New! Jelly Yarn Bottle Tote KIT

My first crochet kit debuts at the Stitches East conference in Baltimore THIS WEEK! It will be available at Booth #314
during the conference and then permanently available at the Jelly Yarns website.

I'm always using water bottle totes here in the subtropics and of all the totes I've used, Jelly Yarn is ideal material. It stretches to fit the widest range of bottle sizes and scrunches down small to fit in my purse. It's strong and indestructible! The transparent colors make me thirsty when the sun shines through!

The kit does not include the beads, buttons, or ribbons that you see in this photo, these are just experimental styles (I took this photo back when I was considering teaching a class in using Jelly Yarn because I consider this pattern to be an easy learning project.) The kit DOES provide 2 patterns--for a smaller tote using fine weight Jelly Yarns (all water bottles under 1 liter) and a larger one using the bulky weight JY.

The larger tote on the far right is clear with gold flecks ("Honey Gold Bulky") and it reminded me of champagne so I dressed it up as a wedding/anniversary champagne/wine tote.

Oakland CGOA Conference: Design "Lab"

It is becoming a tradition among a small group of designers that after the conference fashion show we meet in a convenient place (i.e. the hotel bar) and try on each other's crochet. Yes it's FUN (REALLY fun) and yes it usually draws a crowd, but don't be fooled, it's research.

I described it recently in a comment on jd wolfe's blog:
"At the crochet conferences some of us get together and try on each other’s designs and learn LOTS about the design itself this way. For example three different size Large people could all wear your design differently because one has wide bony shoulders, another is short and rounded, another needs a very different color or texture for it to look good at all on her. Not only that but it’s amazing how differently people stand and move, so if you design something with a lot of drape, it will also look very different from person to person. A lot of the time, one size really does fit many when designers try on each other’s designs, because crochet stretches (despite what knitters say). But one size can look like many different sizes."

Photo #1 L to R: Laurie Wheeler et moi are wearing & flaring Karen Klemp's shawls while Karen sports the "Chain Link Capelet" I designed for the CGOA Pattern Line (pattern purchase benefits the guild). A better view of Laurie's top is at her blog entry--it's her own design featuring real feathers spun into the yarn.

Photo #2 L to R: Myra Wood flauntsMarty Miller's Spiderweb Cardigan while Margaret Fisher exploits the brimming savoir faire of Myra's Wild Fiber Tunic Dress.

Photo#3 L to R: Vashti and Doris Chan opportunistically explore pseudocasual subtexts: V finally gets to try on Doris' tank top (or 'sleeveless vest' if you will) and throws on a belt for the heck of it, while D begins with her own black lace tunic then tops off the look with Marty's flirtatious red cardi; Myra's eclectic ensemble daringly taunts that edge between blue and gray with Vashti's Chain Link Capelet and Doris' denim hemp pineapple skirt over peacock tights; and Marty pulls out all the stops with her SF Bay look in Myra's dress. Marty, in fact, jolted us out of our usual composure earlier that evening by wearing red and looking fabulous in it. And, half of my photos show Myra wearing that skirt--it's a superfun skirt to wear! I SO WISH that the video I took of her twirling and twisting in it was not too dark to post.

Missing this time were "founders" Tammy Hildebrand and Dora Ohrenstein, and "charter" participants Diane Moyer, Lisa Gentry, Victoria Vigyikan. Present this time but missing from photos: Margaret Hubert, Bonnie Pierce and her DH, Mel Gill, Lang Anh, Deanna Van Asshe, more? See more photos at Margaret's blog, Oct4 entry.

I look forward to the after-show as much as the fashion show itself!

Stashbusters Class (CGOA Conference Report)

My class swatch project fits Lambchop! Lambchop says, "You have the best smile."

I was not my usual attendee-self at this conference. It's the first time I've only taken ONE class! I was in Oakland most of all to be able to spend time with my dear friend Kalli. This is the true source of my self-discipline. (Here's a pic of us on a ferry that took us under the Golden Gate bridge.)

I chose Marty Miller's Stashbusters class and looked forward to an afternoon of playing with my stash. I also felt a wee bit o' guilt over my big yarn stash and hoped to make it more manageable. Marty's visual aids whetted my appetite to go stash-diving and she demonstrated a variety of fun ways to create a whole garment as you go, with any kinds of stash.

I'm proud to report that I left the class refreshed and recharged, pleased with my stash and promptly visited the Knit and Crochet Market to buy more yarn :-)
(Pictured: 750 yds. Louet KidLin in Spanish Blue; 864 yds. Malabrigo in Pollen; 1000 yds. Shetland Cobweb 100% Pashmina 1-ply.)

I WON SOMETHING! (CGOA Conference Report)

So, dear reader, are you one of those people who says "I'm one of those people who never wins anything"? There must be a lot of us, but now I can't say it anymore because I attended a meeting for CGOA members at the conference and....It's true! I didn't not win!!! I mean, I won! The best thing of all is that everyone won something great at the meeting, so while I won 5 skeins of this luscious, deeply satisfying red alpaca, no one else was prevented from also winning something.

Um, oh yes, some CGOA news. We have a new PR Committee and I'm excited to be getting it set up to running smoothly and happily. Also there is a big new opportunity for members that will be announced any day now--wish I could spill the beans but someone else has that fun honor. (Imagine how easy it must be to spill beans if it became a common saying.)

A big THANK YOU to Berroco. See their great new design in this new yarn and color. Here's a lovely pic of Julia Emily's project in this yarn. Mmmmm, these knitted projects are lovely but what shall I crochet? This is Ravelry-worthy so I'll use it to practice listing my stash.

Oakland CGOA Conference Report: the TOYS

Returned home late at night from the conference to the sweetest note from my son:
I was able to find some toys to gladden a boy's heart this time. (Gladdened Boy has Lambchop eyelashes!) Judging by how popular these items were with adults, I'd say maybe the vendors should include a few more playful gender-neutral items. Many attendees claimed to be shopping for grandchildren--someone mentioned finding an adorable board book about sheep and wool--but others might have been shopping for their own "inner grandchildren" :-) Wish I had a photo of our own CGOA President bonding with Lambchop. :sigh:

The zebra hat from the Pacific Meadows Alpacas booth was truly irresistible, with its black fringe mane and those little single-crocheted ears.... other animal hats were also available there, many of them knit. The alpaca toy in both pics is unbelievably soft.

The booth was right across from the International Free Form Crochet Guild booth, so here we see Myra Wood getting warm and fuzzy with the FF booth on one side and none other than Sri Kalli Rose Ji: remember my Hat Yoga Guru from an earlier series of entries? Can you see why She IS One For Whom Hats Must Be Made? (photo by Margaret Hubert)

'70's Crochet Book Review Update

Welcome Interweave Crochet readers! If you are looking for my reviews of '70's crochet books, just click on "70's Crochet Read-Along" in the right hand column of this blog (it's the 3rd clickable link down from the top).
I have one more crochet conference to attend this year and then I can get back to reviewing '70's crochet books. In the meantime I've read a few 21st century books on yarn and color: The Yarn Book by Penny Walsh (read an excerpt here), and Color: A Natural History of the Palette by Victoria Finlay. (You can read an interview with the author here.)

You can also read CPer JD Wolfe's reviews of some '70's crochet books here.

Update: Yarn of the Month Clubs; Brush Strokes Stitch

Exhibit A: two nubby coffee cozies using sample skeins from two yarn-of-the-month clubs. The mossy green one on the left is made with 3 full samples I received from Sara Lucas' Yarn of the Month Club (for more info please see my Sept. 5 entry.) The other one is made with 3 full elann.com samples. The stitch pattern is a version of the "Granule Stitch" and the 2nd photo shows the inside.

I wanted to find out:
1) How far do these cute little samples get me, anyway? They are intended for knitted swatches. I purposely chose a crochet stitch pattern with a moderate amount of texture, which takes more yarn than Tunisian or some more basic stitches.

2) How does the yardage compare between Elann's and YOTM clubs? I chose samples with similar yarn weights and fiber content. As you can see, all samples seem to have the same yardage.

3) What can I make with these samples besides motifs for a future scrapghan, shapes for applique, or scrumbling? I discovered that while making the coffee cozies, I learned a lot about not just the yarns but also the stitch pattern as I worked it up in different kinds of yarns.

The biggest difference is that Elann's shipments of samples are color-coordinated so I didn't sift through my samples to find 3 to combine; whereas I went through all of my YOTM samples before I found 3 that I'd want to put together.

Regarding the Brush Strokes stitch pattern that I posted about on Sept. 9, here's a photo of the swatch turned into a notebook cover that I describe at the end. I get nervous adding a 4th photo to a blog entry (the Sept. 9th entry has 3); when I exceeded 3 photos in the past, Blogger got glitchy.

Unusual 100% Linen Yarn, Explored

Update: photo of red swatch shows the same yarn worked as tightly as possible. Feels like a soft basket and I think it would hold up very well.

I've finally gotten around to doing a few serious swatches of elann.com's Linus . It's 100% linen, made in Italy, hand wash and dry flat. All linen yarns are distinctive and this one is particularly so.

I've come to expect a papery feeling from linen yarns, like crocheting softened slivers of corn husks (in a good way). But Linus doesn't have this papery feeling at all. It's hardly twisted and feels to me like I'm crocheting a hank of supple glossy hair! Very intriguing. Reminds me of the Rumpelstiltskin fairy tale in which flax (i.e. linen) is spun into gold. I can see how someone could be described as "flaxen-haired".

When people pick up these swatches they're intrigued and keep touching them, examining them in different kinds of light, etc. Out of the corner of my eye the stitches look kind of like raffia or rayon straw but it feels soft and drapes stylishly. It's an uncommon mix of qualities.

I love this yarn in Tunisian crochet and these photos just don't show how beautiful it is! Now I know why people complain about photographing black. The yarn and stitch took an instant liking to each other. I didn't like it as much in regular crochet until I went down to a tight gauge with a 4mm hook [red swatch photo to go here].

It sheds a tiny bit as you work it--like a bit of field dust or something. I didn't even notice it until one night I crocheted the black yarn over a white pillow. The label says to hand wash and dry flat so I machine washed and dried the black swatch just to see why I shouldn't (after all, linen is famous for improving with some machine washing and drying). This yarn shed quite a bit and did release some color. Machine drying made the surface fuzzy, so I'm thinking this yarn is made from the "tow" instead of the "line" fibers of the plant. (I'll blog about that.) Definitely do what the label says! This is not a yarn for kitchen accessories.

Like almost all linen yarns I own, Linus gives an authentic organic or earthy look and feel, even though there are no natural-colored fibery nubbies like linen content brings to a yarn sometimes. This is what I love about linen--it's an extremely ancient fiber and it shows in a 21st century yarn, even when it's boldly color-saturated or has a polished finish. The colors of Linus seem particularly saturated and the black looks lacquered! I would use it for a strikingly stylish wrap that won't need washing often, such as a ruana or cape. You can see the excellent drape in the last photo.

This post is part of a blogging mini-series I'm doing about my linen yarn stash. To see related posts, click on "Fiber Talk" in the right-hand column.