About the Tokyo Jacket Free Crochet Pattern at Naturallycaron.com

I'm elated that I've been awarded the Set My Picot Free Award for Crochet Excellence and Phenomenal Fashion by the Fearless Leader of the Crochet Liberation Front :)

For the Tokyo Jacket design I actually have the "eureka!" moment on paper. Want to see it?

I remember that: "OO! OO! LACE SIDE PANELS!!" (dates from June 2008). You can see from that scribbly sketch that the construction is the simple & easy "T-shape," just like a traditional kimono (a cropped one). The lacy sections disguise this. So do my exaggerated corners. In other words, it's easier to make than it looks.

There's a Ravelry forum thread devoted to this pattern. I posted some comments there regarding the sleeves. Regarding adjusting the length of them, "The length of the sleeves is easy to shorten because they are crocheted from the shoulder down. Each row pair adds 2-3 inches as I recall."

Someone asked about making it sleeveless. My response was: "Normally [with T-shape construction] the shoulder seam lands part-way down the arm and looks bunchy or clunky, but here it’s all lace. So if you make the Tokyo Jacket sleeveless, the solid part will still land at your shoulder and look fitted to your size, but it won’t widen to fit your bust and hip. The lace takes care of that in the pattern. You could add your own lace panels at the sides to make it fit as a vest."

The yarn is Naturallycaron’s Country, which is the worsted wt. one with merino content (vs. Spa, which is the sportwt. one with bamboo content). Country doesn’t grow a lot from weight but it could from steam blocking (which I don’t recommend!). Spraying it with water to block is enough. Blocking photos and more in the previous blog entry.

Crocheting Triple Trebles & Other Tall Stitches

I revised and expanded this blog post in 2018. The images are updated too, so scroll down to view these before you fast forward nine years!

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The release of my newest design, the Tokyo Jacket, makes this a good time to blog some tips I've learned about crocheting the taller stitches, such as Trebles, Double Trebles, Triple Trebles, Quad-Trebles (to name a few; these are all in US terminology).

If you already know how to do the Double Crochet stitch, it's easy to understand how to make the taller ones. To make a Triple Treble (Trtr), for example, you yarn over (wrap the yarn around your crochet hook) four times instead of once for a Double Crochet. You work the loops off of the hook in pairs just like you do to make a Double Crochet. The only difference is that you have more pairs of loops to work off.

In actual practice, one crocheter's Trtr can come out looking very different from another's. Sometimes the Trtr's come out noticeably shorter or taller, sometimes they look lumpy or stringy and thin. A common problem is when they look loose and loopy at the tops of the stitches.

Here's what I've learned so far. 

If you have other tips for crocheting the really tall stitches, I hope you'll add them in the comments section:

Tall fancy stitches love to be blocked. 

This probably sounds about as fresh and exciting as "take time to check your gauge" but would you believe that blocking can seem like a spiritual experience? The transformation is so worth it.

Pull your loop up higher.

Some crocheters pull up their loop higher after they insert their hook in the next stitch. This can cause the stitch heights to vary. If you think of the base of a stitch as having two "feet" planted in a stitch, then pulling up higher while working the stitch creates longer "legs". 
I first learned this about Double Crochets from Pauline Turner in her Crocheted Lace book (Martingale, 2003). Pauline explained to me why even experienced crocheters can have trouble getting a doily to lie flat: their stitch heights might vary from the designer's.

I can avoid loosey-goosey tops of tall stitches two ways. 

1. Firm up the loops on the hook. 

First, after I yarn over 4 times for a Trtr, I tug on the yarn to firm up the wraps around the hook before commencing the stitch. 

2. Use more yarn from the hook.

Then, while working the loops off of my hook in pairs, I pull up a bit on the loops to draw some of my yarn from the wraps around the hook. Not all of the yarn for completing the stitch is coming from the ball of yarn, only what's needed after I take up any slack from the wraps around the hook. This way the stitches comes out uniformly neat and orderly looking. Basically, I crochet the really tall stitches like I'm on a budget.

Photo on left was taken before blocking, the other was taken during blocking.

I simply sprayed it with cool water, gently smoothed out the fabric on a towel, and let air dry. (Close ups: here and here.)

I pull up a bit on the loops because it adds a fashionable drape to the fabric and gives the really tall stitches a limber, elegant look instead of chunky.

Sometimes the yarn matters. 

A right-handed crocheter wraps the yarn around the hook in a counter-clockwise direction. For a tall stitch, this repeated wrapping either untwists a yarn, or adds more twist--depending on whether the yarn starts out with a clockwise or counterclockwise twist (a.k.a. "S-twist" or "Z-twist").

A 2-ply loosely S-twisted yarn was used for these Trtr fans.
Can you see the plies separating within the stitches?
 (Click here for close up)

Sometimes it's more noticeable than other times; it can make the tall stitches look stringy or uneven because it's more difficult to work the loops off the hook quickly without splitting the plies of yarn. It also depends on the gauge the crocheter's using, and on how the crocheter controls the loosey-goosey loops (see above).

I'm a right-handed crocheter, and the yarn I used for the Tokyo Jacket is Z-twisted; so my hook was flying while I made a gazillion Trtr stitches for the design and I like how even they look.

Crochet's lacy beauty really shines through with the tall stitches, doesn't it? I fall in love with crochet all over again when I use them.

Heaven is: Crochet Hooks for Every Need

I'm happy to report three exciting crochet hook developments.

1) Exquisite New Crochet Hook Sets for Connoisseurs

Want to give or get the perfect gift for the next special occasion? Check out these beautiful new "Etimo" sets from a Japanese company called Tulip:

I think of them as my "Cadillac" hooks because of what they feel like to have and to hold. The size range of the gold-tone aluminum set is 3.25 mm - 6.0 mm; the range of steel thread hooks is 0.5 mm - 1.75 mm.

2) Denise Interchangeables: Now for Crocheters Too!

Knitters have long enjoyed a spiffy build-your-own-perfect-needle-for-each-project system, organized in a portable kit. Take a look at the crochet hook version here.

3) Tunisian & Double-Ended Hook Size Crisis, Addressed

Consider the L/8 mm crochet hook. For years I've had one brand (blue Crystalite) for regular crochet, and gee, none for Tunisian crochet. Eventually I found a set of "Easy Tunisian" M, N, P flexible hooks (on eBay back when they were discontinued). Note, still no L.

The next smaller size is almost* universally 6.5 mm ("K"), so with no L/8 mm, there's a 2.5 mm gap between a K and an M hook. That's too big for designing purposes. *I've seen one brand that's 7.0 mm, though not for Tunisian unless you make narrow strips.

Even the 1.5 mm gap between K and L hooks is weird! Such a gap does not exist between any other hook sizes until you get to the jumbo hooks. Traditionally (and inexplicably) there's a 3.0* mm jump from a Q/16 mm to an S/19 mm. *Q hooks can sometimes be 15 mm or 15.75 mm, depending on the brand.

That 6.5 mm-9.0 mm range is pivotal for certain kinds of fashion looks, certain kinds of yarn textures, and certain kinds of stitches. Without the right hook for the job, the designs can't come out their best, or worse: simply can't happen at all. Tunisian crochet designs are especially vulnerable.

Besides the Denise hooks mentioned in #2, look at all the choice I have now with the ChiaoGoo Tunisian L/8 mm hooks I brought home last month from the CGOA Chain Link Conference. Bigger photo here.

2009 is turning out to be my Year of the Crochet Hook. The last time I blogged about new crochet hooks was January 2007!

Chain Link Crochet Conference: SPARKLY

Or, How I Celebrated the Crochet Guild of America's Fifteenth Birthday!

CGOA's 15th annual national Chain Link conference, held Aug. 5-9 in Buffalo, NY was simply amazing. I have so much to blog about it that I haven't known where to begin. In the meantime I uploaded photos and tweeted about it. My tweets always show in the right hand column of this blog.

I love the anniversary theme: Crystal Jubilee! It inspired me to crochet a special bling coffee cozy in case Buffalo had great espresso.

In fact maybe I loved the theme a little too much :) Each time I pack for a conference I get a little crazy. I suddenly invent projects that make me pack too much yarn. This year I threw together materials for crocheting a variety of Crystal Jubilee Tiaras, in case I found the time during the conference, LOL. (I never did.)

At the last minute on my way to the airport, I made this Crystal Jubilee Bracelet (turns out it's a 20-minute project). Later at the conference

I crocheted a bangle version with glittery Jelly Yarn in honor of Mary Beth's birthday (see end of Tracie's blog post about the Chocolate Bar birthday; also see Dee's pics). I'm crocheting the birthday bangle in this photo taken at the Friday evening annual members' meeting. You can kind of make out the big pink crystals. It makes Little Loopy's eyes twinkle.

Speaking of twinkling eyes, how could I not wear new eye bling for the occasion? My rainbow glitter eyeliner was so sparkly that along with the bracelet, folks at my dinner table nominated me for the Bling Contest!

See Dee Stanziano's post for the best play-by-play of the contest. Basically, at the Fashion Show dinner each dinner table seated about 8 people. The people at each table nominated the person at their table who displayed the most bling. These nominees went on stage together and then voting by applause began. Congratulations to First Prize Winner Joan Davis!

All this Crystal Jubilee talk might be ringing a bell if you saw my last-minute pre-conference blog post about the silk vest. I'm happy to report that a) I completed it! I was weaving in the last ends at the dinner table; and, b) so many people asked for the pattern that I'll have some good photos when the pattern's ready. You might get an overall sense of it from this conference photo. Also, c) turns out it that embroidering crystal beads all over it would have been overbling, so it's a good thing I had the bracelet and eyeliner to ramp it up a notch, tastefully ;)

Just Back from the Craft SuperShow in Orlando!

Good thing I brought my camera! Here are some pics from the Craft SuperShow, a Craft and Hobby Association (CHA) event that was open to the public. All photos were taken on July 31.

The highlight of the day for me was when I discovered that Todd Paschall was there with some of his amazing crocheted portraits! I've been following Todd's posts in online crochet forums for years. It was fabulous to finally meet him in person.

My son had Obama in stitches (har har).

The Mary Engelbreit booth was mobbed. I was able to snap a pic of some Mary Engelbreit crochet.

The whole show was

mobbed actually! We had Disneyworld-like lines of people waiting to pick up their pre-registered tickets!! The show organizers were great at keeping the line moving quickly. I loved seeing so many people interested in crafting.

Another highlight of the day was finding out that one of my new designs is coming out soon. A photo of it being modeled was projected on a big screen. Why oh why didn't I take a photo of it?

You can see more photos from the big event in my Flickr album. You'll see some new crochet and knit fashions for children. I remember also seeing great new patterns for wraps and shawls and afghans and throws but didn't get photos of those.

Isn't it funny how you can be holding a camera in your hand and not think to use it? Except for when you do?

Silk Crochet for the CGOA Conference

I'd better stop what I'm doing and blog now, before I get even busier! My dream is to have something really special to wear to CGOA's Crystal Jubilee 15th Anniversary festivities at the Chain Link conference in less than a month.

I finally decided what I want to crochet with my Tess Yarns Cascade Silk stash yarn: a luxe waistcoat-type garment.

I'm starting off with Tunisian Simple Stitch for the bodice, worked in one piece. I sketched out a paper pattern and am shaping as I go. The right front and armhole of the bodice are completed so far. I'm enjoying the shaping experiments. And, the feeling of silk flowing through my fingers :)

Next will be a marathon swatching event in which I try to create the exquisite edging that I picture in my head, bordering the whole bodice. I did something similar when I designed this published tunic, but I'm picturing a new kind of edging for this silk waistcoat. ::crossing fingers that it will only take 1 afternoon of swatching::

After that, somewhat long panels cascading from the bottom edge of the bodice; their length and specific shape to be determined later. I may embroider the bodice, I may not. Crystals may also be involved, or not.

Actually, the dream is to have something special to wear every day that I'm there but if all I manage to complete is this silk waistcoat, I'll be jubilant.

Tunisian Crochet Chemo Hat: Pros & Cons

In the midst of hosting house guests and attending the TNNA conference, a new crocheted hat happened, known as "Vanilla Crown." Early in this blog's life I talked about "Hat Yoga": a hat designing journey for my dear friend Kalli.

The Vanilla Crown is the latest addition to the Hat Yoga collection and the first to feature two tunisian stitches for specific reasons.

We're having a heat wave here, and my house guest is not used to the extremes of air conditioning and humid subtropical heat. After all the chemo she's had, she doesn't need the extra stress on her immune system. So I wanted to create a summer hat that breathes but protects, and is of course exquisitely soft. I chose Decadent Fibers' organic color-grown cotton in "vanilla".

I've watched some of my hats stretch out over years of use. Sometimes it's due to the yarn, sometimes the stitch or gauge. For this hat I focused most on which stitch and gauge. The yarn is bumpy and fleecy and for it to be summery, I wanted a stitch that wouldn't amp up the bump, thickness, or weight; and one that wouldn't add stretch. My thoughts turned to tunisian crochet.

I wanted to frame my friend's face with a gently flaring brim that wouldn't droop over time. I thought of how tunisian simple stitch (TSS), worked firmly, naturally curls. It's also solid enough to block the sun.

As for what I was in the mood for: I was not up for doing tunisian in the round, nor entrelac. I needed something mindless enough so that I could socialize while crocheting. We also like to watch movies together. I was willing to commit to crocheting a rectangle, then seaming it to create a hat band with just the right fit before adding the brim and crown.

So here's what I think of the result based on the design goals:

• I'm very happy with the tunisian corded knit stitch used for the band. It has zero elasticity horizontally (around the head) and just enough vertically so that the wearer can pull it down over the ears or not.
  

• The stitch is also pleasingly protective yet airy, and shows off the yarn's texture without adding more bulk. It's a great stitch to design with.

• Using TSS for the brim is also a good choice, once I worked out the amount of increases to add so that the brim flared just enough. (I ripped out these rows so many times before getting them right!)
  

• The yarn is even more beautiful than I expected. It's soft, luminous, and great with different skin tones. I couldn't resist adding some pearls around the crown!
  

Those are the pros, want the cons? Well:

• I ended up using 4 different kinds of hooks. This is a problem designing with tunisian. Sometimes you don't know what you're in for until you're part way through a new design! I discover missing sizes and styles once I need one while designing :)
  

• My favorite tunisian hook was barely long enough for the rectangular band. Once I added stitches for the brim, I struggled to use my favorite hook but eventually switched to some new bamboo circulars, which I didn't like. For the crown I could use a regular crochet hook, but kept switching it because the yarn worked distinctly better with one brand over others.
  

• I underestimated how much the finished crown affects the way the band settles around the head. That's not this design's fault, just a design issue I learned the hard way. And in this case the hat still fits fine, just not the way I originally envisioned it; it was meant to be a "bucket" hat and became a "cloche."
  

• Lastly, seaming is not my first choice for a hat design. The seam did its job of making the hat enjoyable to make while socializing, so I would make a hat this way again in a similar situation. The seam, which is crocheted, looks okay except for a lumpy bit at the brim, but it doesn't really show.
  

How to Increase Crochet Stitches Like a Pro

2018 Update: I've incorporated this blog post into a newer one.

I wonder how many crocheters are aware of small refinements they can make at row edges to improve an angular shape, such as a triangle?
I wasn't aware of it myself until I designed the trapezoidal "Swingy Ruffles" bag for a Jean Leinhauser and Rita Weiss book in 2006. My first swatches resulted in rounded blobby shapes. No matter how dramatically I increased and decreased stitches in each row to create diagonal lines, the row edges restricted the shape.

As you can see in the photo above, the left and right edges of the yellow-green swatch are too tight, causing the top edge to bow outward. (These are Tunisian crochet swatches; see mini photo tutorial below.

Rosepuff Shawlette (regular crochet): a wide, shallow triangle.
Its edge stitches need extra room to spread wide.

The simple, obvious solution for regular (non-tunisian) crochet is to add a turning chain or two to loosen up the row edges, and it works. 

Diagonal lines that are created by steadily increasing or decreasing stitches in every row need room to flex and breathe. 

This is especially important for fashion crochet! Some elegant garments depend on the drape of truly angular edges for their dramatic flair.

Maybe you knew this already. If so, let me know if you've found advice like this in crochet books or sites because I like to alert crocheters to sources of great information.

Tunisian Crochet Edges

This became the Eilanner Shawl!

What about corner-start tunisian crochet? I'm currently designing a triangular wrap in which you begin at the bottom corner of the wrap and steadily increase at each edge to create a big triangle. In Tunisian (a.k.a. "afghan crochet") there is more than one way to add stitches at the beginning and end of a row. 

The common squeeze-in-a-stitch method works okay except in cases where you are increasing a lot. That's the case with the swatches in the first photo: I increased at each end of every row.

Adding stitches repeatedly has a momentum to it, a vector. A small momentum can be absorbed by the stretch of the fabric, but a greater momentum needs room to fully expand. Shell stitches have this momentum too.

A way to look at it geometrically is that when we crochet a square with the same number of stitches in each row, the rows stack up in columns. Stitches fill their little slots. When we (more rarely) start in a corner and increase in each row for a while to make a triangle, and perhaps then turn it into a diamond by decreasing every row until it comes to a point, each added stitch at the edge is actually launching off on a diagonal angle.

How to Do It

From the Symmetrical Diamonds free pattern.

Here's a way to steadily increase stitches in Tunisian simple stitch that helps the increase stitches do their shaping job (like the bluish swatch in the 1st photo). You'll see a wee photo tutorial when we get to the left edge. I've been experimenting with it this week, using different gauges and fibers. I like that:

• it has enough flexible drape for fashion designs
• it's substantial enough to support an added edging later
• the left edge and the right edge have equal tension and look equally nice to me (a tricky thing for Tunisian crochet!)

To increase 1 stitch at the beginning of a forward pass, chain 1, insert hook in first vertical bar and pull up a loop to create the added stitch; then continue across the row, pulling up a loop in each vertical bar across. So far, so what, right? No surprise maybe? Some crocheters already increase by working into the very first vertical bar instead of skipping it. 

I recommend that you chain 1 first. It gives a more flexible edge, especially if you will be adding more increases to this edge in each row. It seems to control the tension of the first stitch. To my eye, the chain melts into the diagonal edge and adds a little substance.

Photo 1 of 3.

To increase 1 stitch at the end of a forward pass, I borrowed a stitch from macrame called a Half-Hitch Knot; in knitting it's known as the Simple Cast-on (or Backwards Loop Cast-on). In my testing, two half-hitches added to the hook at the end of the row work great as one increase. 

If you add only 1 half-hitch, it's a flimsier loopy edge. I'm unable to find a video that would show you how to do a half-hitch while happily crocheting along, so until I create one I hope my 3 photos help. It's cool. I enjoy crocheting half-hitches. I like what they look like.

Photo 2 of 3.

How to make a Half-Hitch: Your goal is to add a loop onto your hook that has a twist in it so that it stays on your hook. All I do is instead of doing a usual yarn over with the strand of yarn from the finger controlling the tension of the yarn, I yarn over with the strand behind my tension finger. I "scoop" it from the palm of my hand. I know, sounds weird, and a little video would clear it up instantly! 

In photo 1 of 3, I added two loose half-hitches to the hook at the end of the forward pass. In photo 2 of 3 I simply tightened them. Aren't they cute?

Photo 3 of 3.

How to crochet the return pass with the half-hitches: yarn over and pull through both half-hitch loops on hook (counts as 1 increase stitch worked off of hook), yarn over, pull through two loops on hook at a time until one loop remains on hook. 

Tip: It might help you later to put a stitch marker in that pair of half hitch loops.

In photo 3 of 3 you can see what the two half-hitches look like now that I've pulled the yarn through them to begin the return pass.

What About the NEXT Row?
Crochet another forward pass of Tunisian simple stitch; start it with an increase like the row before. When you get to the end of this new forward pass, insert your hook in both end loops of the half-hitch pair. Then increase by making another pair of half-hitches.
When half-hitches are used to augment a widening left edge, you can see how they'll blend into the edge in a slightly bumpy, pretty way, and match the look of the chain 1 edge on the right edge. 
Below I've added a quick edging.

I've added a simple edge: a quick slip stitch + chain 1 in each row end.

I hope that you'll try this and let me know what you think. If you've learned about this elsewhere, please tell me about it.