"Baroque Tabard" (Free Pattern); About Tabards

I really enjoyed designing this. I’ve always wondered if I could make a tabard that is more flattering and stylish than the knitted and crocheted tabards of the 1970’s. (Can't find a good pic on the 'net.) The word "tabard" brings to my mind medieval pages and troubadours, so I went for my impression of an "Eleanor of Aquitaine" look. As you can see from the original sketch, I pictured a soft gray and pink. The finished design is lovely in shades of heathery green, which adds a hint of the Irish to me. Photo on the right courtesy of Caron International Yarns.

If you google "tabard" you'll see that I've thoroughly romanticized them! Tabards used to be a humble men's outer garment, not for troubadours but for foot soldiers, peasants, monks.

It's easy to see why the tabard idea took off for women in the 1970's--it's sporty, folky-eclectic, and an easy make-it-yourself vest/pullover/tunic. Even in the medieval wiki-pics it looks like a simple drop-shoulder construction. Leaving the sides unseamed is a distinguishing feature of the tabard, dating all the way to 1300 AD.

Below is a short list of my favorite features of this "Baroque Tabard" free pattern, available here. I personally like to hear what designers think about their own designs and what the backstory is. If this is a "tooting one's horn" that you, dear reader, find annoying, then you can stop reading now and you won't miss anything, and I appreciate your visit today.

• the tunic is worked in vertical rows of hdc so that the subtle color-striping built in to the yarn looks the same for any size including plus-sizes (when a self-striping yarn is worked in horizontal rows, the effect is not the same for plus-sizes.) The vertical lines also make the tabard style more flattering.

• I totally invented the lace tie stitch pattern and significantly changed the classic “picot fans” stitch pattern of the sleeves. I love the super-lacy sleeves (that's where the "baroque" part comes in even though Queen Eleanor lived about 400 years prior to the Baroque period).
  

• The hdc bodice works up quickly and includes simple shoulder and neck shaping. This keeps the traditional drop-shoulder tabard from looking boxy or clunky.
  

• I liked being able to make the seams decorative. It is surface-crocheted reverse single crochet (aka "crab stitch").

Published: Felted Journal Cover

Felted Crochet, the latest book in the popular Vogue Knitting's On the Go series, is due out April 1. I received my contributor's copy and it's great! The range of projects is fun and inspiring and I would have added it to my library even if I didn't have a design in it. Below is a pic of the felted piece before blocking. As you can see, it felted evenly with no wonky ruffled edges. I chalk that up partly to the yarn and partly to the design: I worked the final rounds differently so that they pull in neatly during felting instead of splaying out. By doing a rectangle in the round instead of back and forth, the height and width shrink equally so that the felted rectangle retains the original proportions.

As a designer, Louet Riverstone is my favorite felting yarn. The stitches felt beautifully and there are no odd little surprises in color, texture, or felting process. My prototype came out as fine as the published sample! It inspired this blog entry. I'm a big fan of other Louet yarns too, such as Euroflax, KidLin, and Gems. (Come to think of it, Euroflax inspired this entry.)

Handmade Valentines

Here's my twist on Bella Dia's Sweet Heart Crochet Pattern, in which I find yet another way to marry crochet with 3D fabric paint LOL! (I blogged another way here, and I have more ways I'll blog about when the designs let me.) The full glittery gold effect doesn't show in this photo but in the morning sun it was ardently ablaze with my love for Mr. DesigningVashti.

Bella Dia offers her irresistible pattern as a full-color tutorial. It's an elegantly simple pattern and be sure to scroll to the end to see the color and edging variations.
I'm a big fan of handmade valentines and used to sell beribboned cloth and watercolor ones at local fairs back in the '80's. I don't know why it didn't occur to me back then to design some crocheted versions! I would have enjoyed the process more. On the other hand, I remember swooning over the fabrics and trims at the time.
I hope everyone has some close encounters with chocolate, roses, and snuggle time.

Birthday Crochet from Mom

I had a birthday last week and here's a lovely thread crochet heart doily from Mom. Doilies for me reserve a spot for something special. When I received a stash-enhancing shipment of Opera thread a few days later, I knew what this sweet lacy spot was waiting to be: a threadrest. Between swatches, crochet thread accumulates "yin" (kind of like fruit ripening) while it rests until it spilleth over into another swatch. See? Doesn't it look like it's getting juicy and sweet?

If you think I'm nuts, then you don't know about stash-love. Think of it as being a visual poem.

Crochet Ruts, Blocks, Slumps

Periodically the question comes up in a crochet forum: "What do you do when you find yourself in a crochet slump?" It just came up today in the Crochet Partners Yahoo group. It reminded me of the answer I gave when a similar question came up in the same group back in June '07. I refer back to this post myself occasionally so I thought I'd post it here, with additional tips and links:

- I flip through my favorite stitch dictionaries, like the Harmony Guides. I always see a stitch pattern that I want to try. Sometimes it's one I've tried but this time I try adding beads to some of the stitches, or I change colors where I never have before.

- I take a familiar pattern and try it with a very different material and hook size. For example, Doris Chan says she "exploded doilies" by doing them in drapey yarn and larger hook. Others have taken doily patterns and with 3 strands of Red Heart held together, they made beautiful porch doilies. I made a doily with colored wire and beads once--the pattern is simple but the materials made it look fancy. If there's an afghan square that has beautiful colorwork, I try it with embroidery floss and a small steel hook instead--with floss you can have all the colors of the rainbow for just $1 each or so and it makes a beautiful piece of jewelry, headband, etc.

- I try to crochet "badly" or the wrong way or as if I don't even know how. If I yarn over one way, I try the other way. Or I try going into the "wrong" part of a stitch. You can invent new stitches this way or understand how stitches came to be.

- I make up games like I roll the dice and put that many stitches in the next stitch and roll again. Or do a bobble in that many stitches, etc. Or I try some other "code" like turning someone's birthday into stripes.

- I start a swatch some weird way. Kind of like freeforming. Instead starting with a foundation chain then working rows, maybe I work both sides of the chain but in a "U" shape (not in the round), or maybe a figure-8 of bobbles or something.

- I go through my box of swatches and see if there's one that I can turn into something right away for an instant FO (finished object). Like the time I glued a fancy swatch to the cover of a small spiral notebook: I love everything about it! I love the swatch and yarn so now I get to SEE and USE it; the notepad was old and now it looks like new; the crochet makes the notepad soft to hold; it was easy to add a strap for carrying; and best of all I have an instant FO. Add a tail to a flower and you have an instant luggage identifier. I have found swatches that can become instant coffee cozies or wrist cuffs or short neckscarves or throw pillows with just 1 seam or decorative edge!

- When I go through my swatches, I use them for experimenting with new techniques. I stay focused on that liberating word "experiment". The crochet part is already done, now I can try felting the swatch if it's animal fiber; or I can try embellishing with surface crochet, or cross stitch, or beads, fabric paint, weaving, etc.

- I pick up an unusual material to crochet with, for example, rag or tshirt strips, Jelly Yarn, macrame jute, covered elastic cord, leather lacing, waxed linen cord, and yes, even the aerial roots of strangler fig trees.

- Crocheting something for a child really renews my crochet fun and often gives me new design ideas, especially when I let the child suggest a color scheme or type of toy. (Some of these are/will be on my other blog or my Ravelry page). Yesterday at lunch my son's friend imagined a sweater with 3 sleeves. It would be easy and quick to crochet a tiny version and then see a child's face light up--there's nothing like it. One time my son kept stretching a Jelly Yarn swatch then watching it spring back into a curled up shape, and it gave me this worm idea.
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This list is from a designing perspective. Some of the other responses to this topic, by non-designers, are sometimes very different from the above; for example, many people get past a slump by crocheting for a charity, or they go yarn shopping :-)

Oooo, Ruby Slippers!

Yes, it's out! The book is out: Get Hooked Again and it's well done--the expert editing, vivid photography, cute illustrations, everything about it makes it fun. I have one design in it and the way the pattern is laid out, with step-by-step pictures and instructions, is the best way I have ever seen one of my patterns published. This is just one pattern out of many that all look great so congratulations to author Kim Werker and everyone involved.
I still need to make a pair for myself, IN EVERY COLOR: an emerald pair, diamond pair, topaz, sapphire, amethyst....

With this blog entry I've finally embraced my bling nature by creating a tag for bling posts.

Mailorder Catalogs for Design Inspiration

Happy New Year! I have a few newly published designs to blog about but today, a bit about January clean-up for designers: I'm staring at mailorder catalogs that have piled up over the holidays. Before I throw them out, I go through some of them for crochet design inspiration. Below are my favorites.

So much copyright infringement goes on and so many people seem fuzzy about what makes a design original that I feel I must say: I'm in no way encouraging or recommending that people copy designs, nor do I do it myself.

When I say "design inspiration", I mean that:
-- the way someone pairs a particular shade of brown with a shade of blue can spark a creative journey that ends in a design that might not even have anything to do with that brown or that blue or the way they are paired or the object on which they are displayed.

-- the way the border of a garment contrasts with lacy panels is exciting in a general kind of way.

-- the way a traditional crochet stitch pattern is rendered in a nontraditional color or fiber or gauge or wardrobe piece frees me to see familiar crochet a new way.

-- when I imagine something made of metal or glass in crocheted fiber instead, the radical change in style, subtext, and other effects can be startling.

-- the direction of sewn seams, pleats, knitted rows, or contrasting fabric nap sparks ideas for using crochet shortrowing decoratively rather than just for shaping or random free-form.

-- a toy in a catalog, or just a fabric print in a kid's decor item, might remind me of the general principle that a cool toy results from anthropomorphizing anything; and then my own imagination soars.

-- sometimes when I look at a woven rug, I see crocheted motifs that aren't really there, and the motifs would make a great bag or afghan or jacket. Sometimes when I look at leather belts I see crocheted bag straps or headbands, or when I look at metal jewelry I see lace garment edgings or headbands.

Women's fashion catalogs:

anthropologie--the ultimate in sweater art! I know many would agree with me because there's a Ravelry forum devoted to anthropologie knits. (The Ravelry links might not work for you yet if you're not a Raveler but I've provided them because Ravelry will eventually go fully public, and some forums already show up in my Google searches.)
Newport News--many crocheters would agree with me on this one too! This company tracks fashion fads and trends closely so a designer can use it like a trends newsletter--right down to the super-trendy catchphrases (see above photo). Usually lots of real crochet for dessert.

Peruvian Connection--for more ethnic and folkloric looks, textures, & color combos.

For jewelry, bags, other accessories:

Sundance--Rustic, western looks. I've been inspired most by the jewelry and sometimes the bags.

Chicos--Chico's fashions used to have more artistic, artisanal, and/or ethnic flair. I still scan the clothing but now am more likely to be inspired by their belts, and occasionally the jewelry.
Peruvian Connection and anthropologie can also be great for accessories.

For home decor:

Chiasso--My favorite for modernist chic. Also, West Elm.

Pottery Barn--The overall style is generally inspiring. (I guess that could be said of many catalog companies such as J.Crew, Crate and Barrel, Spiegel, etc.)

Home Decorator's Collection--mainly the rugs.

For kitsch, kids, useful items, etc:

Flax Art & Design--Fun, creative, and colorful designs, especially for kids. See also Chiasso.

There must be some good ones missing from this list so please mention them in the comments if you have a favorite. I have other favorites that I visit online rather than receive in the mail; but for a list of those you'd need to take my Trendy Crochet class at the next CGOA Chain Link conference!

Yarn Club Update: Free Form Crochet Club

Remember when I posted about the 3 yarn-of-the-month clubs I've been enjoying? And then in a later post I compared how far the yarn samples get me from two of those clubs, by working up some coffee cozies?

Well: just in time for Christmas I worked up a Coffee Cozy du Cheer using two samples from the Free Form Crochet Club's handspun yarns. I used a blended yarn with giant red nubbies*, which I then edged with a blended chenille yarn that has giant white nubbies**. I did the chenille in giant picots to amp up the texture theme going on. The reds are so intense that they vibrate!

Since the cheer is just baking off of this thing, I've used it for lots of mochas and I'm happy to report that the yarns are showing zero pilling, abrasion, sagging, fading, etc.

I love what Laurie says about her yarn: "As a crocheter who spins I have learned the secret to creating functional, beautiful works of art that any crocheter can use to then create NEW orginal works of art. That's right BEAUTY GROWS!"

*Spuntastik! Naughty Fine Yarn Crochet Cotton

**Spuntastik! Knaughty Yarn Chenille/Pearl Cotton