Orlando Needlework Show Wrap-up

Took two excellent classes at the show and realized I didn't blog about them: Lily Chin's Color, Composition, Scale, Stitch and Pattern in 2-Dimensional Design and Darla Fanton's Tunisian Entrelac-to Felt or Not; Part 1-In the Round.

I've never seen this one offered by Lily before, so I had to take it out of curiosity. Within in the first 5 minutes I knew I was in the right class when she asked, "What is the difference between Art and Design?" I spent the rest of the conference mulling over our discussion!

It's funny to me now to type "Tunisian Entrelac in the Round" because before I took Darla's class it sounded exotic and advanced. I had never done any kind of tunisian crochet in the round, let alone entrelac. Yet it was perfectly easy to learn in class and I never once thought, "Holy cow, this tunisian entrelac in the round is crazy stuff". It seems more natural than working flat, actually.

I finished my project in class: a bowl to felt (see above photo). Now that I have it home, though, it's very soft and is the perfect size for my Hat Guru, so I think instead of felting it I'll edge the brim and let it be a hat!

The last bit of news is: YES Floridians! There WILL be another Orlando Needlework Show in September 2008!

UPDATE (Dec. 7): Dates for 2008 are being revised.

Report: Orlando Needlework Show

Marty and I attended the Orlando Needlework Show just before Thanksgiving and I think of it now as the "Conference of Pleasant Surprises".

It marks the first wearing of my silvery-sage wrap design, which is published in Jean and Rita's 100 Crochet Projects as part of a set (it has a matching pencil skirt). I'm happy to report that it was a wonderful companion--it kept me warm, the textured row created flattering diagonal lines of drama, the stretchy yarn caused it to cling to my shoulders, and best of all, my wrap and I basked in compliments. Marty is a witness.

I almost didn't bring the wrap because I didn't know if I'd want to be tugging to keep it on my shoulders all day, but instead I'm now into wraps and shawls. I like how wide this one is because I could wrap it around me 4 different ways. I remember intending it to be 70" wide, but the yarn is so stretchy that it becomes 84" wide, which originally worried me. Now, after wearing it all day, I'm glad.

The CGOA booth in the market was hoppin'! Debby somehow kept up with all the questions and new member app's coming at her right and left! Plus, current CGOA members were treated to a complimentary light-up hook just for visiting the booth. Marty was the perfect person to field questions on teaching children how to crochet.

We wore crochet everywhere and saw little of it. This is, after all, traditionally a scrapbooker's conference, so we weren't surprised; but it was remarkable how many people were there for crochet specifically. It also seemed like these crocheters were not newbies. In fact I talked to a yarn shop owner in north-central Florida who said she has so many advanced crocheters coming into her shop that she doesn't know what to do (she's a knitter herself). I was in a daze when I heard that. I'm noticing something similar at the new yarn shop where I'm teaching--advanced crocheters are coming out of the woodwork.

Who knew Florida is a hooker's hotbed? (sorry, couldn't help that)

CGOA Gets a Meme!

Let's do the first-ever meme for CGOA, inspired by a recent topic that came up in the CGOA-membership yahoo group: "Are you crocheting something that you would not be crocheting if you were not a CGOA Member?" Here are the rules for participating in the CGOA Meme:

1. Begin by including a link to this post and a link to the person who tagged you.
2. Answer the above question (Are you crocheting something that you would not be crocheting if you were not a CGOA Member?), or more broadly this question: "How has your experience of crochet been changed by your CGOA membership?" Give a single one-line answer, or more for extra credit.

3. End by linking to 3 (or 5, for extra credit) other bloggers among whom you'd like to see squirm publicly with this challenging, yet strangely satisfying essay question.

My answer is, since joining CGOA in 2001:

-- I have a gazillion more crocheting friends and by now some of them have become close friends (you know who you are).

-- Without CGOA I most certainly wouldn't have 3 years of crochet designing under my belt by now. Designing would hav remained a fuzzy childhood fantasy indefinitely but CGOA made it a reality so fast and effortlessly that my head was spinning.

-- CGOA exposed me to crochet as art. The yahoo group Crochet Partners introduced me to skill-refining info and to CGOA, but it's CGOA that introduced me to the really big picture: artcrochet.

Now I'll tag 5 blogging guildmems: Marty, Laurie, Kim, Amy, Dee. Narrowing it down to these 5 took me 15 minutes!! But I figure I can predict who y'all will tag so that most everyone's covered.

CGOA Design Contest!

I'm very proud to be able to announce our First Annual Design Contest. It's the real thing--$1000 Grand Prize! Plus First, Second, and Third prizes in 4 different categories. Plus a People's Choice Award. All of the entries will be displayed and winners announced at our national conference held July 23-27 2008 in Manchester, NH. The deadline for entries is June 15, 2008.

The board members of CGOA have been laying the groundwork for it for the past year so I've been waiting a long time to be able to announce it! Being our FIRST ANNUAL design contest, that's code for we're learning a lot as we go with this first one and we have high hopes that it will become a regular thing. So the categories might expand or change next year, or the rules tweaked, you know. We've already been getting helpful feedback. One important rule is that you must be a CGOA member and if you're not, it's easy enough to join.

The designer in me perks up at $1000, how about the designer in you?! (That's a 1934 Grover Cleveland bill pictured above.)

Took the Chaps Out Trick or Treating

The kiddies in their Halloween costumes inspired me. Started with the chaps and built a costume from there. At first I was going western, hence the hat, but the lurid crochet made me think of the iconic crochet-friendly Janice Joplin. (Terrible photo quality, I know) Kept wishing I had a crocheted hippie-fringe vest to match.

Picked up a guitar for a prop and absentmindedly kept humming "I Got You Babe", bringing ANOTHER crochet-friendly icon to mind--CHER!--and then I KNEW who I had to be, I even have a wig of long black hair. I've seen every Sonny & Cher Show episode at least once. I followed Chastity's gestation and birth and early appearances on the show, so I went as pregnant Cher.

She crochets, you know.

One of my neighbors said I belonged on the streets of London.

Electroluminescent Yarn!

Weaving or knitting the yarn in a particular manner, so that more yarn per unit area is achieved, improves the luminance of the EL yarn. (Dr Tilak Dias, Head of the WLIC)

Woo-hoo, crocheters get ready! Who needs light-up hooks when it's the yarn that lights up?
http://blogs.zdnet.com/emergingtech/?p=730
I want to crochet some of this NOW.

Quoted from here:
Dr Tilak Dias, Head of the WLIC, said: "At the moment the EL yarn we have developed is less flexible than conventional yarns. But it is more flexible than current optical fibres that are incorporated within fabrics to provide illumination. EL yarn can be easily incorporated into a knitted or woven fabric and the resultant active illuminating fabric provides illumination when it is powered. The luminance of a single strand of the EL yarn is greater than that of photoluminescent glow yarns, which are currently used in some high visibility applications."

Happy Birthday Mom!

Happy Birthday to me mum, who taught me how to crochet. We bought lots of yarn, pattern books, and beads together when I was growing up, with a wonderful spirit of adventure--we learned all the new techniques we could find: Broomstick lace (aka "Jiffy Lace"), Hairpin, and "Cro-Hook" for example. Mom helped me get the tools and info I needed to learn spinning and weaving too.

Back then we decided on a big joint project: a bedspread of sparkly yellow granny squares with a sparkly white flower in each center. I'm thinking that the yarn was the legendary but discontinued Dazzleaire.

Nowadays we live in different states so we haven't gone yarn-buying together for a long time, but Mom sends me some of her crochet and she's excited for me about mine. (See photo of me mum's crochet.) A few years ago we both were really into crocheting with wire and beads. Then Mom went whole-hog into thread crochet, the finer the thread the better! Also, needle-felting.

If I still had one of the sparkly granny squares I'd post a photo.

Rowanberry Pendant

Lark's Jewelry With a Hook, ed. by Terry Taylor, is ON SHELVES and here is my Rowanberry Pendant embellishing the dedication page. (The complete design involves some crocheted "links" and a length of black velvet for a little holiday goth.)

Want a story? Rowan berries, which have a rich pagan past, are here represented by Clones Knots, which themselves have a rich history in Irish crochet.

The cord is Judi & Co.'s Corde' in a deep wine red shade. I've looked for Corde' for years in yarn shops and mail order catalogs and then one day at a CGOA conference I found a reel of red in the Dreamweaver Yarns booth. It is rayon-wrapped cotton and even the most common stitches look uncommon. Picots look like Celtic knots! As I played with it my friend Ananda came to mind, who celebrates the Winter Solstice (aka Midwinter, Yule). Then it just all came together in my mind.

That's the editor with his copy.