A Year Full of Crocheted Accessories! Have a Favorite?

Satin Pillows Necklace

Sterling Boutique Handbag

Tunisian Islander

Onefellswoop FlexMitts

Until I learned this month that I'm a finalist for the Crochet Liberation Front's Best Crochet Designer for Accessories award, I didn't realize how many accessories I designed in 2010! 


I've been staying out of trouble, writing up new crochet patterns, learning how my new website works, and how to make downloadable PDF's look the way I want them to--stuff like that.


I'm still a bit stunned: I'm very honored to be nominated and to share the honor with the other designers in this category.  Makes me wonder if I should write a book of accessories to crochet LOL. I guess these patterns can pile up if one keeps designing them, huh. 

Pallas Scarf

Weightless Tunisian

I don't think of them as "accessories" though. Maybe that's why I didn't realize how many I designed in a year. The crochet jewelry designs, especially necklaces & lariats, feel like they're from a different part of my brain than, say, Tunisian shawls and wraps. 


Remember that cowl fever I caught? Cowls, mobiae, and scarves are their own thing too. So are handbags, and fingerless gloves. 

Lovepod Boa

Stitchmerge How-to

(And then that Lovepod Boa, see at left--I don't know which part of the brain that one came from. Is it jewelry worn as a scarf, or vice versa?)

The Crochet Liberation Front created the Flamies Awards about three years ago, and the winners are announced on a special episode of Mary Beth Temple's Getting Loopy podcast. ("Flamies" refers to flaming hooks of justice!)

Chainmaille Cowl-Scarves

Frostyflakes Superpattern

Voting for the Annual Flamies Awards begins this week: March 15. I'm very excited because in only three years it has become the "academy awards" for crocheters. 

Aran Rozsanas Superpattern

1380 Cashmere Picots

Do you have a favorite DesigningVashti crochet accessories pattern?

Crochet, Socks, and Karen Whooley

If you're visiting my blog for the first time because you're touring blogs with my friend Karen Whooley, welcome and thanks for stopping by! I chatted with Karen about her new book,  I Can't Believe I'm Crocheting Socks! and you can see some of our conversation below. I love what she says about socks and her school uniform, lace crochet, and what she imagines her Nonna would say about her book.

The #1 reason I wanted to be a part of Karen's blog tour is: Knitters have been having so much fun with gorgeous new sock yarns, comparing the virtues of toe-up vs cuff-down patterns, how to "turn a heel", etc. Making socks that fit is a whole art form. There's not nearly as much information out there for crocheters as for knitters....until lately.

In Progress: Nice fit!

Even though I learned to crochet over thirty years ago, I only recently crocheted my first pair of socks. You can see a view of them finished here. 

Whose crochet sock pattern did I carefully choose for that first crochet sock experience? KAREN WHOOLEY's. I was hooked! I bought so much sock yarn LOL. Now that Karen has written a whole book on crochet socks, we have everything we need to enjoy crocheting socks in the style and size we please.

Vashti: When I think of you, Karen, I think about how you learned to crochet from your grandmother when you were 7, and how much your love for crochet shows in your commitment to it over the years. I also identify with you a bit, because we both learned to crochet in the 1970's as young girls. I learned from my Mom when I was 9. 

Karen: A lot of my students tell me that I give way too much credit to Nonna for the crocheter I have become.  And I have to agree that yes, I have learned a lot on my own over the last 12 years as a designer and instructor.  

Karen's Nonna. Photo taken in the late 1980's

I lost Nonna in 1992 and sold my first design in 1998.  But, if it wasn’t for Nonna, I probably wouldn’t have learned to crochet to begin with.  I owe my love and passion for crochet to her. And I can honestly say that as I am working, she comes to mind, and a lot of her words spill from my heart when I get frustrated with a design. 

Vashti: Back then, I never imagined I would one day be a professional crochet designer. I knew only a little about patterns and different kinds of projects. I did try many kinds of crochet, but strangely was also completely unaware of many other kinds--such as real crocheted socks....the kind that you wear comfortably in shoes....to school!! 

Imagine wearing real crocheted socks to school in the 1970's! Did you imagine them or try them, Karen? Which of the socks in your book would you like to have crocheted for yourself and wear to school, at what age? In a color, or for a specific outfit? In high school I would have wanted PURPLE. Purple with deep red. I would have worn them with fringed moccasins.

Karen: I never, ever thought I would be a professional designer back then.  My Nonna spoke very broken English, so I learned all my stitches in Italian.  After learning all the basic stitches in Worsted Weight and an H hook, I was given a size 6 steel and bedspread weight cotton and for about 5 years, I did a lot of lace.  I don’t think I ever would have thought of socks until I was in my late teens/early 20s.  But I can tell you I did do a lot of slippers, so maybe if I knew then what I do now, socks would have been on my agenda! 

I think in High School I would have worn the ripple socks just as they were designed.  Blue has always been a favorite color, and I used ripples a lot. But then of course ripples were very popular back then.  When I first learned to crochet I think I may have made the Lace socks, but in PINK!  I was such a pink girl.  I might have made the Tube Socks in Navy, Hunter Green and/or White because I went to Catholic School and wore only knee socks in those colors with my uniform!

Vashti: I find that often, while I design something, I'm picturing the crocheter I was. Sometimes I have a sense of contrast with the crochet I started with and crochet as I know it now. (Other times I have trouble remembering what I knew or experienced about crochet back then; for example, I recall no specific opinion of hdc, whereas now I think it's a distinctly cool stitch!) Sometimes I'm still amazed that I get to design crochet professionally, and the "I" that is amazed is my young crochet self. I love crochet as much as ever and am honored to add to the designs.

Karen: Many times I do think back at what I used to do. For example, since Nonna couldn’t read an English pattern, she taught me to “read” a picture.   Until I was in my early teens, I couldn’t read a pattern very well, but boy I could copy an item from a picture. I am self-taught in reading patterns. Now I am almost fanatical about being sure my patterns read right for the crocheters who may purchase them.  A lot of times I think back to when I couldn’t read a pattern, and I think that is why.  I was determined to make my projects look exactly like the one pictured, and by gosh, I want my fans to be able to do the same. 

Like you, I am amazed I get to design professionally!  My Nonna told me that she had given me a skill, and that I needed to do something with it.  Mom tells me she meant crocheting items for the family or for charity. But I know she would be proud of what I am doing now. I am doing a lot of techniques I am sure she may have seen, but I don’t know that she had ever done. (I wish now that the younger crocheter in me would have asked!) But I think the part that amazes me the most is that as much as I got tired of lace back in the day, I have come full circle, and I am bringing more and more lace into my work, and into my classes that I teach. Of course, now it is with more lace yarns and larger hooks than with size 6 steels and cotton! And the even more amazing part?  I LOVE IT! The inner young crocheter still is not quite sure about that every time I decide to go for lace.

Vashti: Something I wonder, how does it feel to you to look at your new sock book through the eyes of your inner young crocheter? Which socks do you think your younger crochet self would like the most or want to make first, and for whom? What step in the sock crocheting do you think your young crochet self would be most hooked on? What do you think your grandmother would say?

Karen: Looking at my book as my inner young crocheter, I would have to say, “WOW, did I really do that?”  I always experimented with ideas, and my stuffed animals and my younger sister were the not always willing recipients of the end results.  From a young age I have always been a perfectionist in my work.  And I can’t tell you how many items were ripped out time and again because of that.  So my inner child looks at this book and really is amazed I could do what I did, and have it turn out even better than I had planned. 

My younger self would have made the two learning patterns first.  I know that because of the perfectionist in me would want to learn the ins and outs first. And after that, I would have made any of them, but I would have made them uniquely my own by changing something.  I don’t know what exactly, but as I would crochet them, something would change!  I know I would have been hooked on toe up socks.  To this day, sewing seams is not my favorite thing to do, so the toe-up method would be my favorite even then.

What would Nonna say?  I wish she was here to actually tell me, but, I think she would say, “Caterina, Hai fatto un lavoro meraviglioso. Il tuo lavoro è pulito e raffinato. Dovreste essere orgogliosi. Ora vediamo cosa si può fare il record.”  (Karen, You did a wonderful job.  Your work is neat and fine. You should be proud. Now lets see what you can do to top that.)

That's Karen with both of her grandparents. Karen writes, "It was taken in 1990, 2 years before I lost her. She is holding the basket she decorated for my wedding favors. It is the same basket used for my mom’s wedding in 1963 just different lace. Nonna was big on all sorts of crafts from Crochet and embroidery to having the skills to be professional seamstress."

Crochet, the Sixth Sense

I must show you what arrived in the mail this month for my birthday:

It's a pretty gift bag full of Gifts for the Senses. It so happens that when it arrived, I was home all day every day taking care of my son who had a nasty flu. Imagine the cheer it brought to both of us! 


We played with each little gift -- a classic tin kaleidoscope for the Sense of Sight, a sweet French lavender sachet for the Sense of Smell, a pretty seashell for the Sense of Sound. 

A gift basket for the five senses is a great idea, isn't it? What really moved me was how crochet added to the total experience. A Lettuce Coral Crochet Kit represents the Sense of Touch -- you can see the box at the lower left corner of the second photo. 


Lettuce Coral is not just any crochet kit. It's designed and packaged by Kathleen Greco (she's a fellow Aquarian who created Gifts for the Senses and sent me this gift). Her crochet corals are part of the Hyperbolic Crochet Coral Reef that is currently on display at the Smithsonian. 

This is also not just any hyperbolic crochet; it's created with Kathleen's own Jelly Yarn(R), which has long fascinated my sense of touch LOL. I love that the contrasting color at the coral edge glows in the dark. 


And then there's the Sixth Sense, the Sense of Crochet. Don't you love this idea? That's what crochet is for me, a sixth sense! In this sweet little pink gift bag* is a bracelet Kathleen made herself, with a glass heart charm. 


*I'm using these pretty gift bags for my on-the-go crochet projects. They're weightless in my purse!

Happy Crochet Valentines Day!

I crocheted a last-minute Valentine card for my dearest sweetie. He's been my Valentine for 18 years of marriage (plus more years a-courting).

Each page of this Valentine Wishbook is a wish for my Valentine for 2011. (I've always wanted to crochet a book.)

I used Tunisian Simple Stitch for the center background because it's a great surface for adding er, um, embroidery. (Elsewhere I've confessed a weakness for using dimensional fabric paint as a stand-in for embroidery floss. Also, my menfolk like its vivid colors and raised textures.)

The ivory page with the glittery red heart on it is smaller because it's the prototype of the other pages. I didn't have time to make a larger ivory page! The paint requires a long drying time.

Once upon a time I was a young professional calligrapher for a small town. One year I created some special-edition deluxe hand-crafted Valentines. We're talking silk brocade, hand-tinted cameos, real lace trims. They were so labor-intensive that I couldn't sell them! I've carried them with me ever since, and there'd be a photo of them right here and now [insert photo of them here] if I could find where I stored them. One of them was a small hand-lettered book with parchment pages inside.

Plan A for my life's sweetheart in 2011 was to crochet socks. The socks are still happening, just not with a tight deadline. (Anyone who has knit or crocheted socks is probably smiling knowingly right now.)

A crochet Valentine's Day card worked out nicely today as a Plan B. I blogged a 2008 attempt for "Mr. DesigningVashti" and it's been on display in our house ever since.

Christmas Crochet Vest with Silk and Beads

I've been crocheting straight through the holidays! This fancy vest is the laciest of my December projects. At right is a temporary experiment in wearing it backwards, as a tunic. I really like the neckline of it.

I see "Alezannah" when I look at this lacy beaded red silk, maybe because both of my grandmothers have been on my mind a lot this month. The mysterious* name Alezannah is a women's name used over many generations on my mother's side of the family. Sometimes it was spelled Alzanah or Alzannah. A lovely riff on the name is my maternal grandmother's: her name LeeAnna was intended to be an updated version.

Here's LeeAnna holding me when I was almost six months old.

My sister and I called her Mamie and my grandfather Papa. I loved using these names, which are somewhat mysterious** also. I would like to be called Mamie too if I become a grandmother.

My husband went to a local yarn shop and picked out some fabulous yarns and this is one of them! He couldn't wait until Christmas to give me Tilli Tomas Beaded Plie. I knew I wanted to wear it around my shoulders somehow to a holiday party, so I Vashti'd up a stitch pattern that I've always wanted to use with the right yarn.
At left is a cellphone photo taken at the party two nights ago. That's my friend Colette, who coincidentally planned to wear the same yarn to the same party. (She used the Frostyflakes pattern.)

I tried on Alezannah every which way before I created the sleeves. So, in this photo at right (another grainy cellphone shot) I tried it as an asymmetrical wrap. I get great design ideas this way, for example the v-neck top in the first photo. Same thing happened with the Waterlily Layer when I discovered it can be worn upside down and backwards!

*The Alezannahs in my family tree were of English and German descent, as far as I know. The name fascinates me and I've never found it in name books. It seems like an unusually exotic name for generations of rural midwestern ladies. If you know anything about this name, please let me know!

**I'm told these are French names for grandparents; not typical for Ohio LOL. Perhaps the French ancestry on my maternal father's side is more than a sliver? I haven't met anyone else who uses these names for their grandparents (not that the subject comes up with everyone I meet).

Doris Chan's Crochet Lace Innovations

Crochet Lace Innovations by Doris Chan 2010.

Shiver Me Timbers!

Crochet Lace Innovations is simply gorgeous--the photostyling, the layout, the production values. Potter Craft (publisher) pulled out all the stops on this one! Each page showcases the sophistication and elegance of Doris' crochet designs with lovely lyrical typefaces, chic photography, and refined color palette. This means I pick it up just to leaf through it for a hit of pure beauty. I get a delicious shiver, and then it happens again:

I take the long-range point of view about crochet's past and future, and I've got a thing about crocheted fashion. After the 1970's crochet somehow went from uber-trendy to fashionless--even anti-fashionable--in American popular culture! This isn't true in many other countries. It also isn't true in haute couture or in Hollywood. Yet even today, there's a big market in the USA for crochet patterns of non-fashion projects. For example, crochet designs for baby items and for home decor are in constant high demand; whereas crocheting modern fashion statements is low on the list. For some weird reason it's the opposite for knitting patterns. I like all crochet, I just don't know why there aren't more fashion crocheters in this country.

Crochet Lace Innovations doesn't just suggest some general wearable crochet style. It confidently, triumphantly presents crochet in the larger modern fashion context with a specific sense of style--and this gives me delicious shivers as a crocheter.

Shivers aside, I consider Crochet Lace Innovations to be an important contribution to crochet. It's not just daydream material, or a succinct answer to crochet's critics. It's also a friendly reference. It's one of those rare books that is as strong on clear, basic instructions of new techniques as on fashion context. I've seen knit pattern books that are so focused on conveying a fashion viewpoint that the hands-on how-to teaching side of pattern publishing is shortchanged. For me, those books are great as inspirational gallery-like coffee table books, but might not clarify new techniques.

Some crocheters seem to assume that Doris' crochet patterns must be challenging because they're beautiful. I hope people don't assume this about the patterns in Crochet Lace Innovations. Each crochet technique--Broomstick, Hairpin, Tunisian--has step by step tutorials, expert diagrams, and tips for success, all in a warm conversational tone. There's also a separate chapter just on the basics of garment construction. 

You can sign up here if you'd like to receive alerts from Potter Craft about any forthcoming books by Doris Chan. See more information on her first book, Amazing Crochet Lace, here; and Doris' book #2, Everyday Crochet, here.

I have to say one more thing. I felt beautiful when I wore three of the garments in this book: the Bozena Dress (p. 96) at a CGOA/Crochet Guild of America conference, a hemp yarn version of Rohise Skirt (p. 41), and a platinum-colored satin Inara Scarf (p. 21) at a TNNA/National NeedleArts trade show.

Where are All the Crochet Cowls?

....And by "cowls" I also mean crochet infinity scarves, eternity scarves, neck gaiters, smoke rings and snoods.* What all of these have in common is that they're warm tubes for the neck, and some can be worn as hoods, or wrapped around the shoulders like capelets, or extended down to warm the chest and back.

** Chainmaille Crochet Cowl IN PROGRESS **

These flattering neckwarmers are plenty practical because they stay wrapped around the neck effortlessly. You can't beat how their luxuriously soft and cozy look frames the face and shoulders, especially if they have a lot of loft or drape. This fashion trend started off big on last year's runways for both sexes and is still going strong.

Slathered Slip Stitches

It's as easy to knit your own cowl as it is to knit the traditional first project, a scarf; so it's easy to understand why cowls are a hot trend among hand knitters.

What about crocheters though? I wonder why it's not such a hot trend to crochet cowls? Crochet is perfect--fast, easy, soft and warm!

I have the brand-new Cowlgirls book of cowl designs by Cathy Carron, which are all knit. It pushed me over the edge (into blogging LOL). It's an inspiring book and I'm eyeing all my yarns and crochet stitches with new cowls, infinity scarves, eternity scarves, gaiters, wimples, smoke rings and "snoods" in mind.

Is it my imagination? Am I missing a 'Crochet the New Cowls!' book or pattern booklet on the market? When patterns for knit cowls are offered, I almost never see crochet options also.** Why not the same sense of excitement about all the crochet cowl design possibilities?

Mr. Stretchy (a Slip Stitch Tube) as "gaiter"

OK, so crochet cowl patterns do exist. I did a search in Ravelry and turned up 290 results. That's a lot! For some perspective, when I searched for knit cowl patterns....2135 results. Wow. Well, crocheters are off to a good start.

Mr. Stretchy as a more relaxed cowl; also works as a hood

I'm tempted to start a blog just for cowl crocheters. Here are a few notables: Check out Robyn Chachula's Tusculum! Amy Houck's superfine yak fiber Cosmopolitan Cowl. And OMG, Danielle Kassner's Cloister Cowl!
My own slip stitch "Mr. Stretchy" is available as a downloadable PDF crochet pattern at my website, and coming soon to my Ravelry Store. The others pictured here (Chainmaille, Slathered, Pallas) are being written. I think Pallas will stay a traditional long scarf with an "infinity scarf" option in the pattern.

(I know that a lot of people probably want a super fast, easy, and free crochet cowl pattern option so try this one or Melissa Mall's or this one.)

Pallas Scarf as an "infinity scarf" experiment

I found a very new Flickr Group for crochet cowls. There's a Ravelry forum "Cowls" that includes crochet, has almost 3700 members, and has very helpful information. For example, someone who has made many cowls recommends a 26-inch or so circumference and minimum of about 18 inches in height if you wish to comfortably have the option of wearing it as a hood.

*It seems that as of last year, "snood," which historically has been a hairnet--like a bag to hold long hair at the back of the head--now also means what I normally would use the term "cowl" or "wimple" for. Do a Google search for "snood" images to see what I mean.

**Funny coincidence, right after I posted this entry, I received the latest Caron Connections newsletter and it features two new crocheted cowls and a knitted one!

Fashiony Fearlessness

I aim to live up to this Fearless Leader Award for High Fashion! Isn't this year's award by Darlisa Riggs a soul-stirring design?

Behind the scenes here at chez DesigningVashti, I've been whipping up a crochet pattern menu. Some appetizers, some meaty main courses, an odd side dish or two (wouldn't be DesigningVashti otherwise), and some pure confections for dessert. By my next post or two I'll have a new lovely logo to unveil. Also probably a fun surprise by then.
pictured: "Mesmer"

So what's the main course and what's the side dish? Funny to think of crochet patterns this way, but it works (I love analogies and metaphors). For me, fashion designs are the main courses of my dream crochet dinner. For other designers and publishers, the meat and potatoes might be, say, afghans and baby layettes, right? I design those too sometimes, but a Fearless Leader Flamie for High Fashion? I feel a calling. Someone tapping my shoulder. A lightning strike, even.

Renee Barnes just posted an interview with me as part of her online Industry Insider Interviews series. I really enjoyed Renee's range of questions, so if you've ever wondered what strange skills I possess, or what my absolute first design proposals looked like, this interview tells all.  pictured: "Arrowhead"

For some reason I felt particularly free to spout off about some stuff--to come clean, to speak my truth, to tell it like it is from where I sit. I don't try to be provocative, but you know, just saying what one really thinks can be provocative by nature. If you like this sort of thing, esp. in the interview where I get on a roll about why I'm self-publishing, then you'll also enjoy the interview I did with Mary Beth Temple for her Getting Loopy podcast!

I suppose I'm feeling freer because I'm not actively seeking freelance work--traditionally in crochet world, freelance designers have had to be models of discretion. (By 'freelance' I mean selling all rights to my crochet patterns to publishers for a lump sum).

Surely I'm feeling freer because my 4-year term as national guild director ended on Jan. 1, 2010, so I am no longer an officer, representative & emissary of an organization.

And then there is the 6-year factor. Six years in crochet design: a lot or a little? Depends on who you ask, but it's definitely enough to know what I think about some things!

Here's a complete list of Flamie winners. Thank you to the Crochet Liberation Front and its Fearless Leader, Laurie Wheeler!

About the Tokyo Jacket Free Crochet Pattern at Naturallycaron.com

I'm elated that I've been awarded the Set My Picot Free Award for Crochet Excellence and Phenomenal Fashion by the Fearless Leader of the Crochet Liberation Front :)

For the Tokyo Jacket design I actually have the "eureka!" moment on paper. Want to see it?

I remember that: "OO! OO! LACE SIDE PANELS!!" (dates from June 2008). You can see from that scribbly sketch that the construction is the simple & easy "T-shape," just like a traditional kimono (a cropped one). The lacy sections disguise this. So do my exaggerated corners. In other words, it's easier to make than it looks.

There's a Ravelry forum thread devoted to this pattern. I posted some comments there regarding the sleeves. Regarding adjusting the length of them, "The length of the sleeves is easy to shorten because they are crocheted from the shoulder down. Each row pair adds 2-3 inches as I recall."

Someone asked about making it sleeveless. My response was: "Normally [with T-shape construction] the shoulder seam lands part-way down the arm and looks bunchy or clunky, but here it’s all lace. So if you make the Tokyo Jacket sleeveless, the solid part will still land at your shoulder and look fitted to your size, but it won’t widen to fit your bust and hip. The lace takes care of that in the pattern. You could add your own lace panels at the sides to make it fit as a vest."

The yarn is Naturallycaron’s Country, which is the worsted wt. one with merino content (vs. Spa, which is the sportwt. one with bamboo content). Country doesn’t grow a lot from weight but it could from steam blocking (which I don’t recommend!). Spraying it with water to block is enough. Blocking photos and more in the previous blog entry.

Chain Link Crochet Conference: SPARKLY

Or, How I Celebrated the Crochet Guild of America's Fifteenth Birthday!

CGOA's 15th annual national Chain Link conference, held Aug. 5-9 in Buffalo, NY was simply amazing. I have so much to blog about it that I haven't known where to begin. In the meantime I uploaded photos and tweeted about it. My tweets always show in the right hand column of this blog.

I love the anniversary theme: Crystal Jubilee! It inspired me to crochet a special bling coffee cozy in case Buffalo had great espresso.

In fact maybe I loved the theme a little too much :) Each time I pack for a conference I get a little crazy. I suddenly invent projects that make me pack too much yarn. This year I threw together materials for crocheting a variety of Crystal Jubilee Tiaras, in case I found the time during the conference, LOL. (I never did.)

At the last minute on my way to the airport, I made this Crystal Jubilee Bracelet (turns out it's a 20-minute project). Later at the conference

I crocheted a bangle version with glittery Jelly Yarn in honor of Mary Beth's birthday (see end of Tracie's blog post about the Chocolate Bar birthday; also see Dee's pics). I'm crocheting the birthday bangle in this photo taken at the Friday evening annual members' meeting. You can kind of make out the big pink crystals. It makes Little Loopy's eyes twinkle.

Speaking of twinkling eyes, how could I not wear new eye bling for the occasion? My rainbow glitter eyeliner was so sparkly that along with the bracelet, folks at my dinner table nominated me for the Bling Contest!

See Dee Stanziano's post for the best play-by-play of the contest. Basically, at the Fashion Show dinner each dinner table seated about 8 people. The people at each table nominated the person at their table who displayed the most bling. These nominees went on stage together and then voting by applause began. Congratulations to First Prize Winner Joan Davis!

All this Crystal Jubilee talk might be ringing a bell if you saw my last-minute pre-conference blog post about the silk vest. I'm happy to report that a) I completed it! I was weaving in the last ends at the dinner table; and, b) so many people asked for the pattern that I'll have some good photos when the pattern's ready. You might get an overall sense of it from this conference photo. Also, c) turns out it that embroidering crystal beads all over it would have been overbling, so it's a good thing I had the bracelet and eyeliner to ramp it up a notch, tastefully ;)

How to Journal About Your Crochet Ideas

Can you find my notebook in this project pile?

We crocheters are a creative bunch. With all the fresh yarn colors, new crochet hooks, free crochet patterns, and exciting crochet fashions on the runways, some days my problem is too much inspiration! A crochet notebook really helps. 

Do you already record your crochet inspirations somehow? If so, you know that there's more than one way to go about it. 

I used to use sticky notes of all sizes and then throw them into folders. 

I liked this because each design idea remained independent and

 recombinable; they were also easy to jot down anywhere at any moment. I still have sticky note pads in every purse, car, and throughout the house so that no inspiration is ever forgotten. 

The sticky note system is not ideal. I didn't like it because the ideas were less likely to evolve. They tended to remain just sparks, or seeds still needing to be planted. (Of concern to professional designers: no built-in intellectual property protection!)

I love my 8.5" x 11" thick spiral-bound blank notebook by Miquel Rius. I found it at the local Barnes & Noble. Its durable hard plastic looks good and protects well. The pages have faint graph paper lines. 

Here's my basic system:

• I number each page consecutively in ink.
  
• I reserve the 2 back pages for indexing by page number. 
  
• Each entry is in ink, dated, and initialed by me. 
  
• If I had to jot down something on a sticky note or scrap paper, it gets firmly taped into the notebook as a signed and dated entry. 
  
• No pages are ever ripped out.
  

I know what you're thinking: seems a bit formal. Hold that thought.

Other things that go into this notebook: 

• sketches, diagrams
  
• inspiring clippings
  
• samples of crochet stitches and patterns 
  

Not all of my swatching fits into a bound book like this but it's the ideal place to keep my thread crochet lace pieces. For sketches I've learned to keep colored pens nearby. Some ideas are just plain better drawn than written. Years later I especially enjoy looking at my quick sketches, even those that didn't seem like much at the time. 

At first this was a big change and did seem a bit formal to me, but it's an easy habit and well worth it. It's a fertile garden where I can watch the seeds that I've planted grow over time. The entry dating turns it into a lovely memory book. I love just paging through this notebook. A big bonus is that all of these steps help to protect my ideas as the intellectual property that they are.

Sometimes while crocheting I jot down into this notebook seemingly random thoughts or opinions I have that are in any way related to crochet--maybe about the yarn or hook or pattern or color I'm using. Later, these thoughts become useful. 

It's good for crocheters to recognize that what we naturally do generates intellectual property! Below are some links to descriptions of how design notebooks are used in other fields. I hope you are inspired to record your crochet stitches, experiments, observations, and daydreams.

I love seeing how Paul Hughes thinks in diagrams and sketches

A 3-ring binder system someone developed for home design ideas

College-level guidelines for creating design process notebooks, including graded evaluations, here and here.