Newly Published Jelly Yarn Projects for Children

I've been looking forward to the release of this fun book. Designing three of the projects was pure pleasure! The Flying Jelly Ring (and tambourine variation) went through multiple incarnations, requiring input from my son, a.k.a. Toy Tester "Bob". He cheerfully tested the glow-in-the-dark colors outside on clear summer evenings, for example. One of the prototypes now hangs off of his bedpost.

I'm proud of the Jellyfish purse because of the method I developed for covering a used CD with crochet, after much trial and error. The rainbow metallic look of a CD surface combined with Jelly Yarn gives the crochet a 21st century look that is irresistible to me! It's also very durable--I use the prototype often and it shows no wear. It was inspired by my son who loves jellyfish; Spongebob has something to do with it. (pictured at right is one of my son's electric jellyfish)

The book is chock-full of step-by-step photos and tips for every project, as I've come to expect from Kathleen Greco's books. In fact, as a designer I felt creatively freed by this because I knew that Kathleen would make sure that young readers could understand and enjoy each pattern from beginning to end.

Kathleen's snow globe project is a must-see!

I'm off to post a bit more on jelly over at my kid blog.

Triple Crochet vs. the Granule Stitch

I've been having fun experimenting with a new kind of crochet stitch! It has a unique braided look and is easy to make. A few days ago Teresa posted a Youtube link to a video tutorial on "Triple Crochet" in the Crochet Partners forum. This is no ordinary Triple Crochet.
In the first photo, the 4 swatches on the right are my experiments. On the far left is a swatch of some rows of standard dc and tr for comparison. Click on each pic to enlarge.

Part of the fun of having stitch dictionaries and patterns designed by different crocheters is learning new stitches. Some stitches have more than one name, some have no name, and others are so standardized that they always go by the same name and are always made the same way.

The 2nd photo shows the back sides of the same 4 swatches in the first pic above. Note the long single strand along each stitch.

I think it's safe to say that most crocheters for most of crochet history begin what Americans call a triple or treble, and what Brits and Aussies call a double treble, by yarning over the hook twice before placing the hook into the stitch to be worked, and then working the loops off of the hook in twos. Check out the how-to video at Nexstitch for this stitch. Any "learn to crochet" section in books or magazines shows the same standard way and standard name: Triple/Treble (US, often abbrev. "tr") or Double Treble (UK "dtr"). (The UK Treble is equivalent to the US Double.)

The "Triple Crochet" taught in the Youtube video has nothing in common with the standard tr. For example, you begin the stitch with no yarn-overs as if to make a Single Crochet (US sc/UK dc), and one loop is worked off twice, which creates 2 chain stitches, before working off the last two loops at once. Instead, this stitch is similar to the "single crochet picot stitch" that forms the basis of what is called "Granule Stitch" in Donna Kooler's Encyclopedia of Crochet (p. 139) and in the Harmony Guides vol 6, p. 36. It also appears under the name "Bead Stitch" in the 365 Crochet Stitches a Year Perpetual Calendar for May 22. In all of these cases, however, you make 3 chains, not 2, before working off the final two loops together. (By the way, the same Granule Stitch appears on p. 75 of the reprint of the Harmony Guides ed. by Erika Knight called Basic Crochet Stitches, but the swatch is so wrong!)

The biggest difference is what gives the Granule Stitch its picot or beadlike look. You chain 1 to begin the row and work a sc in the stitch before and after the "sc picot stitch" and this causes the 3-chain sc sts to scrunch over and make cute bulges.

In this 3rd photo you can see my attempt at a Tunisian version--this is the front view. I like it!

The new "Triple Crochet" stitch in the Youtube video stands straight and tall, no bulging. Something that doesn't show up in the video is the strand of yarn running vertically along the length of each stitch. (It reminds me of the lone strand alongside bullion sts.) I've provided photos of both front and back views of my swatches so that you can see what I mean; the strands tend to recede to the back of the stitches.

To keep this strand from limiting the height of this chained stitch you must make the first chain loosely. Watch how loose the tension is in the video while the stitches are made, especially at the foot of each stitch. When you pull the finished stitches up to their full height, that lone strand tugs the "feet" of the stitch tighter.

Photo #4: back view of my Tunisian version of the stitch in which you can see the long strand of each stitch.

I wish to thank Elissa (hope I spelled that right), the person in the video who opened my crochet world to a new kind of stitch!

I'd like to suggest that we call it something else. The "Extended Single Crochet" (esc) is the same except that it has only 1 chain added to the sc before completing it. So by adding 2 chains the way Elissa does it, it would make sense to call this stitch a tall esc, perhaps abbreviated "tesc". The stitch looks braided to me, so for a more poetic name I think of my Tunisian variation as "Tunisian Braid Stitch".

Tunisian Panels: The Marco Jacket

This one's fresh off the hook because I wanted to wear it to the Portland CGOA conference two weeks ago. It's really 4 experiments in one!

1. I used an obscure stash yarn that worked out great for tunisian crochet. It's Austermann Marco Stretch in "Winterberry" (a warm heathered rose). I've never used a bulky wool with a lot of lycra in it for a sweater so I didn't know what kind of drape I could expect, and whether I'd even be able to block it to my measurements. (Not much info on the 'net from users of this yarn, not even in Ravelry.)

2. The yarn is discontinued so I had a finite amount: would 10 skeins be enough for a jacket? To be on the safe side I went with cropped and shaped sleeves, cropped length, and minimal collar and front overlap. The yarn seemed sporty to me so I pictured a zip-front hoodie style, and would add pockets and a hood with leftover yarn. It ended up reminiscent of a boxy Chanel jacket style when I edged it. That's Yvette trying it on backstage after the conference fashion show.

3. The yarn was like felted spaghetti to work with and looked lumpy in every crochet swatch I tried except tunisian simple stitch (tss). The tunisian fabric came out stretchy, smooth, and soft & spongy enough for my kitten! I was not in the mood for long or cabled tunisian hooks, so....panels, right? I haven't seen many sweaters done this way lately. Making the panels was great fun, but how did I want to join them? I decided to make the seams a decorative element, so more swatching! (But check out ARNie's join-as-you-go tutorial) Correction added 9/30: See ARNie's comment on this entry; this link is part of Cindy's Crochet Pages. Great job Cindy! Thank you.

4. The last experiment concerned shaping. I wanted to do it all--tapered set-in sleeves, back neck drop, shoulder slope, waist. I knew it would help streamline the yarn's bouncy bulk, but this amount of shaping and shortrowing in tunisian was new to me. Using a 12mm hook and big yarn made it fun because some shaping was accomplished with merely adding or subtracting a few jumbo stitches.

I'm very pleased with the results, although I wish the yarn blocked better. There's a pic of me wearing it on Margaret's blog--scroll down to the 2nd photo. At the conference people especially liked the contrasting stitch textures, and some thought the seams were cables :-)

I would definitely construct a garment with tunisian panels again. I created a way to make "panel maps" in Garment Designer, which should simplify writing the pattern for many sizes. (Here's a hazy pic of the map I worked from.)

I had about 1 ball's worth of yarn left over. I paid $3.19/ball for this yarn about 4 years ago at http://www.elann.com/, so not bad for a $30 sweater, huh?

The Ins and Outs of INTERMESHING

I took Margaret Hubert's class on Intermeshing at the CGOA regional conference held in Portland, Oregon last week. Intermeshing is like crocheting two separate pieces of fabric, usually simple filet (chain 1, double crochet in the next double crochet), but you are interweaving them as you work a row of one piece and then the other, so it's a whole new way of experiencing filet crochet. The possible variations are infinite!

Although I had learned how to do this intriguing technique months ago thanks to Bonnie Pierce's downloads (scroll halfway down) and James Walters' excellent material generously made available via the internet, intermeshing is a type of crochet that is also exciting in a class setting. When I saw that Margaret was offering this class, I knew I had to be there.

I brought enough yarn for two very different swatches: one is that new Glow in the Dark yarn (white) by Bernat paired with a ball of blue discontinued Debbie Bliss yarn; my son loves how brightly the Bernat yarn glows in the dark, so I plan to turn this swatch into a small pillow that doubles as a nightlight. This yarn glows all night long! It glows brighter and less green than my camera captured here.

Margaret's class project was a simple bag and that's what I'll turn my second swatch into, so I brought colors for me: a deep rich red chenille (discontinued Reynolds Paris) paired with charcoal Lion Brand Cotton Ease. (see first photo, above.)

Intermeshing requires a certain kind of focus at first. I find that after awhile I can get into a comfortable rhythm, but until then, the logic of it is tricky for me--especially the beginning and ending of rows. Can you spot all the errors? Keep in mind that the edge is meant to end with a solid vertical bar of blue....

Below is my first swatch from months ago, in size 10 threads, turned into a wrist cuff. I was curious how it would look to pair a variegated thread (Manuela) with a solid neutral color (Cebelia). I wear it often because it goes great with jeans, but as a jewelry design I think it would have more punch if both colors were solid instead of variegated. Photos of it "in action" can be seen here.
I recommend Margaret's class to anyone interested in learning intermeshing. She brought some inspiring samples and her class handout is first-rate. I haven't shown any variations here, but Margaret had an afghan with a combination of intermeshing variations. Check out her blog entries about the class (scroll down to Sept. 16 and Aug. 3).

Update: see also this site about "Double Filet" as intermeshing is called in the UK (thank you, nic): http://www.craftgroupsevenoaks.co.uk/dfCrochet.php
In the US for 2010, Susan Lowman will be teaching a class on this technique at CGOA's Chain Link conference (July, Manchester NH).

The Merits of Owning 10-Skein Bags

Today in the Crochet Partners forum someone wondered what would be a good amount of yarn to buy if one sees it for a good price but one doesn't have a project in mind. What a great question! Below is my reply, with some additional thoughts.
(Pictured: a delicious 10-ball box of Coats Opera #5 thread)

If I can, I'll buy the number of skeins it takes to make a full mill "bag", if I can get the yarn in its original bag. Yarn companies ship most yarns divided neatly into clear bags. Many of the yarns sold in local yarn shops (LYS) come in 10-skein bags. Some yarns carried in craft chains might be shipped in 3-skein bags or 6-skein bags. I've found that if I buy a 10-skein bag at a yarn shop or online, there are lots of benefits:

- If I change my mind down the road about using the yarn, it's very easy to sell a full 10-skein bag (in its original bag) on the internet, even long after it has been discontinued. Occasionally a LYS will take it back for store credit.

- An intact bag of 10 makes a great gift for a yarn lover!
(10-ball bag of Rowan Linen Drape at left; click pic to see the official label on the bag)

- It's easy to figure out in your head the total yards you have: 10 x yards in each ball = a good amount for a sweater (note that depending on the design, there might only be enough yarn for mid-length sleeves.) So, say each ball has 125 yards, you know that a 10-ball bag gives you 1250 yards total. Ten skeins gives me enough to experiment with some and still have enough to make a summer top, shrug, wrap, hat and scarf, tote, throw pillows, multiple gifts, or a matching set of something.

- It comes home in its own storage bag! 10-ball bags stack on each other well and slide under beds perfectly. The balls stay new-looking because they don't tumble around; instead they're packed neatly like sardines in their mill bags. I'm making two sweaters right now, both with stash yarns that I bought in 10-ball bags about 5 years ago. The yarn is so fresh it's like I bought it yesterday!

- The dye lot is automatically the same for each ball.

- It helps the LYS because they're not left with stray skeins of a dye lot. By the way, if you want to special order a yarn from a LYS, ordering 10 balls of it makes it very easy for the shop.

- Given these benefits, if you find 10-ball bags of a discontinued yarn, the closeout price is a true bargain. Consider my latest acquisition: Artful Yarns Fable, $55 for the bag. That's $5.50 per ball of a premium pima cotton & silk blend, all one dye lot, pristine condition; 184yards ea. = 1840 yds total!

Many of these benefits might also be true for the 3-ball and 6-ball bags at chain stores.
The Caron Pizazz at right came in 3-ball bags.

Podcast Tonight! Join Me!

My good friend Mary Beth Temple created the Getting Loopy call-in podcast show a few months ago and has already built up a valuable archive of shows that you can listen to anytime. In my previous post I mentioned how she ramped everything up a notch by podcasting live from the conference!

Tonight, many of the designers who created the Crochet Belts from the Hip book together, including myself, will be on the show tonight getting all loopy about designing.

If you've already downloaded your raw, uncensored copy of the book, you'll know what I mean when I say, "Join us at the designer's table tonight" from 9-10pm while we're live. (If you can't make it, it will be archived and accessible immediately after the show.)

This CGOA Conference Broke the Mold!!

Have returned from Manchester NH to report that Chain Link 2008 (a.k.a. Knit and Crochet Show) was like no other conference ever!

pictured: Yvonne Tate (bklynvonne) handing out Ravelry buttons

Here's a list of firsts:

- CGOA's Design Contest was a great success! 115 high caliber entries means oh yes, we'll be doing this again. Thanks to Treva McCain for all of her hard work to make it happen.

- We had a record number of door prizes. For PD Day alone, every attendee (about 145) won at least 1 door prize. PD Day was the best ever so I'll have to blog more about that. (Pictured: Myra Wood and Jennifer Hansen in foreground; behind them, Robyn Chachula, presenters Jean Leinhauser and Rita Weiss, and at the podium, Jane Schwartz and Drew Emborsky.)

- In addition to creating this year's PD Day, Drew took over the job of emceeing the fashion show from the illustrious Lily Chin this year. (Drew, your Italian bespoke emcee jacket was spectacular.) He did a wonderful job, which freed up Lily to do some fabulous modeling on the runway.

- New 30-minute afternoon fashion show in the Market--therefore Drew's managing and emceeing of it is an automatic first, plus, Tammy Hildebrand agreed to model!

- Another fashion show first is the pre-show training generously provided by ex-model Melanie Mays. Another first I guess is that I didn't enter any of my own designs in the fashion show(s) this time. I modeled other people's, such as Annette Stewart's fun flouncy miniskirt (a contest entry).

- One other fashion show first is the way everyone just cleared out after the show on Saturday night. We didn't even have our usual post-show design lab!

- New CGOA Director Lorraine Lucas is a guild member-at-large, so the hobbyist members who are not in the business of selling yarn or designs now have a representative on the board. I found out that Lorraine is just the person you want to spend hours in a coffeehouse with before getting drenched by torrential rains on the way back to the conference. Wish I had a photo of that.

- Some other first-time attendees besides Lorraine: Carrie Sullivan, Amy Shelton (Crochetville admin), Renee Barnes (CrochetRenee'), Kimberly McAlindin, Jerry Rigdon, Jack Blumenthal, and Jess and Casey of Ravelry. New-to-me at the conference were Kim Guzman, Kristen TenDyke, and Gloria Tracy! New-to-many (but a sweet reunion for me) was Jenny King! In fact, we had the highest number of pre-registered attendees ever.

- We added a Committee Meet & Greet to the Members' Annual Meeting, and many chairpersons instantly found new volunteers for their committee this way.

- The Thursday night Market preview was hoppin'!! I think it was a good move to have Mary Beth Temple doing her live Getting Loopy podcast from the show floor right at the entrance so that no one could miss it. Her daughter "LL" was the perfect assistant. I want to thank the dozens of attendees who were happy to call in to the podcast and talk with MBT for a few minutes. They were less shy than I was! I'm told it made for a record download.

Follow the conversation in Crochetville.

Read about the conference at these blogs:

Karen D Creations

CrochetWithDee

My Hooks and Needles

CrochetbyFaye

Everyday Crochet

Getting Loopy

Addicted to Alpaca

Stoneview

CrochetRenee

I especially enjoyed the conference entries at Fire Lizard Studios, which is a blog I haven't seen before.

Our New Designer-Published Book

Before I leave for the big exciting national CGOA conference thatIwouldn'tmissfortheworld I'm proud to officially announce a new kind of crochet pattern book.

NINETEEN designers rode the publishing rapids together and survived the adventure! We've learned what it's like to put together an instant-download e-book as a group, get a website for it, get it reviewed, and choose the topic for our next one. Many of us will meet up again at the conference this week so who knows what will come of that!

We call our group "Straight From Today's Designers", or SFTDonline.com.

For the book I did a "Barbed Wire Belt" in silver Jelly Yarn. I was able to include a story about the design because I'm one of the publishers. Feels good!

Don't miss Tammy Hildebrand's daughter modeling her belt!

JD Wolfe of Craft Gossip reviewed it here and Lime & Violet reviewed it here. So far, these contributors have blogged it: Angela Best of La Vonne's Knot Just Knits, Doris Chan, Robyn Chachula, Noreen Crone Findlay, Lisa Gentry, Pam Gillette of Knotty Generation, Kim Guzman of Kimane Designs, Amie Hirtes of Nexstitch,Margaret Hubert, and Marty Miller.