 skein but how many more? Gene Ann guided me.

These are all Kollage yarns, and the designer in me welcomes getting to know a new-to-me yarn company. The stripey yarns on the far left are stretchy and I have a thing about stretchy. So of course I had to buy one, or make that 4. The plum Scrumptious is 70/30 angora/silk and I was sold when Gene Ann showed me her scarf in progress: zero airborne fuzzies and the stitches were softly and evenly blooming. This says to me that someone knows how to spin angora! On the far right is Yummy, 80/20 bamboo/merino. My stitches are going to be YUMMY. The color is "Foggy Dew"--I have a thing for silvery shades but I could have picked any color of this yarn. The lone blue skein is Kollage's corn fiber and the lone novelty yarn is full of squiggly butterflies so how could I not try it?

What I WOULD have bought:
- A bunch of Tilli Tomas silk skeins (a friend bought them for me instead, yay!)
- A Grafton Fibers hook (also a gift from a friend! More on her later! More on the hook too!)
- A complete set of the "Crochet Lites" but I had trouble getting a straight story from attendees whether a vendor had them or was just taking orders, where exactly the vendor was, and whether they were like the Clover hooks, or like the heavy fully-lit ones.
-Some Noro Kureyon. I have to leave it around the house so that I pick it up and invent new things. It does that to me.
-7 or 9 balls of Rowan Natural Silk Aran for a specific sweater for moi and no one had it, so I'll get it at my yarn shop.
- A hook holder IF: it has clear vinyl pockets labeled with mm sizes. Don't know if it exists.
- Giant tunisian hooks.
- A crochet-themed tshirt or bag or jewelry.
- DMC Cordonnet in sizes from #10-#30, poss. #50.
- Any yarn with Lycra-type content.

I will finish my conference shopping online, buying first from businesses who were in the Market, and I'll ask them to consider my purchases as part of the conference event. If any of these things were in the Market, I couldn't find them in time because I couldn't shop until the last day, when the Market closed at 3pm.

How did I do?

TNNA Report #2: Illusion Crochet Class

I took one class at the TNNA show: Illusion Crochet taught by Darla Fanton (a first-rate crochet teacher by the way! It's no wonder her illusion crochet class is already sold out at the upcoming CGOA conference).

This technique has exciting possibilities and I enjoyed its unique rhythm. It's a new way to experience crochet. The second photo shows what the back looks like.

Sometime during the 3-hour TNNA class Darla mentioned that people won't finish the project during class, and I privately turned that into a challenge. Turns out that my designing cohorts, Marty Miller and Drew Emborsky, did too. Maybe we get conditioned to crochet for deadlines? The good news is that I did indeed finish with time to spare; the bad news is, I came in THIRD! I'm pretty sure Drew came in FIRST.

If I were a better blogger I'd have a photo here contrasting the 3 potholders done by Drew, Marty, and me, all with size H/5mm hooks: all three potholders were different sizes! It's the infamous "Crocheter's Hand" effect. (None of us were aiming for a stated gauge so it means our native gauges were all different.) Not only that but earlier, I had to rip out the first 4 rows and start over because the class started at 8 a.m. and when do I ever crochet at 8 a.m.? My starting gauge was changing as I warmed up. I wonder if my 8 a.m. gauge would have matched Marty's....

TNNA Report #1: Crocheters Unite!

I just returned from The National NeedleArts Association's summer trade show in Columbus OH and I have lots of things to share so this blog entry is one of a series. Yes folks, there's a revolution going on, a groundswell. Spidey senses were tingling! Plans were hatched! A fist pounded a table!

Not only did a CROCHET SUMMIT happen but a galvanizing '60's-style CROCHET-IN electrified the show lounge in the dead center of the room. It's obvious now: there's no keeping crochet down anymore. It's NOT just some supporting player for knits when you need a bag, a belt, an edging. It's NOT just some funky style departure from knitting. (It's all this and waaaay more.) It's NOT okay to leave out the word 'crochet' as if 'knit' is a satisfactory umbrella term and crochet is merely a subcategory. Enough is enough. It's a new day and there's no going back. I can't believe I didn't have my camera but VIDEO FOOTAGE EXISTS. I'll keep you posted on that.
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I needed yarn and fast! So I managed to find some nearby yarn company friends and offered to CRIP (Crochet In Public) with their yarn at the Crochet-in. Kathleen Greco of Jelly Yarns graciously donated some striking neon-lime Jelly Yarn, and the folks at Universal Yarn blessed the cause with a ball of their new Tango. Some knitted-up Tango is meeting with raves but crocheting with it seems to be pretty uncharted territory. The exciting design possibilities of this yarn guarantee that I have lots of experimenting to do now that I'm home.
In the case of Jelly Yarn I've got plenty of preliminary swatching under my belt so all I needed to do was decide what to make that would be a souvenir of the event. I knew I'd always treasure a jellyjavajacket. As if I need another one. And yet....as if a collection is complete without one.

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I'll try to update this entry with links to other blog entries on this topic:
Dee's blog entry.... WEBS blog entry .... from Noreen's blog .... Crochet me armband project .... The July 3, 2007 issue of Carol Alexander's Talking Crochet newsletter (online, free subscription).

I've Been Tagged! With a Meeeeme

It's like a blogrite of blogpassage (it's my first time) and isn't "meme" a cool word? So let's see, the tagger says I should post the rules, which are:
"Each person tagged gives seven random facts about themselves. Those tagged need to write in their blogs seven facts, as well as the rules of the game. You need to tag seven others and list their names on your blog. You have to leave those you plan on tagging a note in their comments so they know that they have been tagged and need to read your blog."

OK: Seven Random Facts About Me:

1. In 5th grade I learned how to sing the names of all 50 states, in strict alphabetical order, and I can still do it. It's permanently etched in my brain. If I ever must recite something to stay alive or avoid a coma, this would be it.

2. I just learned that one of my ancestors, an aunt, was hanged as a witch in Salem. That's pretty random, right?

3. I can spell 99% of the words in the English language correctly. I wish I had grown up in a time and place where I could have competed in Spelling Bees. Since this is a list of facts, and 99% is kind of a ballpark figure, it might be more like 98%. (This isn't an invitation for spelling or grammar police to add harassing comments on my blog! I don't approve of any language policing. Conversely, I have immense respect for people who COULD correct people and DON'T unless asked. If any spelling-challenged folks are reading this, don't worry, I don't police people's spelling.)

4. I learned how to meditate (Transcendental Meditation) when I was 9, and learned how to crochet sometime before that. I know because when I learned how to meditate I thought, "Hey! This makes me feel the same way that crocheting does!"

5. My first car was a white Firebird. When I drove it fast enough I felt like I was on a 'fine Arab charger' as Mick Jagger would say. I don't really enjoy driving a car unless it feels like a horse.

6. I've been some variation of vegetarian for a total of about half of my life (such as macrobiotic, vegan, raw foodist, ovo-lacto, etc) and currently am not. Even when I'm doing the meat thing, I still eat lotsa veggies and nearly zero red meats.

7. I lived on the Bahamian island of Eleuthera for the 4 hottest months of the year. Then I moved to Maine in time for winter. (I didn't plan it that way.)

And now I get to tag 7 people! How about Bud, Noreen, Angela, Chie, Annette, Robyn, X (I'm waiting to hear if her blog is private).

My Shangri-La

Pictured: the cover of Lark's forthcoming crochet jewelry book, due out Oct. 1'07!
U-betcha I'll be blogging about my included designs because I have supplemental data and it's hard. to hold it. back. Nevertheless I shall remain an example of proper professional comportment.

Swatching up crocheted jewelry designs set me on a path to a secret paradise, my Shangri-La. I feel a list coming on:

The Seven Treasures I Picked Up Along the Road to Shangri-La

1. Jewelrymaking gives me permission to stop and appreciate the little things. Life slows to a different tempo. I have the same experience when I crochet fine lace.


2. It frees me to concern myself solely with beauty and charm, icing on the cake, wearable candy. I think some people have the same experience when they crochet doilies (they're jewelry for furniture) but for some reason I don't, maybe because it's home decor instead of personal adornment.


3. Like felting, it cultivates new ways of seeing familiar stitches--in the case of jewelry, it's because the scale changes (whereas in felting, the material changes). For some kinds of jewelry, crochet stitches and techniques are done on a tiny intricate scale like filigree; other times, they are blown up as if seen through a microscope; and the amount of stitches is often drastically reduced so that each stitch becomes an accent, like a gem or bead. All because a jewelry piece needs to say a lot in a small space.


4. I look at materials a new way. My ideal is for jewelry to be durable--not show wear or staining, like when I crochet handbags--but be too beautiful to let on that it's also practical, unlike when I make handbags. For both jewelry and handbags, I also want to use the sculptural capability of crochet without any stitches stretching out over time.


5. Traditional jewelry shows off precious metals and gemstones, but when crocheting, (other than with pure gold or silver wire) you can choose non-precious materials and let the crochet make it special. If I choose the fanciest intricate stitches and superfine thread, I can still finish a piece in an afternoon or so.


6. The coolest thing is that a piece of jewelry is small enough that a "swatch" is a whole bracelet, or ring, or necklace. So after getting design submissions ready, I had a bunch of new jewelry.


7. Jewelry experiments make nice gifts!

Feeling the Felt Love

Flushed with felting pleasure and success*, here's a Ten Things I Love About Felting Crochet List:

1. Hidden facets of a yarn's personality are magically revealed. Everything--the yarn's fiber content, spin, dye, etc.-- matters.
2. Felting makes simple stitches new again. I've been crocheting for so long that I thought I'd seen simple stitches do everything!
3. Feels primal and cozy
4. Also feels northern, so I get nostalgic because I grew up in Ohio & Wisconsin but have spent most of my adult life in the subtropics (love the smell & feel of wet soapy wool!)
5. Forces me to use a hook that's normally too big for the yarn. Simple stitches look different--I can see their inner architecture better (uh, I'm on record as being kind of obsessed with crochet because of this), and they feel different-- all stretchy and drapey.
6. Forces (or frees?) me to take a back seat while a process larger and more mysterious than me (in this case, the unpredictably complex alchemy of felting) does its thing. So it can be a kind of spiritual practice/experience.
7. Spiritual development aside, it requires and often rewards risk-taking, thinking big, and process orientation. At its most dramatic, I take the "known" (my crocheted piece), and even if I like it as is, I must "cut the ties" and let it go into the "unknown" (felt it) and who knows if I'll like it better on the other side of the "abyss". If I do, the ecstasy is addictive. At times I've had to take a deep breath and close my eyes when felting luxury fibers like cashmere and angora!
8. Sometimes instead of having to "let go" of a crocheted piece I like, it looks yucky on purpose in preparation for felting (stitches and rows look sleazy, weird shape, etc.). Then I felt with abandon because I have nothing to lose! When it comes out all evenly felted, there's that ecstasy again but for a different reason--I felted straw into gold; or the ugly ducking became a swan; or I salvaged and recycled trash into treasure. (Pick one)
9. My hands change a bit to maintain the loose gauge with bouncy wool yarns. This is a new skill for crocheters who are accustomed to cotton yarns and threads at normal-to-tight gauge because cotton is dramatically less resilient than many wools. It's not a new skill for me but still it takes an adjustment every time I crochet to felt. When would I crochet worsted wools like this otherwise? Yet it's fantastic practice for crocheting lycra-content yarns with a more standard-size hook. (You need to crochet these yarns in such a way that you don't stretch them while working.)
10. It encourages lots of crocheters to experience crochet in new ways and challenges them to develop new skills that are important for non-felted crochet too.

Do you feel it too? Feel the felt love?
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*success in the professional sense--more details on the felted design when published!

Marty's New Crochet Blog!

Today is Marty Miller Day on the Designingvashti planet! Check out her blog here:
http://notyourgrannyscrochet-marty.blogspot.com/ The focus is swatching and I'm hoping newer crocheters will be inspired by Marty's blog to find out what an art swatching is. For me it was a consciousness shift. I guess it happened sometime when I started designing. For my younger crochetself a swatch didn't used to be an end in itself--swatching was not a process that I enjoyed for its own sake. Instead, it was a means to an end that I had to get through to make something "more" or "real" such as a sweater (a.k.a. the "gauge swatch").

Besides finding one's gauge, a swatch is a content-rich research document. I save them like I save notes to myself. Like poetry fragments. Or like maps to secret gardens.

Here's a pic of Marty and me in the old-style CGOA booth (before it got a facelift by our competent Offinger staff), circa 2005, Oakland Chain Link conference.

We had just finished breakfast and were about to leave for a field trip to the legendary Lacis, hence the sunglasses I have handy.